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The Oriel Window
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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Chapter 1 A HAPPY WAKING

I do not think you could anywhere have found a happier little boy than Ferdy Ross when he woke on the morning of his ninth birthday.

He was always-at least almost always-happy, and he had good reason for being so. He had everything that children need to make life bright and joyous: kind parents, a dear sister, a pretty home, and, best of all, a loving, trusting, sunshiny nature, which made it easy for him to be very happy and loving, and made it easy too for others to love him in return and to feel pleasure in being with him. But to-day, his birthday, the fourteenth of May, he was very particularly, delightfully happy.

What a very long time it seemed that he and Chrissie had been looking forward to it! Ever since Christmas, or New Year at least. That was how he and Chrissie had settled to do about their lookings-forwards. Chrissie's birthday was in September. She was a year and four months older than Ferdy, so it fitted in very well. As soon as her birthday was over they began the Christmas counting, and this in one way was the biggest of all the year, for their father's and mother's birthdays both came in Christmas week, and it had been found very convenient to "keep" them and Christmas Day together. So Christmas Day at Evercombe Watch House, which was Ferdy's home, was a very important day for more reasons than the great Christmas reasons which we all join in.

And then when Christmas time was over and Ferdy and Christine began to feel a little dull and unsettled, as children are pretty sure to do after a great deal of pleasure and fun, there was Ferdy's birthday to think of and prepare for; for it was not only just looking forward and counting the days, or rather the months first, and then the weeks and then the days to their "treat" times, that they divided the seasons into; there were separate and different things to do, according to which of the three parts of the year it was. For Christmas, of course, there was the most to do-all the little things to get ready for the Christmas tree as well as the presents for papa and mamma and lots of other people. And for Ferdy's birthday Chrissie had always to make something which had to be done in secret, so that he should not know what it was; and for Chrissie's birthday it was Ferdy's turn to prepare some delightful surprise for her. He was very clever at making things, even though he was a boy! He was what is called "neat-handed," and as this little story goes on, you will see what a good thing it was that he had got into the way of amusing himself and using part of his playtime in carrying out some of his inventions and ideas.

"I don't know how I should bear it, Ferdy," Christine used to say sometimes, "if you were one of those tiresome boys that do nothing but fidget and tease their sisters when they want to sit still and work quietly for their dolls. Just think of Marcia Payne now. These two horrible boys, Ted and Eustace, think there is nothing so nice as to snatch away her work and throw it into the fire or out of the window, or to nearly kill her poor dolls with their cruel tricks. I really don't know how poor Marcia ever gets their clothes made, for it takes all my time to keep my children tidy, even though you never worry me," and Chrissie sighed, for she was a very anxious-minded doll-mother.

Ferdy's presents to his sister were very often for her dolls, rather than for herself, though, like most mothers, it pleased her much more, she used to say, for her dear pets to be kindly treated than any attention to their little mamma could do.

She was very amusing about her dolls. She used to talk about them in such an "old-fashioned" way that if any grown-up person had overheard her, I think they would have laughed heartily. But Chrissie took care to keep all private conversation about her four girls and two sons for herself and Ferdy only.

Besides these big dolls, she had a large party of tiny ones who lived in the doll house, and I think Ferdy's prettiest presents were for this miniature family. These small people really were almost as much his as Chrissie's, for he took the greatest interest in them, especially in their house and their carriages and horses and in all kinds of wonderful things he had made for them. Several of the doll-house rooms were entirely furnished by him, and he was builder and paper-hanger and cabinet-maker and upholsterer for Doll Hall, all in one. But now I think I must return to the history of his ninth birthday.

The fourteenth of May-just about the middle of the month which is the best loved, I almost think, of all the twelve. And oh it was such a lovely day! Ferdy woke early-though not quite as early as he had meant to do, for when he bade his sister good-night he told her he would be sure to knock at her door not later than five. But the sun was a good way up in the sky when he did wake-so far up indeed that Ferdy got quite a fright that he had overslept himself altogether, and it was a relief to see by the old clock which stood on the landing just outside his door that it was only half-past six.

