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The Pocket Bible or Christian the Printer

The Pocket Bible or Christian the Printer

Eugène Sue

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The Pocket Bible or Christian the Printer by Eugène Sue

Chapter 1 THE THEFT.

It was one evening towards the middle of the month of August of 1534. Christian Lebrenn occupied a modest house situated at about the center of the Exchange Bridge. Almost all the other bridges thrown over the two arms of the Seine are, like this one, lined with houses and constitute a street under which the river flows.

The kitchen, where the meals were taken, was on the first floor, even with the street; behind this room, the door and window of which opened upon the public thoroughfare, was a smaller one, used for bed chamber by Hervé, Christian's eldest son, and the younger brother Odelin, the apprentice at Master Raimbaud's. At the time, however, when this narrative opens, Odelin was absent from Paris, traveling in Italy with his master, who had gone to Milan in order to study the process by which the Milanese armors, as celebrated as those of Toledo, were manufactured. The upper floor of Christian's house consisted of two rooms. One of these he occupied himself with his wife Bridget; his daughter Hena occupied the other. Finally, a garret that served as storeroom for winter provisions, topped the house and had a window that opened upon the river.

On this evening Christian was in an animated conversation with his wife. It was late. The children were both asleep. A lamp lighted the room of the husband and wife. Near the window, with its small lozenge-shaped panes fastened between ribs of lead, lay the embroideries at which Bridget and Hena had been at work. In the rear of this rather spacious chamber stood the conjugal bed, surmounted with its canopy and enclosed by its curtains of orange serge. A little further away was a little book-case containing in neat rows the volumes in the printing of which Christian and his father contributed at the printing establishment of Masters Henry and Robert Estienne. In the same case Christian kept under lock his family legends and relics, together with whatever else that he attached special value to. Above the case an old cross-bow and battle axe hung from the wall. It was always well to have some arms in the house in order to repel the attacks of bandits who had of late grown increasingly bold. Two flat leather covered coffers for clothes and a few stools completed the humble furnishings of the room. Christian seemed greatly troubled in mind. Bridget, looking no less concerned than her husband, dropped the work that she expected to finish by lamp-light, and stepped towards her husband. With his eyes fixed upon the ground, his elbows upon his knees and his head in his hands, the latter observed:

"There can be no doubt. The person who stole the money, here, in this room, out of that case, and without breaking the lock, must be familiar with our house."

"I can assure you, Christian, since yesterday when we discovered the theft, I have been in a continuous fever."

"None but we and our children enter this room."

"No, excepting our customers or their employees. But as I am well aware that the Barbets are bold and wily enough to put on the disguise of honest merchants, whenever occasion demands it, in order to gain access to a house and steal, and that they might play that trick upon me under the pretext of bringing an order for some embroidery, neither Hena nor I ever leave the room when a stranger is with us."

"I am ransacking my mind for the intimate acquaintance who could have entered the room," the printer proceeded as if communing with himself with painful anxiety. "Occasionally, Lefevre spends an evening with us; I have come up into this room with him several times when he requested me to read some of our family legends to him."

"But, my friend, it is a long time since we have seen Lefevre; you yourself were wondering the other day what may have become of him; moreover, it is out of all question to suspect your friend, a man of austere morals, always wrapt in science."

"God prevent my suspecting him! I was only going over the extremely small number of persons who visit us familiarly."

"Then there is my brother. The fellow is, true enough, a soldier of adventure; he has his faults, grave faults, but-"

"Ah, Bridget, Josephin has for you and our children so tender a love, so touching-I hold him capable of doing almost anything in a hostile country, as is customary with people of his vocation; but he, who almost every day sits at our hearth-he, commit a theft in our house? Such a thought never crossed my mind-and never will!"

"Oh, I thank you for these words! I thank you!"

"And did you suppose that I suspected your brother? No! A thousand times, no!"

