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The Art and Practice of Silver Printing

Chapter 20 PRINTING ON GELATINO-CHLORIDE EMULSION PAPER.

Word Count: 480    |    Released on: 06/12/2017

f using gelatine instead of albumen as a medium for holding t

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ll in the water, and, by the a

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The Art and Practice of Silver Printing
The Art and Practice of Silver Printing
H. P. Robinson Literature
“The Art and Practice of Silver Printing by H. P. Robinson”
1 Chapter 1 THEORY OF SILVER PRINTING.2 Chapter 2 PREPARATION OF ALBUMENIZED PAPER.3 Chapter 3 THE SENSITIZING BATH FOR ALBUMENIZED PAPER.4 Chapter 4 HOW TO KEEP THE SENSITIZING BATH IN ORDER.5 Chapter 5 APPLYING THE SILVERING SOLUTION TO THE ALBUMENIZED PAPER.6 Chapter 6 WASHED SENSITIVE PAPER.7 Chapter 7 CUTTING PAPER.8 Chapter 8 PRINTING-FRAMES.9 Chapter 9 PREPARING A LANDSCAPE NEGATIVE FOR PRINTING.10 Chapter 10 PRINTING THE LANDSCAPE PICTURE.11 Chapter 11 PREPARING THE PORTRAIT NEGATIVE.12 Chapter 12 VIGNETTING13 Chapter 13 ARTISTIC METHODS OF PRINTING THE PORTRAIT.14 Chapter 14 COMBINATION PRINTING.15 Chapter 15 TONING THE PRINT.16 Chapter 16 FIXING THE PRINT.17 Chapter 17 WASHING THE PRINT.18 Chapter 18 PRINTING ON PLAIN PAPER.19 Chapter 19 PRINTING ON RESINIZED PAPER.20 Chapter 20 PRINTING ON GELATINO-CHLORIDE EMULSION PAPER.21 Chapter 21 DRYING THE PRINTS.22 Chapter 22 MOUNTING PHOTOGRAPHS.23 Chapter 23 DEFECTS IN PRINTS.24 Chapter 24 ENCAUSTIC PASTE.25 Chapter 25 ENAMELLING PRINTS.26 Chapter 26 CAMEO PRINTS.