ena
ence. I looked down at the coded leather ledger resting on the barrel. The leather was still
The air was thick with the sharp sting of antiseptic, stale malt, and the metallic tang of bloo
hands clutching a rosary. She reached out,
with unshed tears. "Take the Morgan boy's money. We will go to the docks, find
hey were terrified. They had been hunted like animals, and the cage of this
blood." I raised my voice so it carried across the cavernous room. "Before sunrise, the Morgan
Capo with a heavily bandaged shoulder, pushed his way to the front. H
. "They are using you. You are a sixteen-year-old girl, Athena. A pawn in their war f
ok down into my eyes. I let the cold, calculating emptiness t
voice dropping to a deadly calm. "Julian Morgan needs my mind to take back his throne. I need hi
ding you to trust me. If you want to run, the door is behind you. But if you want t
ed little girl who had been smuggled out of New York thirteen years ago. He didn't find
inferno,"* (We follow you until hell,) he swore roughly. "But promise us,
heir heads. The fear in the room hadn't vani
on that had been burning in my chest finally surfacing. "Thirteen years, Nonna
would deliver a charcoal sketch of you. We watched you grow up in secret, Athena. We kept them in a cu
st been training me; he had been keeping m
vement caught my eye. Derek Hobbs, standing in the deep shadows nvoice cutting through the air like a whip. "
ed into pitch blackn
oed in the dead of night. A car was creeping past the perimeter. The engine idled for a agonizin
le, sharp nod fro
but the truth was undeniable. We hadn't escaped the cage. The whole of N
/1/111348/coverbig.jpg?v=1c4a41c1eed62b44ed065ca2695ec701&imageMogr2/format/webp)