A Little Journey in the World

A Little Journey in the World

Charles Dudley Warner

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The title naturally suggested for this story was "A Dead Soul," but it was discarded because of the similarity to that of the famous novel by Nikolai Gogol--"Dead Souls"--though the motive has nothing in common with that used by the Russian novelist. Gogol exposed an extensive fraud practiced by the sale, in connection with lands, of the names of "serfs" (called souls) not living, or "dead souls." This story is an attempt to trace the demoralization in a woman's soul of certain well-known influences in our existing social life. In no other way could certain phases of our society be made to appear so distinctly as when reflected in the once pure mirror of a woman's soul.

A Little Journey in the World Introduction

The title naturally suggested for this story was "A Dead Soul," but it was discarded because of the similarity to that of the famous novel by Nikolai Gogol--"Dead Souls"--though the motive has nothing in common with that used by the Russian novelist. Gogol exposed an extensive fraud practiced by the sale, in connection with lands, of the names of "serfs" (called souls) not living, or "dead souls."

This story is an attempt to trace the demoralization in a woman's soul of certain well-known influences in our existing social life. In no other way could certain phases of our society be made to appear so distinctly as when reflected in the once pure mirror of a woman's soul.

The character of Margaret is the portrait of no one woman. But it was suggested by the career of two women (among others less marked) who had begun life with the highest ideals, which had been gradually eaten away and destroyed by "prosperous" marriages and association with unscrupulous methods of acquiring money.

The deterioration was gradual. The women were in all outward conduct unchanged, the conventionalities of life were maintained, the graces were not lost, the observances of the duties of charities and of religion were even emphasized, but worldliness had eaten the heart out of them, and they were "dead souls." The tragedy of the withered life was a thousand-fold enhanced by the external show of prosperous respectability.

The story was first published (in 1888) in Harper's Monthly. During its progress--and it was printed as soon as each installment was ready (a very poor plan)--I was in receipt of the usual letters of sympathy, or protest, and advice. One sympathetic missive urged the removal of Margaret to a neighboring city, where she could be saved by being brought under special Christian influences. The transfer, even in a serial, was impossible, and she by her own choice lived the life she had entered upon.

And yet, if the reader will pardon the confidence, pity intervened to shorten it. I do not know how it is with other writers, but the persons that come about me in a little drama are as real as those I meet in every-day life, and in this case I found it utterly impossible to go on to what might have been the bitter, logical development of Margaret's career. Perhaps it was as well. Perhaps the writer should have no despotic power over his creations, however slight they are. He may profitably recall the dictum of a recent essayist that "there is no limit to the mercy of God."

CHARLES DUDLEY WARNER.

Hartford, August 11, 1899.

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I married Clive Harrington, the coldest billionaire in Manhattan, under a strict contract that forbade any emotional burdens. When I needed a high-risk surgery to save my sight, I checked into the clinic alone, hiding the procedure from a husband who saw me as nothing more than a legal asset. I thought I could handle the darkness in silence. But while I was blind and bandaged in my hospital bed, my biological mother called, screaming that if I didn't produce a Harrington heir by the end of the fiscal year, she would cut off the life-saving treatments for my disabled sister. I was crawling on the cold hospital floor, desperately feeling for a cane I had dropped, when I touched a pair of expensive leather shoes. It was Clive. He was supposed to be in London closing a multi-million dollar deal, but there he was, watching his "contract wife" groveling in the dark like a beggar. He didn't walk away in disgust. He carried me to a five-thousand-dollar-a-night VIP suite and sat by my bed, listening in chilling silence as another voicemail from my mother filled the room, calling me a "useless broodmare" who was only worth the trust fund disbursements my marriage secured. I expected him to remind me of Clause 34B or hand me divorce papers now that I was "damaged goods." Instead, I felt his thumb brush a stray tear from my cheek, his presence shifting from a statue of ice into a predatory shield. "I thought I was just currency to you," I whispered, my voice trembling behind the gauze. "Just an investment." Clive didn't answer with words. He picked up his phone and called his head of legal with a single, terrifying command: "Kill the Douglas family’s credit lines. Every debt, every lien—trigger them all. If they want a war, I’ll give them a massacre." As he leaned down to kiss my bandaged forehead, I realized the contract was dead. My husband wasn't protecting an asset anymore; he was hunting the people who had dared to touch what belonged to him.

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A Little Journey in the World A Little Journey in the World Charles Dudley Warner Fantasy
“The title naturally suggested for this story was "A Dead Soul," but it was discarded because of the similarity to that of the famous novel by Nikolai Gogol--"Dead Souls"--though the motive has nothing in common with that used by the Russian novelist. Gogol exposed an extensive fraud practiced by the sale, in connection with lands, of the names of "serfs" (called souls) not living, or "dead souls." This story is an attempt to trace the demoralization in a woman's soul of certain well-known influences in our existing social life. In no other way could certain phases of our society be made to appear so distinctly as when reflected in the once pure mirror of a woman's soul.”
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Introduction

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Chapter 1

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Chapter 2

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Chapter 3

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Chapter 4

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Chapter 5

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Chapter 6

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Chapter 7

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Chapter 8

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Chapter 9

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Chapter 10

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Chapter 11

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Chapter 12

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Chapter 13

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Chapter 14

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Chapter 15

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Chapter 16

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Chapter 17

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Chapter 18

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Chapter 19

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Chapter 20

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Chapter 21

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Chapter 22

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