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Chapter 1 No.1
On Charles, earl of Dorset, in the church of Wythyham, in Sussex.
Dorset, the grace of courts, the muse's pride,
Patron of arts, and judge of nature, dy'd,-
The scourge of pride, though sanctify'd or great,
Of fops in learning, and of knaves in state;
Yet soft in nature, though severe his lay,
His anger moral, and his wisdom gay.
Blest satirist! who touch'd the mean so true,
As show'd, vice had his hate and pity too.
Blest courtier! who could king and country please,
Yet sacred kept his friendship, and his ease.
Blest peer! his great forefather's every grace
Reflecting, and reflected on his race;
Where other Buckhursts, other Dorsets shine,
And patriots still, or poets, deck the line.
The first distich of this epitaph contains a kind of information which few would want, that the man for whom the tomb was erected, died. There are, indeed, some qualities worthy of praise ascribed to the dead, but none that were likely to exempt him from the lot of man, or incline us much to wonder that he should die. What is meant by "judge of nature," is not easy to say. Nature is not the object of human judgment; for it is vain to judge where we cannot alter. If by nature is meant what is commonly called nature by the criticks, a just representation of things really existing, and actions really performed, nature cannot be properly opposed to art; nature being, in this sense, only the best effect of art.
The scourge of pride-
Of this couplet, the second line is not, what is intended, an illustration of the former. Pride in the great, is, indeed, well enough connected with knaves in state, though knaves is a word rather too ludicrous and light; but the mention of sanctified pride will not lead the thoughts to fops in learning, but rather to some species of tyranny or oppression, something more gloomy and more formidable than foppery.
Yet soft his nature-
This is a high compliment, but was not first bestowed on Dorset by Pope[153]. The next verse is extremely beautiful.
Blest satirist!
In this distich is another line of which Pope was not the author. I do not mean to blame these imitations with much harshness; in long performances they are scarcely to be avoided; and in shorter they may be indulged, because the train of the composition may naturally involve them, or the scantiness of the subject allow little choice. However, what is borrowed is not to be enjoyed as our own; and it is the business of critical justice to give every bird of the muses his proper feather.
Blest courtier!
Whether a courtier can properly be commended for keeping his ease sacred, may, perhaps, be disputable. To please king and country, without sacrificing friendship to any change of times, was a very uncommon instance of prudence or felicity, and deserved to be kept separate from so poor a commendation as care of his ease. I wish our poets would attend a little more accurately to the use of the word sacred, which surely should never be applied in a serious composition, but where some reference may be made to a higher being, or where some duty is exacted, or implied. A man may keep his friendship sacred, because promises of friendship are very awful ties; but, methinks, he cannot, but in a burlesque sense, be said to keep his ease sacred.
Blest peer!
The blessing ascribed to the peer has no connexion with his peerage; they might happen to any other man whose ancestors were remembered, or whose posterity are likely to be regarded.
I know not whether this epitaph be worthy either of the writer or of the man entombed.
Chapter 1 No.1
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Chapter 2 No.2
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Chapter 3 No.3
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Chapter 4 ON JAMES CRAGGS, ESQ.
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Chapter 5 INTENDED FOR MR. ROWE.
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Chapter 6 ON MRS. CORBET,
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Chapter 7 No.7
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Chapter 8 ON SIR GODFREY KNELLER.
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Chapter 9 No.9
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Chapter 10 ON MR. ELIJAH FENTON.
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Chapter 11 ON MR. GAY.
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Chapter 12 INTENDED FOR SIR ISAAC NEWTON.
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Chapter 13 No.13
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Other books by Samuel Johnson
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