"And after all," he said to himself, "now I come to think of it, I don't believe mamma would have liked me to wake Chris so very early. I remember last year, on her birthday, she had a headache and was quite tired by the afternoon with having got up so soon."

He rubbed his eyes,-to tell the truth he was still rather sleepy himself, though it was his birthday,-and downstairs he heard the servants moving about and brushing the carpets. The schoolroom would certainly not be in order just yet; it never took him very long to have his bath and dress, and he knew by experience that housemaids are not the most amiable of human beings when little boys get in their way in the middle of their cleanings and dustings.

So on the whole Ferdy decided that the best thing to do was to go back to bed again and not get up till Flowers-Flowers was Chrissie's maid, and she looked after Ferdy too, since nurse had left to be married-came to wake him at his usual time, for he could hear no sound of any kind in his sister's room, though he listened well, outside the door.

It was very comfortable in bed, for May mornings, however lovely, are often chilly. And as Ferdy lay there he could see out of the window, and enjoy the sight of the clear bright sunshine and the trees moving softly in the wind, their leaves glittering green and gold, and even silver, as the gentle breeze fluttered them about. The birds too, they were up and about of course; now and then there came quite a flight of them, and then one solitary soarer would cross the blue sky up at the very top of the window-he would see it for half a moment, and then it disappeared again. On the whole, he had more view of sky than of anything else from his bed, though when standing by the window he could see a good long way down the road, and, by craning his neck a little, some way across the fields past the church.

For the Watch House stood at the very end of the village, near the church, so that strangers often thought it must be the Vicarage, and envied the vicar for having such a charming home, whereas the real Vicarage was a pretty but small cottage-like house, quite at the other side of the church, and not nearly as old as it was, or as the Watch House was.

It, Ferdy's home, was very, very old. And the story went that long ago some part of it had really been a kind of watch tower, though there was nothing remaining to show this except the name and the fact that you could, from the upper windows especially, see a very long way. The nicest window of all was one in Mrs. Ross's own sitting-room, or "boudoir," as it was sometimes called. This was a corner room on the floor just below the children's, and the beauty of it was this window,-an oriel window,-projecting beyond the wall, as such windows do, and so exactly at the corner that you could see, so to say, three ways at once when you were standing in it: right down the village street to begin with, and down the short cross-road which led to the church, and then over the fields between the two, to where Farmer Meare's duckpond jutted out into the lane-"the primrose lane"-as not only Ferdy and Christine but all the children of the neighbourhood had long ago named it. For here the first primroses were always to be found, year after year; they never forgot to smile up punctually with their little bright pale faces before you could see them anywhere else. Chrissie sometimes suspected that the fairies had a hand in it. Everybody knows that the good people "favour" certain spots more than others, and perhaps Chrissie's idea was right.

Any way this oriel window was a charming watch tower. Ferdy always said that when he grew to be a man he would build a house with an oriel window at each corner.

But again I am wandering from the morning of Ferdy's birthday, when he lay in bed wide awake and gazed at as much as he could see of the outside world, that lovely May morning.

It was lovely, and everything alive seemed to be thinking so, as well as the little hero of the day-birds, trees, blossoms-even the insects that were beginning to find out that the warm days were coming, for a great fat blue-bottle was humming away with the loud summery hum which is the only nice thing about blue-bottles, I think. And not always nice either perhaps, to tell the truth. If one is busy learning some difficult lesson, or adding up long columns of figures, a blue-bottle's buzz is rather distracting. But this morning it was all right, seeming to give just the touch of summer sound which was wanting to the perfection of Ferdy's happiness as he lay there, rather lazily, I am afraid we must confess-a little sleepy still perhaps.

What a nice beautiful place the world is, he thought to himself! How can people grumble at anything when the sun shines and everything seems so happy! In winter perhaps-well, yes, in winter, when it is very cold and grey, there might be something to be said on the other side, even though winter to such as Ferdy brings its own delights too. But in summer even the poor people should be happy; their cottages do look so pretty, almost prettier than big houses, with the nice little gardens in front, and roses and honeysuckle and traveller's joy climbing all over the walls and peeping in at the windows. Ferdy did not think he would at all mind living in a cottage, for Evercombe was a remarkably pretty village, and to all outside appearance the cottages were very neat and often picturesque, and the children had never been inside any, except a few of the clean and nicely kept ones where their mother knew that the people were good and respectable. So they had little idea as yet of the discomfort and misery that may be found in some cottage homes even in the prettiest villages, though their father and mother knew this well, and meant that Ferdy and Christine should take their part before long in trying to help those in need of comfort or advice.

