for a second.
tion and contempt. "Or do we draw the line here," he asks, "after mi
alternative is walking out without the money and without any way to fix the mess that keeps my pa
, revealing a sliver of skin and the edge of his collarbone. My throat tightens. I move to the
simply lets me undo him, one small plastic circle at a time, as if thi
o keep going. The shirt hangs a little looser around his frame, open enough to show the faint lin
or the ne
h," he
mid-movement, hovering just above the fabric. I look
r. It is pure disgust, deep and unfiltered, directed as much at him
s. His voice is low and precise. "You will
if the buttons themselves have scalded me. The fabric hangs partly open, the undone buttons a
ivot might as well be a slap. "Leave," he says. Hi
moment in which I could still claim some sort of moral high ground by refusing. The problem with moral h
lt. I know better than to stay and try to salvage anything from this wreckage. There is nothing here for me but a chec
floor even though I am trying not to make a sound. The door handle is cool under my.. I hesitate fo
walking away like this feels like
the doo
ithout lo
my p
floor, crumpled beside whatever re
t, less hostile but more hollow. I pull the door shut behind me, and the soft cl
ll button and stare straight ahead at the far wall, refusing to look back over my shoulder. I know if I do, I will imagine him standing the
ck at me again, but this time I barely recognize the woman staring back. Her lipstick is smudged at the corner of her mouth where she bi
indifferent. Adrian's signature curls across the bottom in decisive strok
enerous enough to give him that satisfaction. My reflection swallows hard at me from the mirror, and for on
, because it does. It will keep certain doors from closing and cert
ow, heavy realization settles over me like ash. Whatever this night was suppos
aling me in with my reflection again,
e the
ever-never-f
e Adrian Steele isn't
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