icon 0
icon TOP UP
rightIcon
icon Reading History
rightIcon
icon Sign out
rightIcon
icon Get the APP
rightIcon

The Three Additions to Daniel, a Study

Chapter 8 PRINTING-FRAMES.

Word Count: 405    |    Released on: 01/12/2017

g.

rities. The simplest pattern is one introduced by Meagher, as shown in fig. 16. The negative rests on india-rubber strips which line a framework of its exact size, and a folding back, as shown, covers it. The paper is pressed on to the negative by a pad, and the back on that by means of

g.

ts thickness on the size of the frame). On this the negative rests, and over this again are the necessary pads and backboard, which is clamped down by means of two cross-bars, on which springs are fixed

ge prints (say 2 feet by 1 foot 6 inches), since every part of the picture should be capable of exa

g.

g.

-inch clear is sufficient. This allows a certain latitude in the position of the negative, and enables the fingers to get at the paper without inconvenience. In the fram

Claim Your Bonus at the APP

Open
The Three Additions to Daniel, a Study
The Three Additions to Daniel, a Study
“This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.”
1 Chapter 1 THEORY OF SILVER PRINTING.2 Chapter 2 PREPARATION OF ALBUMENIZED PAPER.3 Chapter 3 THE SENSITIZING BATH FOR ALBUMENIZED PAPER.4 Chapter 4 HOW TO KEEP THE SENSITIZING BATH IN ORDER.5 Chapter 5 APPLYING THE SILVERING SOLUTION TO THE ALBUMENIZED PAPER.6 Chapter 6 WASHED SENSITIVE PAPER.7 Chapter 7 CUTTING PAPER.8 Chapter 8 PRINTING-FRAMES.9 Chapter 9 PREPARING A LANDSCAPE NEGATIVE FOR PRINTING.10 Chapter 10 PRINTING THE LANDSCAPE PICTURE.11 Chapter 11 PREPARING THE PORTRAIT NEGATIVE.12 Chapter 12 VIGNETTING13 Chapter 13 ARTISTIC METHODS OF PRINTING THE PORTRAIT.14 Chapter 14 COMBINATION PRINTING.15 Chapter 15 TONING THE PRINT.16 Chapter 16 FIXING THE PRINT.17 Chapter 17 WASHING THE PRINT.18 Chapter 18 PRINTING ON PLAIN PAPER.19 Chapter 19 PRINTING ON RESINIZED PAPER.20 Chapter 20 PRINTING ON GELATINO-CHLORIDE EMULSION PAPER.21 Chapter 21 DRYING THE PRINTS.22 Chapter 22 MOUNTING PHOTOGRAPHS.23 Chapter 23 DEFECTS IN PRINTS.24 Chapter 24 ENCAUSTIC PASTE.25 Chapter 25 ENAMELLING PRINTS.26 Chapter 26 CAMEO PRINTS.