Essays in the Art of Writing

Essays in the Art of Writing

Robert Louis Stevenson

5.0
Comment(s)
21
View
15
Chapters

A collection of essays about writing: "On some technical elements of style in literature", "The morality of the profession of letters", "Books which have influenced me", "A note on realism", "My first book: 'Treasure Island'", "The genesis of 'the master of Ballantrae'" & "Preface to 'the master of Ballantrae'".

Chapter 1 LIFE OF STEVENSON

Robert Louis Stevenson[1] was born at Edinburgh on the 13 November 1850. His father, Thomas, and his grandfather, Robert, were both distinguished light-house engineers; and the maternal grandfather, Balfour, was a Professor of Moral Philosophy, who lived to be ninety years old. There was, therefore, a combination of Lux et Veritas in the blood of young Louis Stevenson, which in Dr. Jekyll and Mr. Hyde took the form of a luminous portrayal of a great moral idea.

In the language of Pope, Stevenson's life was a long disease. Even as a child, his weak lungs caused great anxiety to all the family except himself; but although Death loves a shining mark, it took over forty years of continuous practice for the grim archer to send the black arrow home. It is perhaps fortunate for English literature that his health was no better; for the boy craved an active life, and would doubtless have become an engineer. He made a brave attempt to pursue this calling, but it was soon evident that his constitution made it impossible. After desultory schooling, and an immense amount of general reading, he entered the University of Edinburgh, and then tried the study of law. Although the thought of this profession became more and more repugnant, and finally intolerable, he passed his final examinations satisfactorily. This was in 1875.

He had already begun a series of excursions to the south of France and other places, in search of a climate more favorable to his incipient malady; and every return to Edinburgh proved more and more conclusively that he could not live in Scotch mists. He had made the acquaintance of a number of literary men, and he was consumed with a burning ambition to become a writer. Like Ibsen's Master-Builder, there was a troll in his blood, which drew him away to the continent on inland voyages with a canoe and lonely tramps with a donkey; these gave him material for books full of brilliant pictures, shrewd observations, and irrepressible humour. He contributed various articles to magazines, which were immediately recognised by critics like Leslie Stephen as bearing the unmistakable mark of literary genius; but they attracted almost no attention from the general reading public, and their author had only the consciousness of good work for his reward. In 1880 he was married.

Stevenson's first successful work was Treasure Island, which was published in book form in 1883, and has already become a classic. This did not, however, bring him either a good income or general fame. His great reputation dates from the publication of the Strange Case of Dr. Jekyll and Mr. Hyde, which appeared in 1886. That work had an instant and unqualified success, especially in America, and made its author's name known to the whole English-speaking world. Kidnapped was published the same year, and another masterpiece, The Master of Ballantrae, in 1889.

After various experiments with different climates, including that of Switzerland, Stevenson sailed for America in August 1887. The winter of 1887-88 he spent at Saranac Lake, under the care of Dr. Trudeau, who became one of his best friends. In 1890 he settled at Samoa in the Pacific. Here he entered upon a career of intense literary activity, and yet found time to take an active part in the politics of the island, and to give valuable assistance in internal improvements.

The end came suddenly, exactly as he would have wished it, and precisely as he had unconsciously predicted in the last radiant, triumphant sentences of his great essay, Aes Triplex. He had been at work on a novel, St. Ives, one of his poorer efforts, and whose composition grew steadily more and more distasteful, until he found that he was actually writing against the grain. He threw this aside impatiently, and with extraordinary energy and enthusiasm began a new story, Weir of Hermiston, which would undoubtedly have been his masterpiece, had he lived to complete it. In luminosity of style, in nobleness of conception, in the almost infallible choice of words, this astonishing fragment easily takes first place in Stevenson's productions. At the end of a day spent in almost feverish dictation, the third of December 1894, he suddenly fainted, and died without regaining consciousness. "Death had not been suffered to take so much as an illusion from his heart. In the hot-fit of life, a-tiptoe on the highest point of being, he passed at a bound on to the other side. The noise of the mallet and chisel was scarcely quenched, the trumpets were hardly done blowing, when, trailing with him clouds of glory, this happy-starred, full-blooded spirit shot into the spiritual land."

