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Silhouettes

Flash Marriage To My Best Friend's Father

Flash Marriage To My Best Friend's Father

Madel Cerda
I was once the heiress to the Solomon empire, but after it crumbled, I became the "charity case" ward of the wealthy Hyde family. For years, I lived in their shadows, clinging to the promise that Anson Hyde would always be my protector. That promise shattered when Anson walked into the ballroom with Claudine Chapman on his arm. Claudine was the girl who had spent years making my life a living hell, and now Anson was announcing their engagement to the world. The humiliation was instant. Guests sneered at my cheap dress, and a waiter intentionally sloshed champagne over me, knowing I was a nobody. Anson didn't even look my way; he was too busy whispering possessively to his new fiancée. I was a ghost in my own home, watching my protector celebrate with my tormentor. The betrayal burned. I realized I wasn't a ward; I was a pawn Anson had kept on a shelf until he found a better trade. I had no money, no allies, and a legal trust fund that Anson controlled with a flick of his wrist. Fleeing to the library, I stumbled into Dallas Koch—a titan of industry and my best friend’s father. He was a wall of cold, absolute power that even the Hydes feared. "Marry me," I blurted out, desperate to find a shield Anson couldn't climb. Dallas didn't laugh. He pulled out a marriage agreement and a heavy fountain pen. "Sign," he commanded, his voice a low rumble. "But if you walk out that door with me, you never go back." I signed my name, trading my life for the only man dangerous enough to keep me safe.
Romance RevengeMafia
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Mr. Adolf Reiss, merchant, sits alone on a gloomy December afternoon. He gazes into the fire with jaundiced eyes reflecting on his grievance against Life. The room is furnished expensively but arranged without taste, and it completely lacks home atmosphere. Mr. Reiss's room is, like himself, uncomfortable. The walls are covered with pictures, but their effect is unpleasing; perhaps this is because they were bought by him as reputed bargains, sometimes at forced sales of bankrupt acquaintances Making and thinking about money has not left Mr.

Reiss time to consider comfort, but for Art, in the form of pictures and other saleable commodities, he has a certain respect. Such things if bought judiciously have been known to increase in value in the most extraordinary manner, and as this generally happens long after their creators are dead, he leaves living artists severely alone. The essence of successful speculation is to limit your liability.

Mr. Reiss is a short, stoutish, ungainly man past seventy, and he suffers from chronic indigestion. He is one of those people of whom it is difficult to believe that they ever were young.

But it is not on account of these disadvantages that Mr. Reiss considers himself ill treated by Fate. It is because since the War he regards himself as a ruined man. Half his fortune remains; but Mr. Reiss, though he hates the rich, despises the merely well-off. Of a man whose income would generally be considered wealth he says, "Bah! He hasn't a penny." Below this level every one is "a pauper"; now he rather envies such pitiable people because "they've got nothing to lose." His philosophy of life is simple to grasp, and he can never understand why so many people refuse to accept it. If they did, he thinks that the world would not be such an unpleasant place to live in. Life in his opinion is simply a fight for money. All the trouble in the world is caused by the want of it, all the happiness man requires can be purchased with it. Those who think the contrary are fools, and if they go to the length of professing indifference to money they are "humbugs."

"Humbug" and "Bunkum" are favourite words of his. He generally dismisses remarks and stops discussion by the use of either or both. His solitary term of praise is the word "respectable" and he uses it sparingly, being as far as he can conscientiously go in approval of any one; he thus eulogizes those who live within their means and have never been known to be hard up. People who are hard up are "wasters." No one has any business to be hard up; "respectable" men live on what they've got. If any one were to ask him how people are to live within their means when they've not got any, he would reply with the word "bunkum" and clinch the argument with a grunt. It will be understood that conversation with Mr. Adolf Reiss is not easy.

* * *

A knock on the door. Mr. Reiss's servant announces some one and withdraws.

Intuitively Mr. Reiss, who is rather deaf, and has not caught the name, grasps the paper and hides behind it. From long experience he has discovered the utility of the newspaper as a sort of parapet behind which he can better await attack.

A slight figure in khaki advances into the room, observes the newspaper above the legs and smiles slightly.

"Hello, uncle!" It's a fresh young voice.

Mr. Reiss grunts, slowly lowers the paper and gazes at the youth over his eyeglasses.

"Oh, it's you. When did you come up?"

"Just arrived, uncle. We're ordered out. I thought I'd look you up at once as there are one or two things-"

"Eh-what?"

Among Mr. Reiss's characteristics is a disconcerting habit of making people repeat their remarks. This is deliberate and its purpose twofold-to gain time and to embarrass the person addressed.

The young fellow sits down rather uncomfortably and begins again-

"We're ordered out, you know-"

"No, I didn't know. How could I? You never write-"

Mr. Reiss consolidates his defence with the pretence of a grievance.

"I didn't know myself until yesterday. They don't give one much time, you know."

"They-who?"

"The War Office people. You see, our first battalion has had a lot of casualties and three of us subs are being taken from the third. We've got to join the day after to-morrow. Bit of a rush. And I've got things to get. I'm afraid I must ask you to give me a leg up, uncle. I'm a bit short-"

"Short? Why, you've got an ample allowance besides your pay and the Government pays for your outfit at an extravagant rate." Mr. Reiss never ceases denouncing the extravagance of the Government. He now adjusts his glasses and glowers at the youngster, who fidgets under the scrutiny. "Yes, I know. I-" he stammers.

"Well-well?"

"The fact is-when Staples, our captain, went back-he-I-"

A grunt. Then, "Eh-what?"

"He was engaged, you know."

"Well-well?" irritably.

"I can't explain, uncle, if you don't give me a chance."

Another grunt.

"Jimmie-I mean Staples-wanted to give his girl a ring before he went back. He hadn't enough money-so I lent him fifty pounds."

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