Louise Imogen Guiney
2 Published Stories
Louise Imogen Guiney's Books and Stories
Brownies and Bogles
Literature A FAIRY is a humorous person sadly out of fashion at pre-sent, who has had, nevertheless, in the actors' phrase, a long and prosperous run on this planet. When we speak of fairies nowadays, we think only of small sprites who live in a kingdom of their own, with manners, laws, and privileges very different from ours. But there was a time when "fairy" suggested also the knights and ladies of romance, about whom fine spirited tales were told when the world was younger. Spenser's Faery Queen, for instance, deals with dream-people, beautiful and brave, as do the old stories of Arthur and Roland; people who either never lived, or who, having lived, were glorified and magnified by tradition out of all kinship with common men. Our fairies are fairies in the modern sense. We will make it a rule, from the beginning, that they must be small, and we will put out any who are above the regulation height. Such as the charming famous MELUSINA, who wails upon her tower at the death of a LUSIGNAN, we may as well skip; for she is a tall young lady, with a serpent's tail, to boot, and thus, alas! half-monster; for if we should accept any like her in our plan, there is no reason why we should not get confused among MERMAIDS and DRYADS, and perhaps end by scoring down great JUNO herself as a fairy! Many a DWARF and GOBLIN, whom we shall meet ANON, is as big as a child. "ELF" and "GOBLIN," too, are interesting to trace. There was a great Italian feud, in the twelfth century, between the German Emperor and the Pope, whose separate partisans were known as the GUELFs and the GHIBELLINEs. As time went on, and the memory of that long strife was still fresh, a descendant of the Guelfs would put upon anybody he disliked the odious name of Ghibelline; and the latter, generation after generation, would return the compliment ardently, in his own fashion. Both terms, finally, came to be mere catch-words for abuse and reproach. And the fairies, falling into disfavor with some bold mortals, were angrily nicknamed "elf" and "goblin"; in which shape you will recognize the last threadbare reminder of the once bitter and historic faction of Guelf and Ghibelline. You might like
The Blood Ship
Norman Springer It was the writing guy who drew this story out of Captain Shreve. He talked so much I think the Old Man spun the yarn just to shut him up. He had talked ever since his arrival on board, early that morning, with a letter from the owners' agent, and the announcement he intended making the voyage with us. He had weak lungs, he said, and was in search of mild, tropical breezes. Also, he was seeking local color, and whatever information he could pick up about "King" Waldon.He had heard of the death of "King" Waldon, down in Samoa—Waldon, the trader, of the vanishing race of island adventurers—and he expected to travel about the south seas investigating the "king's" past, so he could write a book about the old viking. He had heard that Captain Shreve had known Waldon. Hence, he was honoring a cargo carrier with his presence instead of taking his ease upon a mail-boat.Captain Shreve must tell him all he knew about the "king." He was intensely interested in the subject. Splendid material, you know. That romantic legend of Waldon's arrival in the islands—too good to be true, and certainly too good not to put into a book. Was Captain Shreve familiar with the tale? How this fellow, Waldon, sailed into a Samoan harbor in an open boat, his only companion his beautiful young wife? Imagine—this man and woman coming from nowhere, sailing in from the open sea in a small boat, never telling whence they came!He said this was the stuff to go into his book. Romance, mystery! It was quite as important as the later and better known incidents in the "king's" life. That was why Captain Shreve must tell him all he knew about the fellow. If he could only get at the beginning of the "king's" career in the islands. Where did the fellow come from? Why should a man bring his bride into an uncivilized and lawless section of the world, and settle down for life? There must be a story in that. Ah, yes, and he was the man who could properly do it. The Talisman
Walter Scott "The Talisman" is a novel by Sir Walter Scott. It was published in 1825 as the second of his "Tales of the Crusaders", the first being "The Betrothed". "The Talisman" takes place at the end of the Third Crusade, mostly in the camp of the Crusaders in Palestine. Scheming and partisan politics, as well as the illness of King Richard the Lionheart, are placing the Crusade in danger. The main characters are the Scottish knight Kenneth, who is a fictional character version of David of Scotland, Earl of Huntingdon, who did in fact return from the third Crusade in 1190, Richard the Lionheart, Saladin, and Edith