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and Elliott are truly New York's
s, slipped past the crystal champagne
king with, her posture the very definition of grace. In her silver gown, she was the perfec
l co
e. She hadn't seen her husband
nning the glittering crowd. The sea of tuxedos and
s, blocked her path. He whistled, his breath a foul mix of whiskey and arroga
ght, dismissive smile and moved past him, her steps sure and prac
that opened onto a secluded ter
uppressed laugh reached he
of her dress whispering against the marble floor. She appro
her. His tall frame almost completely eclipsed th
o K
ording to Elliott, a college fl
a line over the fabric of Elliott's tuxedo, right over his heart
years. "Dolls belong on a shelf for display. You," he murmured, his voice th
She felt like a joke nailed to the w
mind. She watched as Elliott tenderly brushed a strand of g
lowered
isse
ve Chloe. It was a deep, searing kiss, full of a
r, the clinking of glasses-all of it was gone. The only sound was the
gne flute tilted, and the cold liquid spi
-they all converged into a single, sharp blade, slic
orm in. She d
wrapped his arm around Clio's waist, the two of them whispering an
took a step back. Her mov
the main hall. The polite, distant smile returned to he
ll of love, had frozen over. There was
an excuse about feeling unwel
ack to the Santana estate, she said nothing. She just sta
in the rearview mirror, as
laying the wallpaper: a photo from her wedding day.
it for a long,
ve swipe of her thu
a name. She didn't call. She just looked at it, as
had traveled for three years. Tonight, it felt imposs
ar thought echoed in
rriage
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