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Disparate Utopia

Jilted Heiress: Marrying The Untouchable Tycoon

Jilted Heiress: Marrying The Untouchable Tycoon

Piao Guo
Allison Montgomery was waiting at the airport when an audio alert from her parked Range Rover flashed on her phone. Assuming it was a break-in, she checked the live dashcam feed, only to see her fiancé, Finn, and her younger sister, Cheyanne, passionately making out in the backseat. "Tell me I'm better than her," Cheyanne whispered. "Tell me I'm better than Allison." "You are," Finn gasped. "God, you are." When Allison confronted her family with the video, she expected justice. Instead, her uncle and mother fiercely defended the cheaters. They blamed Allison's "cold and frigid" nature for pushing Finn away, victim-blaming her in front of the entire household staff. To protect their corporate alliance, her uncle ruthlessly announced that the engagement would be transferred to Cheyanne, and threatened to strip Allison of her inheritance. Stripped of her fiancé, her family, and her dignity, Allison realized her pristine twenty-year life was a complete lie. The people who were supposed to love her were actively protecting her abusers, leaving her utterly isolated and burning with a cold, protective rage. Refusing to be their victim, Allison targeted Finn's ruthless, billionaire uncle, Adam Kensington, proposing a fake marriage to secure the capital needed to crush her family. But when the notoriously untouchable Wall Street phantom not only accepted her proposal, but demanded she immediately move into his penthouse to raise his secret daughter, Allison realized she had just sold her soul to the devil.
Modern Contract marriage Transactional LoveBillionaireRevenge
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This book is in all probability the last of a series of writings, of which — disregarding certain earlier disconnected essays — my Anticipations was the beginning. Originally I intended Anticipations to be my sole digression from my art or trade (or what you will) of an imaginative writer. I wrote that book in order to clear up the muddle in my own mind about innumerable social and political questions, questions I could not keep out of my work, which it distressed me to touch upon in a stupid haphazard way, and which no one, so far as I knew, had handled in a manner to satisfy my needs.

But Anticipations did not achieve its end. I have a slow constructive hesitating sort of mind, and when I emerged from that undertaking I found I had still most of my questions to state and solve. In Mankind in the Making, therefore, I tried to review the social organisation in a different way, to consider it as an educational process instead of dealing with it as a thing with a future history, and if I made this second book even less satisfactory from a literary standpoint than the former (and this is my opinion), I blundered, I think, more edifyingly — at least from the point of view of my own instruction. I ventured upon several themes with a greater frankness than I had used in Anticipations, and came out of that second effort guilty of much rash writing, but with a considerable development of formed opinion. In many matters I had shaped out at last a certain personal certitude, upon which I feel I shall go for the rest of my days. In this present book I have tried to settle accounts with a number of issues left over or opened up by its two predecessors, to correct them in some particulars, and to give the general picture of a Utopia that has grown up in my mind during the course of these speculations as a state of affairs at once possible and more desirable than the world in which I live. But this book has brought me back to imaginative writing again. In its two predecessors the treatment of social organisation had been purely objective; here my intention has been a little wider and deeper, in that I have tried to present not simply an ideal, but an ideal in reaction with two personalities. Moreover, since this may be the last book of the kind I shall ever publish, I have written into it as well as I can the heretical metaphysical scepticism upon which all my thinking rests, and I have inserted certain sections reflecting upon the established methods of sociological and economic science. . . .

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A Modern Utopia

A Modern Utopia

H. G. Wells
Because of the complexity and sophistication of its narrative structure, H.G. Wells's A Modern Utopia (1905) has been called "not so much a modern as a postmodern utopia." The novel is best known for its notion that a voluntary order of nobility known as the Samurai could effectively rule
Modern
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A Modern Utopia

A Modern Utopia

H. G. Wells
A Modern Utopia is a 1905 novel by H. G. Wells. Because of the complexity and sophistication of its narrative structure A Modern Utopia has been called "not so much a modern as a postmodern utopia." The novel is best known for its notion that a voluntary order of nobility known as the Samurai could
Others
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