Picturesque Pala

la Cam

possess an individuality, quality, all their own, which, sometimes, eludes the most subtle analysis. Pala is of this character. One feels its charm, longs to stand or sit in contemplation of it. There is a joy in being near to it. Its very proximity speaks peace, contentment, repose, while it breathes out the air of the romance of the past, the devoted

g, in originality, in power, in pleasing variety, in that general gratification of the senses that we feel when a building attracts and satisfies, the priestly architects rank high. And, as I look at the Pala Campanile, my mind seeks to penetrate the mind of its originator. Whence conceived he the idea of this unique construction? Was it a deliberate conception, viewed by a poetic imagination, projected into mental cognizance before erection, and seen in its distinctive beauty as an original and artistic creation before it was actually visualized? Or was it mere accident, mere utilitarianism, without any thought of artistic effect? We must remember that, to the missionary padres, a bell-tower was n

t the Mission proper? I see no reason to question it. Hence, though it does sometimes occur to me that perhaps there was no such planning, no deliberate intent, and, therefore, no creative genius of artistic intuition involved in its erection, I have come to the conclusion otherwise. So I regard Pala and its free-standing Campanile as another evidence of devoted genius; another revelation of what the complete absorption of a man's nature to a lofty ideal-such, for instance, as the salvation of the souls of a race of Indians-can enable him to accomplish. One part of his nature uplifted and insp

a Campanile was the result of no great mental effort,

eautiful woman, clothed in dignified simplicity, in the plainest and most unpretentious dress, will far outshine her sisters upon whose costumes hours of thought in design and labor, and vast s

or was he but the humble, though discerning, man of simple naturalness who did not know enough to realize he was doing what had never been done before, and thus, thr

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Pala Chapel, Befo

ianism or creative genius, the world of the discerning, the critical, and the lovers of the beautifully uniq

bout 35 feet, the whole height being 50 feet

original hangers had placed them. Suspended from worm-eaten, roughly-hewn beams set into the adobe walls, with thongs of rawhide, one learned to have a ke

rs an inscription in Latin, ver

Immortlis Micerere No

, Holy Most Mighty One, Holy Immortal One

Father, Francis of Asissi. Saint Louis, King. Saint Clare, Sai

e, bears the inscription: "Sancta Maria

weight of the superstructure. Resting upon this base which was 15 feet high, was the two-storied tower, the upper story terraced, as it were, upon the lower, and smaller in size, as are or were the domes of the Campaniles of Santa Barbara, San Luis Rey, San Buenaventura and Santa Cruz. But at Pala there were no domes. The wall was pierced and each story arched, and below each arch hung a bell. The apex of the tower was in the curved pediment

en that the cross would conquer the wilderness. From that day to this this cactus has rested its spiny side against that cross, and together-the one the hope and the inspir

sweetly s

tian symbol is fixed, and seemed, I thought, to typify how little of material

m the Palomar mountains. Naturally, the birds came and perched on it, and probably nested at

cactus wren bringing up its brood there, while on another occasion I could have sworn it was a mocking-bird, for it poured out such a flood of melody as only

and sat, perfectly entranced, at the rich torrents of exquisite and independent melody each bird poured forth in prodigal exuberance, and yet which all combined i

Mission San Gabriel is not, in strict fact, a separate standing one, the bell-tower itself is merely an extension of the mission wall and practically stands alone. The same method of construction is followed at Mission Santa Inés. The fachada of the church is extended, to the right, as a wall,