Steve Yeager
with Harrison had preceded him. His battered face became an immediate focus of c
moment their frank questions at him. As he drew in his chair beside a slender, tanned young woman, he
finely modeled, had the provocative effrontery that is the note of twentieth-century young womanhood.
Mr. Yeager. Some of us don'
ered with enthusiasm, accepting from Ru
. "Not much doing here. It's a dead little hole. Yo
twinkling. "Had all the excitement I could stand for one da
ld Broadway I'm there with bells on. What d'you mean, cow country?
was shipping to England. Lemme see. It
was in the pony ballet with 'Adam, Eve,
I d
third from the left in the 'Good-Night' ch
eager promptly. He buried her little hand in his big brown paw, a f
ou, did he?" she commented
se aeroplanes, hammer my haid with a pile-driver, and jounce me up and down on
lowering her voice discreetly, she added: "Harrison's a bru
oom with such rhythmic grace helping the Chinese waiter serve
inger? Wouldn't it give you a jolt that a nice little
cowpuncher under cover of the conversation t
got to do with it? Harrison has hypnotized the kid, I guess. He throws a big ches
nconsequent fashion she had, and presently deserted Yeager to
. It was one Farrar had given him. He was cherishing it because his financial asset
e barn stairs hum
Davy came a-
a song s
sang till the m
med the hea
e cha
his song. Ruth Seymour was in the room putt
ink you would be through dinner so soon
up to get a cigar I left on the
rehead and the cheeks. A bit of plaster stretched diagonally above the right cheekbone where the prizefighter's knuckles had cut a deep gash. Little ridges covered
embled. "I'm sorr
Seymour. I wasn't hurt any-none to speak of. It don't
im first,
he was at. He was entitled to a come-back. I'm noways
fawn, but with a certain resolution, too, the tro
ings?" she asked with
. "Search me. I reckon the cave man is lurking aroun
ht he was hurting Miss Winters. Why didn't you tell h
ot bat an eye at thi
hink of that? Then of course
suppose all brave men are. But he's
he whalings he gives. But don't worry about me. I'm al
emory a picture of a troubled young creature with soft, ten
el walk toward the house. A malevolent gle
eeling, yo
grin. "Every time I open my mouth my face cracks. You ce'tainly did give m
's more at the same addr
time to make a getaway," r
the walk there drifted back to the pr
out on the
grave just s
d coyotes wil
out on the l
e song that he resented. He had given this youth the thrashing of his life, but he had app
ieve that the child knew what she was doing. To think of her as the future wife of Chad Harrison moved him to resentment at life's satiric paradoxes. To give this sweet you