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ne tasted l
ings like well-dressed ghosts. They clinked glasses, murmured appreciatively, and occasionally
art was selling
r pillow, wondering if the pain in her chest would ever stop. Now I was Wren Mercer, rising star of the P
brooding
her head, a knowing smirk on her crimson lips. My best friend had
said. "I'm observing.
e one that says you're about to spiral into some deep, dark corner of yo
, shattered and desperate to become someone new. She didn't know the full story, couldn'
"Really. This is e
t in my cramped studio, every rejection letter, every moment I'd poured my heartbr
d I feel
Mer
n hand. "The collector from New York is asking about 'Shat
to professional mode.
ooze. Make obscene amounts of m
cost more than my car. He wanted a companion piece to 'Shattered Moon' my largest work
et them see beauty in the wreckage. Let them find the
I saw it through the galler
torc
t. The rider was just a silhouette, leather-clad and anonymous,
never him. He's a
r? Are you
lector. My hands were trembling. I pressed them
voice steadier than I
ng. That prickle at the back of my neck. That phantom ach
bo
hard I tried. Most days I could pretend it didn't exist. Most days I was W
when the moon hung heavy and full
zy with hope, feeling that golden
ce. The horror in h
the words t
to me, Wren. You'll
ff my heels, poured myself a glass of wine I didn't real
one who thought they knew me. A portrait I'd painted in those first agoniz
er V
ptured him perfectly-the arrogance, the intensity, the hint of so
ng. I hated that I
did. The guilt was a familiar weight, but not heavy enough to make me answe
off the gallery's lingering p
dreamed of forests and moonlight and a
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