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Dodo Collections brings you another classic from Arthur Quiller-Couch, 'Brother Copas.'To those who are acquainted with the literary standing of "Q" the lightness and slightness of his novels always come as a surprise. They have, however, a distinctive touch of learning here and there and a fair and elegant style. The setting in the present case is easily identified as the Hospital of St. Cross at Winchester, although Sir Quiller-Couch confusingly calls his town Merchester suggesting Melchester, the name given by Mr. Hardy to the cathedral town of Salisbury. The dissensions and difficulties in this community of noble poverty, the great unsettled question of high church or low church, and the final solution by means of that charity which covers a multitude of sins is the theme of rother Copas. There is a delightful Swinburnian translation of a late Latin poem-the sort of thing that Sir Quiller-Couch does con amore. There is a town pageant which brings peace after dissension and there is a perfectly unreal and perfectly impossible but equally charming American child. But, on the whole, there is enough background and enough setting, enough learning, and enough ease of writing to make the whole book very readable and pleasant for an idle half-hour. If this is the only way in which Sir Quiller-Couch can earn the liberty to do his literary studies we pardon his novels.Quiller-Couch was a noted literary critic, publishing editions of some of Shakespeare's plays (in the New Shakespeare, published by Cambridge University Press, with Dover Wilson) and several critical works, including Studies in Literature (1918) and On the Art of Reading (1920). He edited a successor to his verse anthology: Oxford Book of English Prose, which was published in 1923. He left his autobiography, Memories and Opinions, unfinished; it was nevertheless published in 1945.

Chapter 1 No.1

This etext prepared from a reprint of a version published in 1911.

TO THE GENTLE READER.

In a former book of mine, Sir John Constantine, I expressed (perhaps extravagantly) my faith in my fellows and in their capacity to treat life as a noble sport. In Brother Copas I try to express something of that corellative scorn which must come sooner or later to every man who puts his faith into practice.. I have that faith still; but that:

He who would love his fellow men

Must not expect too much of them"

This is good counsel if bad rhyme. I can only hope that both the faith and the scorn are sound at the core.

For the rest, I wish to state that St. Hospital is a society which never existed. I have borrowed for it certain features from the Hospital of St. Cross, near Winchester. I have invented a few external and all the internal ones. My "College of Noble Poverty" harbours abuses from which, I dare to say, that nobler institution is entirely free. St Hospital has no existence at all outside of my imagining.

ARTHUR QUILLER-COUCH.

The Haven, Fowey.

February 16th, 1911.

"And a little Child shall lead them."-ISAIAH xi. 6.

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Shining Ferry

Shining Ferry

Literature

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Dodo Collections brings you another classic from Arthur Quiller-Couch 'Shining Ferry.'Shining Ferry was first published in 1905.Sir Arthur Thomas Quiller-Couch was a Cornish writer, who published under the pen name of Q. He published his Dead Man's Rock (a romance in the vein of Stevenson's Treasure Island) in 1887, and he followed this up with Troy Town (1888) and The Splendid Spur (1889). After some journalistic experience in London, mainly as a contributor to the Speaker, in 1891 he settled at Fowey in Cornwall. He published in 1896 a series of critical articles, Adventures in Criticism, and in 1898 he completed Robert Louis Stevenson's unfinished novel, St Ives. With the exception of the parodies entitled Green Bays: Verses and Parodies (1893), his poetical work is contained in Poems and Ballads (1896). In 1895 he published an anthology from the sixteenth and seventeenth-century English lyrists, The Golden Pomp, followed in 1900 by an equally successful Oxford Book of English Verse, 1250-1900 (1900). He was made a Bard of Gorseth Kernow in 1928, taking the Bardic name Marghak Cough ('Red Knight').Quiller-Couch was a noted literary critic, publishing editions of some of Shakespeare's plays (in the New Shakespeare, published by Cambridge University Press, with Dover Wilson) and several critical works, including Studies in Literature (1918) and On the Art of Reading (1920). He edited a successor to his verse anthology: Oxford Book of English Prose, which was published in 1923. He left his autobiography, Memories and Opinions, unfinished; it was nevertheless published in 1945.

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My stepmother sold me like a piece of inventory to a man known for breaking people just to plug the financial crater my father left behind. I was delivered to the Morton estate in the middle of a freezing storm, stripped of my phone, and told that if I didn't make myself useful, my senile grandfather would be evicted from his care facility by noon. The master of the house, Adonis Morton IV, was a monster living in a silent mausoleum, driven to the brink of madness by a sensory condition that turned every sound into a physical assault. When I was forced into his suite to serve him, he didn't see a human being; he saw a source of agony. In a fit of animalistic rage, he pinned me to the wall and nearly strangled me to death just for the sound of a shattering teacup. I only survived by using my grandfather’s secret herbal blends and pressure-point therapy to force his overactive nervous system into a drugged sleep. But saving him was my greatest mistake. Instead of letting me go, Adonis moved me into a guest suite connected to his own bedroom by a hidden door. He didn't just want me as a servant; he needed me as a human white-noise machine to drown out the demons in his head. The nightmare deepened when he took the promissory note that defined my freedom and tore it into confetti. By destroying the debt, he destroyed my exit strategy. He replaced my maid’s uniform with a silver silk dress that clung to my skin but did nothing to hide the dark, ugly bruises his fingers had left on my neck. He branded me as his "primary care associate," a title that was nothing more than a gilded cage. I felt a sickening sense of injustice as he forced me to sign a contract that banned me from contacting other men and required me to sleep wherever he slept. He looked at me with a possessive heat, calling me his "medication" rather than a woman. My family had sold my body, but Adonis Morton was intent on owning my very presence, using my grandfather’s medical bills as a leash to keep me within twenty feet of him at all times. Standing in a neglected greenhouse with mud staining my expensive silk, I realized I was no longer a victim waiting for rescue. If I was going to be his medication, I would learn how to be his cure—or his undoing. I began clearing the weeds with a cold, calculated frenzy, determined to turn this prison into my laboratory. He thinks he has trapped a helpless girl, but I am going to pry open the cracks in his stone walls until his entire world comes crashing down.

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