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Critical and Historical Essays / Lectures delivered at Columbia University

Chapter 11 FOLK SONG AND ITS RELATION TO NATIONALISM IN MUSIC

Word Count: 3078    |    Released on: 01/12/2017

to its primary elements, and these are to be found in folk song, or

llen into a salt mine, to borrow an expression f

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1 Chapter 1 THE ORIGIN OF MUSIC2 Chapter 2 No.23 Chapter 3 THE MUSIC OF THE HEBREWS AND THE HINDUS4 Chapter 4 THE MUSIC OF THE EGYPTIANS, ASSYRIANS, AND CHINESE5 Chapter 5 No.56 Chapter 6 THE MUSIC OF GREECE7 Chapter 7 THE MUSIC OF THE ROMANS-THE EARLY CHURCH8 Chapter 8 FORMATION OF THE SCALE-NOTATION9 Chapter 9 THE SYSTEMS OF HUCBALD AND GUIDO D'AREZZO-THE BEGINNING OF COUNTERPOINT10 Chapter 10 MUSICAL INSTRUMENTS-THEIR HISTORY AND DEVELOPMENT11 Chapter 11 FOLK SONG AND ITS RELATION TO NATIONALISM IN MUSIC12 Chapter 12 THE TROUBADOURS, MINNESINGERS AND MASTERSINGERS13 Chapter 13 EARLY INSTRUMENTAL FORMS14 Chapter 14 THE MERGING OF THE SUITE INTO THE SONATA15 Chapter 15 THE DEVELOPMENT OF PIANOFORTE MUSIC16 Chapter 16 THE MYSTERY AND MIRACLE PLAY17 Chapter 17 OPERA18 Chapter 18 No.1819 Chapter 19 ON THE LIVES AND ART PRINCIPLES OF SOME SEVENTEENTH AND EIGHTEENTH CENTURY COMPOSERS20 Chapter 20 DECLAMATION IN MUSIC21 Chapter 21 SUGGESTION IN MUSIC22 Chapter 22 No.2223 Chapter 23 No.2324 Chapter 24 No.24