/0/7048/coverbig.jpg?v=7895d165e92b87beee8b504f3d52caab&imageMogr2/format/webp)
The Practice and Science of Drawing
0
TOP UP
Reading History
Sign out
Get the APPThe Practice and Science of Drawing
Chapter 23 MATERIALS
Word Count: 4226
|
Released on: 01/12/2017
complexity of nature he selects for expression. And the good draughtsman will find out the particular ones that bel
/0/95400/coverorgin.jpg?v=b8f66b24c66a56576599b57ac9799bbf&imageMogr2/format/webp)
/0/93752/coverorgin.jpg?v=d2780e8800454180875226695a5cf200&imageMogr2/format/webp)
/0/93997/coverorgin.jpg?v=ad7c2a32c5e7bb960467f306cc21ba72&imageMogr2/format/webp)
/0/62446/coverorgin.jpg?v=38761145c8767e855c4e9668ff55049b&imageMogr2/format/webp)
/0/89083/coverorgin.jpg?v=7ccefc2b3c5ed60f3e24dd92af8e7ea8&imageMogr2/format/webp)
/0/65656/coverorgin.jpg?v=bca7a26f976b281a1ac0e8d986049347&imageMogr2/format/webp)
1 Chapter 1 INTRODUCTION2 Chapter 2 DRAWING3 Chapter 3 VISION4 Chapter 4 LINE DRAWING5 Chapter 5 MASS DRAWING6 Chapter 6 THE ACADEMIC AND CONVENTIONAL7 Chapter 7 THE STUDY OF DRAWING8 Chapter 8 LINE DRAWING PRACTICAL9 Chapter 9 MASS DRAWING PRACTICAL10 Chapter 10 RHYTHM11 Chapter 11 RHYTHM VARIETY OF LINE12 Chapter 12 RHYTHM UNITY OF LINE13 Chapter 13 LINES DRAWN AT RANDOM.14 Chapter 14 THE SAME AS J WITH ADDITION OF MASSES TO COVER CROSSING OF LINES.15 Chapter 15 VARIETY OF MASS16 Chapter 16 From La Vergine, by Giovanni Bellini in the Accademia, Venice.17 Chapter 17 UNITY OF MASS18 Chapter 18 BALANCE19 Chapter 19 RHYTHM PROPORTION20 Chapter 20 PORTRAIT DRAWING21 Chapter 21 THE VISUAL MEMORY22 Chapter 22 PROCEDURE23 Chapter 23 MATERIALS24 Chapter 24 CONCLUSION25 Chapter 25 No.2526 Chapter 26 No.2627 Chapter 27 No.27