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Proposed Roads to Freedom

Chapter 7 SCIENCE AND ART UNDER SOCIALISM

Word Count: 5151    |    Released on: 28/11/2017

, to some men whose aims are not material, as if it has nothing to offer toward the general advancement of civilization in the way of art and thought. Some of its advocates, moreover-and among these

te of static perfection, and we demand, of any social system, which is to have our approval, that it shall contain within itself a stimulus and opportunity for progress toward something still better. The doubts thus raised b

world, and do not even succeed in securing for themselves any personal happiness worthy to be so called. The multiplication of such individuals would be an achievement of the very minutest value; and if So

In this respect, we are not distinguished from the brute. Knowledge is the goal. If I were condemned to choose between a humanity materially happy, glutted after the manner o

e et le Collecti

knowledge while others endure great poverty offers more hope of ultimate good than a society in which all are sunk in slothful comfort. It is true that poverty is a great evil, but it is not true that material prosperity is in itself a great good. If it is to have any real value to society, it must be made a means to the advancement of those higher goods that belong to the life of the mind. But the life of the mind does not consist of thought and knowledge alone, nor can it be completely healthy unless it has some instinctive contact, however deeply buried,

ought and known by their predecessors, and to discover new regions in which they enjoy all the high delights of the mental explorer. Others have the power of creating beauty, giving bodily form to impalpable visions out of which joy comes to many. Such men are more fortunate than the mass, and also more important for the collective life. A larger share

al compensations will be of no avail. Recognition, even if it takes the form of money, can bring a certain pleasure in old age to the man of science who has battled all his life against academic prejudice, or to the artist who has endured years of ridicule for not painting in the manner of his predecessors; but it is not by the remote hope of such pleasures

mental creation: first, technical training; second, liberty to follow the creative impulse; third, at least the possibility of ultimate appreciation by some public, whether large or small. We may leave out of our discussion both individual genius and those intangible conditions which make some ages great and others sterile in art and sc

ondition is, of course, a mere matter of luck, and could not be preserved in its present form under any kind of Socialism or Communism. This loss is emphasized by defenders of the present system, and no doubt it would be, to same extent, a real loss. But the well-to-do are a small proportion of the population, and presumably on the average no more talented by nature than t

rather than in the light of its intrinsic interest or importance; it places a premium upon that sort of ability which is displayed precociously in glib answers to set questions rather than upon the kind that broods on difficulties and remains for a time rather dumb. What is p

at could be tabulated in statistics or accounts of public expenditure. Such men will argue that free higher education is expensive to the community, and only useful in the case of those who have exceptional abilities; it ought, therefore, they will say, not to be given to all, but only to those who will become more useful members of society through receiving it. Such arguments make

l also be many who have very little ability; the desire to become a painter, for example, is by no means confined to those who can paint. But this degree of waste could well be borne by the community; it would be immeasurably less than that now entailed by the support of the idle rich. Any system which aims at avoiding this kind of waste must entail the far more serious waste of rejecting or spoiling some of the best ability in each generation. The system of free education up to any grade for all who desire it is the only system which is consistent

hose who can earn a living by an occupation that does not absorb their whole energies. Under Socialism, there will be no one with private means, and if there is to be no loss as regards art and science, the opportunity which now comes by accident to a few will have to be provided deliberately for a much larger number. The men who have used private means as an opportunity

s devoted to teaching is not excessive. It is partly because science and teaching are so easily combined that science is vigorous in the present age. In music, a composer who is also a performer enjoys similar advantages, but one who is not a performer must starve, unless he is rich or willing to pander to

shall be considered to have performed his duty to the community by producing works of art. But of course he will have to prove his industry by never failing to produce in reasonable quantities, and his continued ability by never failing to please his eminent judges-until, in the fulness of time, he becomes a judge himself. In

uman nature is to be permanently subjected to the orderly rules of the benevolent, uncomprehending bureaucrat, the joy of life will perish out of the earth, and the very impulse to live will gradually wither and die. Better a thousandfold the present world with all its horrors than such a dead mummy of a world. Better Anarchism, with all its risks, than a State Socialism that subjects to rule what must be s

tent by those among his seniors who would be generally regarded as best qualified to form an opinion. And the mere fact of having to produce work which will please older men is hostile to a free spirit and to bold innovation. Apart from this difficulty, selection by older men would lead

f he could find purchasers. Such a system would have many advantages. It would leave absolutely every man free to become an artist, provided he were willing to suffer a certain economic loss. This would not deter those in whom the impulse was strong and genuine, but would tend to exclude the dilettante. Many young ar

oyment might live on the ``vagabond's wage''-traveling on foot when the humor seized him to see foreign countries, enjoying the air and the sun, as free as the birds, and perhaps scarcely less happy. Such men would bring color and diversity into the life of the community; their outlook would be different from that of steady, stay-at-home workers, and would keep alive a much-

e discussed

a socialistic commonwealth- far more complete freedom, and far more wid

s hands. Under these circumstances, who is to decide what MSS. are to be printed? It is clear that opportunities exist for an Index more rigorous than that of the Inquisition. If the State were the sole publisher, it would doubtless refuse books opposed to State Socialism. If the Federation du Livre were the ultimate arbiter, what publicity could

do badly work which others could do far better and more quickly. That, however, does not touch our present point, which is the question how the MSS. to be printed will be selected. In Kropotkin's plan there will presumably be an Author's Guild, with a Committee of Management, if Anarchism allows such things. This Committee of Management will decide which of the books submitted to it are worthy to be printed. Among these will be included those by the Committee and their f

t be made by undertaking to engage for an assigned period in some work of recognized utility and to hand over such proportion of the earnings as might be necessary. The work undertaken might of course be, as Kropotkin suggests, the manual part of the production of books, but I see no special reason why it should be. It would have to be an absolute rule that no book should be refused, no matter what the nature of its cont

be desirable as regards the publi

to be the slave of a system, and every system, if it is applied rigidly, will entail evils which could only be avoided by some concession to the exigencies of special cases. On the whole, a wise form of Socialism might afford infinitely

auty are important. In a thoroughly commercialized society, an artist is respected if he makes money, and because he makes money, but there is no genuine respect for the works of art by which his money has been made. A millionaire whose fortune has been made in button-hooks or chewing-gum is regarded with awe, but none of this feeling is bestowed on the articles from which his wealth is derived. In a society which measures all things by money the same tends to

e kind of direct pleasure is involved in any genuine appreciation of art. The struggle for life, the serious work of a trade or profession, is apt to make people too solemn for jokes and too pre-occupied for art. The easing of the struggle, the diminution in the hours of work, and the lightening of the burden of existence, which would result from a better economic system, could hardly fail to increase the joy of life and the vital energy, available for sheer delight in the world. And if this were achieved there would inevitably be more sp

bly not be any individuals with the same direct and intense interest in technical improvements as now belongs to the capitalist in manufacture. If the natural conservatism of the workers is not to prove stronger than their interest in increasing production, it will be necessary that, when better methods are introduced by the workers in any industry, part at least of the benefit should be allowed for a time to be retained by them. If this is done, it may be presumed that each Guild will be continually seeking for new processes or inventions, and

ils of its own; but Guild Socialism, or even Syndicalism, if it adopted a liberal policy toward those who preferred to work less than the usual number of hours at recognized occupations, might be immeasurably preferable to anything tha

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