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Stage Confidences: Talks About Players and Play Acting

Chapter 5 THE NEW MAGDALEN AT THE UNION SQUARE

Word Count: 1348    |    Released on: 01/12/2017

gdalen" was running, we became aware of the presence of

welled, I found it simply impossible to believe the stories I ha

frequently indulged in seemed a weariness to the flesh; while her applause was

from the young minister is continued through several more pages, I actually trembled with fear, lest her ennui sho

I faced her box directly. I can see her now. She was almost lying in her chair, her ha

rds fell, one by one,

s old, and I was half

e arms of her chair, and she li

r cloak closely about her.) "The night was coming on-and-a

n the perfumed furry warmth of her cloak she shivered so that th

flagged. When I responded to a call before the c

presented to her; when with that touch of bitter

teadily and at too true an

nderstand,"

r replied, "Oh, yes, I think you do; at all events, I do not find it amusing

ed entreatingly, "

e, and a kind look shone from her splendid eyes. Next moment she was sweeping superbly toward her carriage, with her ge

ays are generally the mere reflections of happenings in real life; while the recognition of such scenes often cau

re. Two or three plays were tried, then he abandoned the scheme. But while "No Name" was on, Mr. Parks was cast for a part he

question put to him, his housekeeper knelt at his side, lifted his hand

part; and on the third night, when the housekeeper let his hand fall and said, "He is de

As one young woman earnestly remarked next day: "You see he so perfectly expressed all our

ggested that Mr. Daly would do well to engage that chap,

ng, and it happened that Parks's part, which was already short, suffered severely. He, of course, said nothing, but a little later he introduced a bi

round at his movable piano, the wife held the tambourine, while his leggy little daughter danced with surprising grace on t

ou're not in Daly's company; he'

to see me, and I gave her a "pass," that she might see from the "front" the play she had so often dressed me for. She

ed the money at me, striking me in the face, she turned to her young man, saying savagel

eclaring, I was dead! while Dave assured her over and over again, "No, honey, she carn't be

ne was almost over, when applause broke from the upper part of the house. Instantly a mighty and unm

the audience, who quickly recovered from the interruption, while f

with your pretty things. My skirt caught on a nail at the very top step, so that when I reached the stage my train was stretched out full length, and in the effort a scene-hand made to free it, it

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Stage Confidences: Talks About Players and Play Acting
Stage Confidences: Talks About Players and Play Acting
“This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.”
1 Chapter 1 A WORD OF WARNING2 Chapter 2 THE STAGE AND REAL LIFE3 Chapter 3 IN CONNECTION WITH DIVORCE AND DALY'S4 Chapter 4 MISS MULTON AT THE UNION SQUARE5 Chapter 5 THE NEW MAGDALEN AT THE UNION SQUARE6 Chapter 6 ODETTE IN THE WEST. A CHILD'S FIRST PLAY7 Chapter 7 A CASE OF TRYING IT ON A DOG 8 Chapter 8 THE CAT IN CAMILLE 9 Chapter 9 ALIXE. THE TRAGEDY OF THE GOOSE GREASE10 Chapter 10 J.E. OWENS'S WANDERING BOYS. A HOLE IN THE WALL INCIDENT11 Chapter 11 STAGE CHILDREN. MY LITTLE BREECHES IN MISS MULTON 12 Chapter 12 THE STAGE AS AN OCCUPATION FOR WOMEN13 Chapter 13 THE BANE OF THE YOUNG ACTRESS'S LIFE14 Chapter 14 THE MASHER, AND WHY HE EXISTS15 Chapter 15 SOCIAL CONDITIONS BEHIND THE SCENES16 Chapter 16 THE ACTRESS AND RELIGION17 Chapter 17 A DAILY UNPLEASANTNESS18 Chapter 18 A BELATED WEDDING19 Chapter 19 SALVINI AS MAN AND ACTOR20 Chapter 20 FRANK SEN A CIRCUS EPISODE21 Chapter 21 STAGE FORFEITS AND THEIR HUMOUR22 Chapter 22 POOR SEMANTHA