He was buried at the summit of a mountain, the body being carried on the shoulders of faithful Samoans, who might have sung Browning's noble hymn,

"Let us begin and carry up this corpse,

Singing together!

Leave we the common crofts, the vulgar thorpes

Each in its tether

Sleeping safe on the bosom of the plain...

That's the appropriate country; there, man's thought,

Rarer, intenser,

Self-gathered for an outbreak, as it ought,

Chafes in the censer.

Leave we the unlettered plain its herd and crop;

Seek we sepulture

On a tall mountain...

Thither our path lies; wind we up the heights:

Wait ye the warning!

Our low life was the level's and the night's;

He's for the morning.

Step to a tune, square chests, erect each head,

'Ware the beholders!

This is our master, famous, calm and dead,

Borne on our shoulders...

Here-here's his place, where meteors shoot clouds form,

Lightnings are loosened,

Stars come and go! Let joy break with the storm,

Peace let the dew send!

Lofty designs must close in like effects

Loftily lying,

Leave him-still loftier than the world suspects,

Living and dying."

Continue Reading

Other books by Robert Louis Stevenson

More

You'll also like

The Sterling Scandal: Married To The Uncle

The Sterling Scandal: Married To The Uncle

C.D
4.5

I was at my own engagement party at the Sterling estate when the world started tilting. Victoria Sterling, my future mother-in-law, smiled coldly as she watched me struggle with a cup of tea that had been drugged to ruin me. Before I could find my fiancé, Ryan, a waiter dragged me into the forbidden West Wing and locked me in a room with Julian Sterling, the family’s "fallen titan" who had been confined to a wheelchair for years. The door burst open to a frenzy of camera flashes and theatrical screams. Victoria framed me as a seductress caught in the act, and Ryan didn't even try to listen to my pleas, calling me "cheap leftovers" before walking away with his pregnant mistress. When I turned to my own family for help, my father signed a document severing our relationship for a five-million-dollar payout from Julian. They traded me like a commodity without a second thought. I didn't understand why my own parents were so eager to sell me, or how Ryan could look at me with such disgust after promising me forever. I was a sacrifice, a pawn used to protect the family's offshore accounts, and I couldn't fathom how every person I loved had a price tag for my destruction. With nowhere left to go, I married Julian in a bleak ceremony at City Hall. He slid a heavy diamond onto my finger and whispered, "We have a war to start." That night, inside his secret penthouse, I watched the paralyzed man stand up from his wheelchair and activate a screen filled with the Sterling family's darkest secrets. The execution had officially begun.

The Scars Behind My Golden Dress

The Scars Behind My Golden Dress

Catherine
5.0

I spent four hours preparing a five-course meal for our fifth anniversary. When Jackson finally walked into the penthouse an hour late, he didn't even look at the table. He just dropped a thick Manila envelope in front of me and told me he was done. He said his stepsister, Davida, was getting worse and needed "stability." I wasn't his wife; I was a placeholder, a temporary fix he used until the woman he actually loved was ready to take my place. Jackson didn't just want a divorce; he wanted to erase me. He called me a "proprietary asset," claiming that every design I had created to save his empire belonged to him. He froze my bank accounts, cut off my phone, and told me I’d be nothing without his name. Davida even called me from her hospital bed to flaunt the family heirloom ring Jackson claimed was lost, mocking me for being "baggage" that was finally being cleared out. I stood in our empty home, realizing I had spent five years being a martyr for a man who saw me as a transaction. I couldn't understand how he could be so blind to the monster he was protecting, or how he could discard me so coldly after I had given him everything. I grabbed my hidden sketchbook, shredded our wedding portrait, and walked out into the rain. I dialed a number I hadn't touched in years—a dangerous man known as The Surgeon who dealt in debts and shadows. I told him I was ready to pay his price. Jackson and Davida wanted to steal my identity, but I was about to show the world the literal scars they had left behind.

Chapters
Read Now
Download Book