"I suppose," Ferdy went on thinking to himself-for once he got an idea in his head he had rather a trick of working it out-"I suppose there are some people who are really unhappy-poor people, who live in ugly dirty towns perhaps," and then his memory strayed to a day last year when he had driven with his father through the grim-looking streets of a mining village some distance from Evercombe. "That must be horrid. I wonder any one lives there! Or very old people who can't run about or scarcely walk, and who are quite deaf and nearly blind. Yes, they can't feel very happy. And yet they do sometimes. There's papa's old, old aunt; she seems as happy as anything, and yet I should think she's nearly a hundred, for she's grandpapa's aunt. She's not blind though; her eyes are quite bright and smily, and she's not so very deaf. And then she's not poor. Perhaps if she was very poor-" but no, another aged friend came into his mind-old Barley, who lived with his already old daughter in the smallest and poorest cottage Ferdy had ever been in.

"And he's quite happy too," thought the little boy, "and so's poor Betsey, though she can't scarcely walk, 'cos of her rheumatism. It is rather funny that they are happy. The worst of all would be to be lame, I think-'cept p'r'aps being blind. Oh dear! I am glad I'm not old, or lame, or blind, or things like that. But I say, I do believe the clock's striking seven, and-oh, there's Flowers! I might have run in to see Chrissie just for a minute or two first if I hadn't got thinking. I-" but then came an interruption.

An eager tap at the door,-not Flowers's tap he knew at once,-and in reply to his as eager "Come in" a rush of little bare feet across the floor, and Chrissie's arms round his neck in a real birthday hug.

"Flowers is just coming. I meant to wake so early. I've brought your present-mine's always the first, isn't it, darling?"

And Chrissie settled herself at the foot of the bed, curling up her cold toes, and drawing her pink flannel dressing-gown more closely round her that she might sit there in comfort and regale her eyes on her brother's delight as he carefully undid the many papers in which her present to him was enfolded.

It was a very pretty present, and Ferdy's natural good taste knew how to admire it, as his affectionate heart knew how to feel grateful to Chrissie for the real labour she had bestowed upon it. "It" was a writing-case, embroidered in silks of many lovely shades, and with a twisted monogram of Ferdy's initials-"F. . R."-"Ferdinand Walter Ross"-worked in gold threads in the centre of the cover. It was a very good piece of work indeed for a little girl of Chrissie's age, and promised well for her skill and perseverance in days to come. Ferdy's eyes sparkled with pleasure. "Oh, Chrissie," he said, "you've never made me anything quite as pretty as this! How clever you are getting, and how did you manage to work it all without my seeing?"

"It was rather difficult," said Chrissie, with satisfaction in her tone. "Ever so many times I had to bundle it away just as I heard you coming. And do you know, Ferdy, it's a very ancient pattern-no, pattern isn't the word I mean."

"Design?" said Ferdy. He knew some words of this kind better than Chrissie, as he was so often planning and copying carved wood and brasswork and such things.

"Yes, that's what I mean-it's a very ancient design. Miss Lilly drew it for me from an old book-cover somebody lent her, and she helped me to arrange the colours. I am so pleased you like it, Ferdy, darling. I liked doing it because it was such pretty work, but if it hadn't been a present for you, I think I would have got tired of it-it was rather fiddly sometimes. And after working ever, ever so long, I didn't seem to have done hardly any."

"I know," said Ferdy thoughtfully. "I think that's always the way with any really nice work. You can't scurry it up. And it wouldn't be worth anything if you could."

But just then there came a tap at the door, and Flowers's voice sounding rather reproachful.

"Miss Chrissie," she said, "I couldn't think where you'd gone to. I do hope you've got your dressing-gown and slippers on, or you will be sure to catch cold."

