ra
ilarating freedom and heart-pounding terror. I had the signed pap
home. It was a museum, curated by Dante to project an image of untouchable wealth a
her sofa, the signed papers clutch
n my phone. It was from Julian. T
us retreat in the Swiss Alps. A place for artists to work in peace, surrounded by staggering beauty. It wa
ive. They needed a decisi
ion to make. This
hold, before I could second-guess myself. Then I bo
clothes Dante had bought me, the empty costumes for a role I no longer wanted to play. I packed
These things weren't mine. They were props. I took only the things that felt like me: a worn cop
down on the bed. It was a deep, bone-weary fatigue that had been clinging to me
shed to the bathroom, my stomach heaving. I gripped the cold ma
d refused to see. The fatigue. The nausea. The se days. My b
n't be. It w
uled, perfunctory. A duty he performed with cold efficiency once a month, a grim reminder of his claim o
smelling of whiskey and someone else's perfume. He hadn't been gentle. It was rough, detached, and over in mi
y heart hammered against my r
the street, my hands shaking so badly I could barely swipe my credit card. The pharmacist gave me
old, sterile guest bathroom I u
stretched into an eternity of dread. I paced the cold tile floo
nt off, a shrill, pierci
myself
and undeniable again
gna
out, and I sank down, my back sliding against the cold wall. I was pregna
innocent life created from th
o be just *Elara*, was suddenly
onger about s
thless world of the Bratva. From a father who would see them not as a per
a roaring inferno. I had to get out. Not just for me anymore. I
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