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Disparate Utopia

Nine Rejected Marriages, I Wed My Ex's Rival

Nine Rejected Marriages, I Wed My Ex's Rival

Mattie Valelly
Amelia sat alone at the City Marriage Bureau, watching the clock tick down to closing time. Fifteen minutes before the doors shut, a phone call shattered her last flicker of hope. Her fiancé, Kayson, wasn't coming. He had abandoned their wedding registration because Kamila-her stepsister-had twisted her ankle. It was his ninth broken promise. When Amelia returned home, there was no comfort. Her biological mother sneered at her humiliation, shielding the stepsister while ordering Amelia to apologize to Kayson. "Who would she marry without Kayson?" her mother mocked. "Let's see how long she survives out there without his money." Meanwhile, Kayson arrogantly dismissed her absence. Finding out she had vanished, he just laughed it off with his assistant. "It's just a tantrum to force my hand," Kayson smirked. "She still can't live without me." After nine years of absolute devotion, she was nothing but a convenient placeholder to the man she loved, and a worthless joke to her own family. The suffocating weight of their betrayal finally snapped something inside her. She packed a single suitcase, threw away nine years of anniversary gifts, and permanently blocked Kayson's number. Standing in the freezing wind, she pulled out her phone and dialed the private number of Kayson's biggest, most ruthless rival. "Mr. Thornton, what you said seven months ago... does the offer to marry me still stand?" Ten minutes later, a sleek black Maybach pulled up to the curb.
Billionaires ModernRival in loveFlash marriageHidden IdentitiesBillionaire
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This book is in all probability the last of a series of writings, of which — disregarding certain earlier disconnected essays — my Anticipations was the beginning. Originally I intended Anticipations to be my sole digression from my art or trade (or what you will) of an imaginative writer. I wrote that book in order to clear up the muddle in my own mind about innumerable social and political questions, questions I could not keep out of my work, which it distressed me to touch upon in a stupid haphazard way, and which no one, so far as I knew, had handled in a manner to satisfy my needs.

But Anticipations did not achieve its end. I have a slow constructive hesitating sort of mind, and when I emerged from that undertaking I found I had still most of my questions to state and solve. In Mankind in the Making, therefore, I tried to review the social organisation in a different way, to consider it as an educational process instead of dealing with it as a thing with a future history, and if I made this second book even less satisfactory from a literary standpoint than the former (and this is my opinion), I blundered, I think, more edifyingly — at least from the point of view of my own instruction. I ventured upon several themes with a greater frankness than I had used in Anticipations, and came out of that second effort guilty of much rash writing, but with a considerable development of formed opinion. In many matters I had shaped out at last a certain personal certitude, upon which I feel I shall go for the rest of my days. In this present book I have tried to settle accounts with a number of issues left over or opened up by its two predecessors, to correct them in some particulars, and to give the general picture of a Utopia that has grown up in my mind during the course of these speculations as a state of affairs at once possible and more desirable than the world in which I live. But this book has brought me back to imaginative writing again. In its two predecessors the treatment of social organisation had been purely objective; here my intention has been a little wider and deeper, in that I have tried to present not simply an ideal, but an ideal in reaction with two personalities. Moreover, since this may be the last book of the kind I shall ever publish, I have written into it as well as I can the heretical metaphysical scepticism upon which all my thinking rests, and I have inserted certain sections reflecting upon the established methods of sociological and economic science. . . .

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A Modern Utopia

A Modern Utopia

H. G. Wells
Because of the complexity and sophistication of its narrative structure, H.G. Wells's A Modern Utopia (1905) has been called "not so much a modern as a postmodern utopia." The novel is best known for its notion that a voluntary order of nobility known as the Samurai could effectively rule
Modern
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A Modern Utopia

A Modern Utopia

H. G. Wells
A Modern Utopia is a 1905 novel by H. G. Wells. Because of the complexity and sophistication of its narrative structure A Modern Utopia has been called "not so much a modern as a postmodern utopia." The novel is best known for its notion that a voluntary order of nobility known as the Samurai could
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