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Table Talk : Essays on Men and Manners

Essay iii. On the Past and Future

Word Count: 4417    |    Released on: 17/11/2017

t I am not at all given to build castles in the air, nor to look forward with much confidence or hope to the brilliant illusions held out by the future. Hence I have

at they were too serious, the latter replied that if that was his opinion, he must defend it with all his might,

erefore to be accounted nothing in the scale of good or evil, the future is yet to come, and has never been anything. Should any one choose to assert that the present only is of any value in a strict and positive sense, because that alone has a real existence, that we should seize the instant good, and give all else to the winds, I can understand what he means (though perhaps he does not himself);13 but I cannot comprehend how this distinction between that which has a downright and sensible, and that which has only a remote and airy existence, can be applied to establish the preference of the future over the past; for both are in this point of view

lodg'd beyond t

it has had a real existence, and we can still call up a vivid recollection of it as having once been; and therefore, by parity of reasoning, it is not a thing perfectly insignificant in itself, nor wholly indifferent to the mind whether it ever was or not. Oh no! Far from it! Let us not rashly quit our hold upon the past, when perhaps there may be little else left to bind us to existence. Is it nothing to have been, and to have been happy or mis

which can neve

my early path? Is it to think of nothing, to set an idle value upon nothing, to think of all that has happened to me, an of all tha

radiance which w

er vanish'd f

ng can bring

rass, of splendou

k in and breathe again the air of heavenly truth when I but 'retrace its f

dark the bac

ment past s

ich he has traced with such truth and pure delight 'in our heart's tables'? When 'all the life of life was flown,' was he not to live the first and best part of it over again, and once more be all that he then was? - Ye woods that crown the clear lone brow of Norman Court, why do I revisit ye so oft, and feel a soothing consciousness of your presence, but that your high tops waving in the wind recall to me the hours and years that are for ever fled; that ye renew in ceaseless murmurs the story of long-cherished hopes and bitter disappointment; that in your solitudes and tangled wilds I can wander and lose myself as I wander on and am lost in the solitude of my own heart; and that as your rustling branches give the loud blast to the waste below - borne on the thoughts of other years, I can look down with patient anguish at the cheerless desolation which I feel within! Without that face pale as the primrose with hyacinthine locks, for ever shunning and for ever haunting me, mocking my waking thoughts as in a dream; without that smile which my heart could never turn to scorn; without those eyes dark with their own lustre, still bent on mine, and drawing the soul into their liquid mazes like a sea of love; without that name trembling in fancy's ear; without that form gliding before me like Oread or Dryad in fabled groves, what should I do? how pass awa

es infinite gratification. What has happened to us we think of no consequence: what is to happen to us, of the greatest. Why so? Simply because the one is still in our power, and the other not - because the efforts of the will to bring any object to pass or to prevent it strengthen our attachment or aversion to that object - because the pains and attention bestowed upon anything add to our interest in it - and because the habitual and earnest pursuit of any end redoubles the ardour of our expectations, and converts the speculative and indolent satisfaction we might otherwise feel in it into real passion. Our regrets, anxiety, and wishes are thrown away upon the past; but the insisting on the importance of the future is of the utmost use in aiding our resolutions and stimulating our exertions. If the future were no more amenable to our wills than the past; if our precautions, our sanguine schemes, our hopes and fears were of as little avail in the one case as the other; if we could neither soften our minds to pleasure, nor steel our fortitude to the resistance of pain beforehand; if all objects drif

ation and maj

es with fate, and puts himself to the rack of his imagination every day he has to live in the meanwhile. When the event is so remote or so independent of the will as to set aside the necessity of immediate action, or to baffle all attempts to defeat it, it gives us little more disturbance or emotion than if

views: those who have nothing to do but to think, take nearly the same interest in the past as in the future. The contemplation of the one is as delightful and real as that of the other. The season of hope has an end; but the remembrance of it is left. The past still lives in the memory of those who have leisure to look back u