"All right, Flowers," said Chrissie, "I'm quite warm;" and as the maid caught sight of the little pink-flannelled figure her face cleared, for, fortunately for her peace of mind, the pink toes were discreetly curled up out of sight.

Who could expect a little girl to remember to put on her slippers on her brother's birthday morning, when she had been dreaming all night of the lovely present she had got for him?

"Many happy returns of the day, Master Ferdy, my dear," Flowers went on, growing rather red, "and will you please accept a very trifling present from me?"

She held out a little parcel as she spoke. It contained a boy's "housewife," if you ever saw such a thing. It was neatly made of leather, and held needles of different sizes, strong sewing cotton and thread, various kinds of useful buttons, a sturdy little pair of scissors, pins, black and white, small and large, and several other things such as a school-boy might be glad to find handy now and then.

"Mother always gives one to my brothers when they leave home," said the maid, "and I thought as no doubt Master Ferdy will be going to school some day-"

"It's capital, Flowers," Ferdy interrupted; "thank you ever so much; it's first-rate. I needn't wait till I go to school to use it. It's just the very thing I'm sure to want when I go yachting with papa next summer-this summer-in uncle's yacht. It's capital!"

And Flowers, who had not been very long at the Watch House, and had felt rather uncertain as to how her gift would suit the young gentleman's taste, smiled all over with pleasure.

Master Ferdy had certainly a very nice way with him, she thought to herself.

"Miss Christine," she said aloud, "you really must come and get dressed, or instead of being ready earlier than usual, you'll be ever so much later."

And Chrissie jumped down from the bed and went off to her own quarters.

* * *

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"Hast thou seen that lordly castle, That castle by the sea? Golden and red above it The clouds float gorgeously."  Do you remember Gratian—Gratian Conyfer, the godson of the four winds, the boy who lived at the old farmhouse up among the moors, where these strange beautiful sisters used to meet? Do you remember how full of fancies and stories Gratian's little head was, and how sometimes he put them into words to please Fergus, the lame child he loved so much?  The story I am now going to tell you is one of these. I think it was their favourite one. I can not say that it is in the very words in which Gratian used to tell it, for it was not till long, long after those boyish days that it came to be written down. But all the same it is his story.About Author:Mary Louisa Molesworth, née Stewart (1839 – 1921) was an English writer of children's stories who wrote for children under the name of Mrs Molesworth. Her first novels, for adult readers, Lover and Husband (1869) to Cicely (1874), appeared under the pseudonym of Ennis Graham.She was born in Rotterdam, a daughter of Charles Augustus Stewart (1809–1873) who later became a rich merchant in Manchester and his wife Agnes Janet Wilson (1810–1883). Mary had three brothers and two sisters. She was educated in Great Britain and Switzerland: much of her girlhood was spent in Manchester. In 1861 she married Major R. Molesworth, nephew of Viscount Molesworth; they legally separated in 1879.Mrs Molesworth is best known as a writer of books for the young, such as Tell Me a Story (1875), Carrots (1876), The Cuckoo Clock (1877), The Tapestry Room (1879), and A Christmas Child (1880). She has been called "the Jane Austen of the nursery," while The Carved Lions (1895) "is probably her masterpiece." In the judgement of Roger Lancelyn Green:Mary Louisa Molesworth typified late Victorian writing for girls. Aimed at girls too old for fairies and princesses but too young for Austen and the Brontes, books by Molesworth had their share of amusement, but they also had a good deal of moral instruction.The girls reading Molesworth would grow up to be mothers; thus, the books emphasized Victorian notions of duty and self-sacrifice.Typical of the time, her young child characters often use a lisping style, and words may be misspelt to represent children's speech—"jography" for geography, for instance.She took an interest in supernatural fiction.In 1888, she published a collection of supernatural tales under the title Four Ghost Stories, and in 1896 a similar collection of six tales under the title Uncanny Stories. In addition to those, her volume Studies and Stories includes a ghost story entitled "Old Gervais" and her Summer Stories for Boys and Girls includes "Not exactly a ghost story."A new edition of The Cuckoo Clock was published in 1914.

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