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Count Brühl by Jo?zef Ignacy Kraszewski

Chapter 1 COUNT BRUHL

THE LOTUS LIBRARY

Foolscap 8vo, top edge gilt, with bookmark.

Leather, $1.00 net.

* * *

* * *

Zyte. By Hector Malot. In Preparation.

The Dream. By Emile Zola.

Sidonie's Revenge. By A. Daudet.

The Poison Dealer. By G. Ohnet.

Sevastopol. By Leo Tolstoy.

The Woman of Mystery. By Georges Ohnet.

The Disaster. By Paul and Victor Margueritte.

The Diamond Necklace. By F. Funck-Brentano.

Cagliostro & Co. By Franz Funck-Brentano.

Count Brühl. By Joseph Kraszewski.

The Latin Quarter. By Henry Merger.

Salammbo. By Gustave Flaubert.

Thais. By Anatole France.

The Nabob. By Alphonse Daudet.

Drink. By Zola.

Madame Bovary. By Gustave Flaubert.

The Black Tulip. By Alexandre Dumas.

Sapho. By Alphonse Daudet.

A Woman's Soul. By Guy de Maupassant.

La Faustin. By Edmond de Goncourt.

A Modern Man's Confession. By Alfred de Musset.

The Matapan Jewels. By Fortune du Boisgobey.

Vathek. By William Beckford.

Romance of a Harem. Translated from the French by C. Forestier-Walker.

Woman and Puppet. By Pierre Louys.

The Blackmailers. By Emile Gaboriau.

The Mummy's Romance. By Theophile Gautier.

The Blue Duchess. By Paul Bourget.

A Woman's Heart. By Paul Bourget.

A Good-natured Fellow. By Paul de Koch.

Andre Cornells. By Paul Bourget.

The Rival Actresses. By Georges Ohnet.

Our Lady of Lies. By Paul Bourget.

Their Majesties the Kings. By Jules Lemaitre.

Mademoiselle de Maupin. By Theophile Gautier.

In Deep Abyss. By Georges Ohnet.

The Popinjay. By Alphonse Daudet.

The Temptation of Saint Anthony. By G. Flaubert.

Captain Fracasse. By Theophile Gautier.

He and She. By Paul de Musset.

A Passion of the South. By Alphonse Daudet.

The Kreutzer Sonata. By Leo Tolstoy.

The Outlaw of Iceland. By Victor Hugo.

COUNT BRüHL

By

JOSEPH KRASZEWSKI

Translated by

COUNT DE SOISSONS

BRENTANO'S

NEW YORK

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I watched my husband sign the papers that would end our marriage while he was busy texting the woman he actually loved. He didn't even glance at the header. He just scribbled the sharp, jagged signature that had signed death warrants for half of New York, tossed the file onto the passenger seat, and tapped his screen again. "Done," he said, his voice devoid of emotion. That was Dante Moretti. The Underboss. A man who could smell a lie from a mile away but couldn't see that his wife had just handed him an annulment decree disguised beneath a stack of mundane logistics reports. For three years, I scrubbed his blood out of his shirts. I saved his family's alliance when his ex, Sofia, ran off with a civilian. In return, he treated me like furniture. He left me in the rain to save Sofia from a broken nail. He left me alone on my birthday to drink champagne on a yacht with her. He even handed me a glass of whiskey—her favorite drink—forgetting that I despised the taste. I was merely a placeholder. A ghost in my own home. So, I stopped waiting. I burned our wedding portrait in the fireplace, left my platinum ring in the ashes, and boarded a one-way flight to San Francisco. I thought I was finally free. I thought I had escaped the cage. But I underestimated Dante. When he finally opened that file weeks later and realized he had signed away his wife without looking, the Reaper didn't accept defeat. He burned down the world to find me, obsessed with reclaiming the woman he had already thrown away.

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