a man never was young because he has grown old, or never lived because he is now dead. The length or agreeableness of a journey does not depend on the few last steps of it, nor is the size of a building to be judged of from the last stone that is added to it. It is neither the first nor last hour of our existence, but the space that parts these two - not our exit nor our entrance upon the stage, but what we do, feel, and think while there - that we are to attend to in pronouncing sentence upon it. Indeed it would be easy to show that it is the very extent of human life, the infinite number of things contained in it, its contradictory and fluctuating interests, the transition from one situation to another, the hours, months, years spent in one fond pursuit after another; that it is, in a word, the length of our common journey and the quantity of events crowded into it, that, baffling the grasp of our actual perception, make it slide from our memory, and dwindle into nothing in its own perspective. It is too mighty for us, and we say it is nothing! It is a speck in our fancy, and yet what canvas would be big enou

inks it were

ter than a h

n a hill a

ials quaintly,

e the minutes

e the hour f

urs bring a

s will finis

rs a mortal

own, then to di

rs must I t

rs must I t

rs must I c

rs must I s

y ewes have be

ere the poor f

ere I shall s

hours, weeks, m

the end they

ey hairs unto

ge, and my thoughts have been my subjects. But these have found me suffic

ot as soon as shed, the sunshine of the breast.' But as we advance farther, the will gets greater head. We form violent antipathies and indulge exclusive preferences. We make up our minds to some one thing, and if we cannot have that, will have nothing. We are wedded to opinion, to fancy, to prejudice; which destroys the soundness of our judgments, and the serenity and buoyancy of our feelings. The chain of habit coils itself round the heart, like a serpent, to gnaw and stifle it. It grows rigid and callous; and for the softness and elasticity of childhood, full of proud flesh and obstinate tumours. The violence and perversity of our passions come in more and more to overlay our natural sensibility and well-grounded affections; and we screw ourselves up to aim only at those things which are neither desirable nor practicable. Thus life passes away in the feverish irrit

e. Hence the disposition to strong stimuli observable in persons of much intellectual exertion to allay and carry off the over-excitement. The improvisatori poets (it is recorded by Spence in his Anecdotes of Pope) cannot sleep after an evening's continued display of their singular and difficult art. The rhymes keep running in their head in spite of themselves, and will not let them rest. Mechanics and labouring people never know what to do with themselves on a Sunday, though they return to their work with greater spirit for the relief, and look forward to it with pleasure all the week. Sir Joshua Reynolds was never comfortable out of his painting-room, and died of chagrin and regret because he could not pai

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Table Talk : Essays on Men and Manners
Table Talk : Essays on Men and Manners
“‘There is a pleasure in painting which none but painters know.’ In writing, you have to contend with the world; in painting, you have only to carry on a friendly strife with Nature. You sit down to your task, and are happy. From the moment that you take up the pencil, and look Nature in the face, you are at peace with your own heart. No angry passions rise to disturb the silent progress of the work, to shake the hand, or dim the brow: no irritable humours are set afloat: you have no absurd opinions to combat, no point to strain, no adversary to crush, no fool to annoy — you are actuated by fear or favour to no man.”
1 VOLUME I Essay i. On the Pleasure of Painting2 Essay ii. The Same Subject Continued3 Essay iii. On the Past and Future4 Essay iv. On Genius and Common Sense5 Essay v. The Same Subject Continued6 Essay vi. Character of Cobbett7 Essay vii. On People with One Idea8 Essay viii. On the Ignorance of the Learned9 Essay ix. The Indian Jugglers10 Essay x. On Living to One's-self2811 Essay xi. On Thought and Action12 Essay xii. On Will-making13 Essay xiii. On Certain Inconsistencies in Sir Joshua Reynolds's Discourses14 Essay xiv. The Same Subject Continued15 Essay xv. On Paradox and Common-place16 Essay xvi. On Vulgarity and Affectation17 VOLUME II Essay i. On a Landscape of Nicolas Poussin18 Essay ii. On Milton's Sonnets19 Essay iii. On Going a Journey20 Essay iv. On Coffee-house Politicians21 Essay v. On the Aristocracy of Letters22 Essay vi. On Criticism23 Essay vii. On Great and Little Things24 Essay viii. On Familiar Style25 Essay ix. On Effeminacy of Character26 Essay x. Why Distant Objects Please27 Essay xi. On Corporate Bodies28 Essay xii. Whether Actors Ought to Sit in the Boxes29 Essay xiii. On the Disadvantages of Intellectual Superiority30 Essay xiv. On Patronage and Puffing31 Essay xv. On the Knowledge of Character32 Essay xvi. On the Picturesque and Ideal33 Essay xvii. On the Fear of Death