"What shall I say? The vagabond life that he has led since his early youth-the habits of violence and rapine with which the 'Franc-Taupins,' the 'Pendards,' and the other soldiers of adventure who are my brother's habitual companions are so justly reproached, might have caused suspicion to rise in some prejudiced mind, and-but my God-Christian-what ails you, tell me what ails you?" cried Bridget, seeing her husband hide his face between his hands in utter despair, and then suddenly rise and pace the room, as if pursued by a thought from which he sought to flee. "My friend," insisted Bridget, "what sudden thought has struck and afflicts you? There are tears in your eyes. Your face is strangely distorted. Answer me, I pray you!"

"I take heaven to witness," cried the artisan, raising his hands heavenward with a face that betrayed the tortures of his heart, "the loss of the twenty gold crowns, that we gathered so laboriously, is a serious matter to me; it was our daughter's dower; but that loss is as nothing beside-"

"Beside what? Let me know!"

"No. Oh, no! It is too horrible!"

"Christian, what have you in mind?"

"Leave me! Leave me!" but immediately regretting the involuntary rudeness, the artisan took Bridget's hands in his own, and said to her in a deeply moved voice: "Excuse me, poor, dear wife. You see, when I think of this affair I lose my head. When, at the printing shop, to-day, the horrible suspicion flashed through my mind, I feared it would drive me crazy! I struggled against it all I could-but a minute ago, as I was running over with you our intimate acquaintances who might be thought guilty of the theft, the frightful suspicion recurred to me. That is the reason of my distress."

Christian threw himself down again upon his stool; again a shudder ran over his frame and he hid his face between his hands.

"Tell me, my friend, what is the suspicion that assails you and that you so violently resist? Impart it to me, I pray you."

After a painful struggle with himself that lasted several minutes, the artisan murmured in a faint voice as if every word burnt his lips:

"Like myself, you noticed, recently-since about the time of Odelin's departure for Milan-you noticed, like myself, that a marked change has been coming over the nature and the habits of Hervé."

"Our son!" cried Bridget stupefied; and she added: "Mercy! Would you suspect him of so infamous an act?"

Christian remained steeped in a gloomy silence that Bridget, distracted with grief as she was, did not at first venture to disturb. Presently she proceeded:

"Impossible! Hervé, whom we brought up in the same principles as his brother-Hervé, who never was away from us-"

"Bridget, I told you, the suspicion is horrible; I have struggled against it with all my might," and the artisan's voice was smothered with sobs. "And yet, if after all it should be so! If our son is indeed the guilty one!"

"My friend, your suspicion bereaves me of my senses. You love Hervé so dearly, and your judgment is always so sound, your mind so penetrating, that I can not conceive how so unjustifiable a thought could take possession of you. Our son is continuously at the printing shop, at your side, as Hena is at mine; better than anyone else should you know your son's heart." Bridget remained silent for a moment and then proceeded while scalding tears rolled down her cheeks: "Oh, I feel it, even if your suspicion is never justified, it will embitter the rest of my life! Oh, to think our son capable of stealing!"

"And for that very reason there is no one else in the world but you, and you alone, to whom I confide the horrid suspicion. Oh, Bridget, it is more than a suspicion. Let us not exaggerate matters; let us not be unnecessarily cast down; let us calmly look into the affair; let us carefully refresh our memories; we may arrive-may God hear my words-at the conclusion that the suspicion is unfounded. As I was just saying, a great change has lately come over Hervé. You noticed the singular manifestations as well as I."

"Yes, recently, he, who formerly was so cheerful, so open, so affectionate, has of late been cold and somber, dreamy and silent. He has grown pale and thin; he is quickly irritated. Shortly before the departure of our little Odelin, he often and without cause scolded the poor boy, for whom he always before had only kind words. And often since then, have I had occasion to reproach Hervé for his rudeness, I should almost say harshness towards his sister, whom he dearly loved. He now seems to avoid her company. At times I simply cannot understand his conduct towards her. Why, only yesterday, when you and he came home from the printing shop, after embracing you, as is her custom, Hena offered her forehead to her brother-but he rudely pushed her aside."

"I did not notice that; but I did notice the growing indifference of Hervé towards his sister. What mystery can lie below that?"

"And yet, my friend, we love all our children equally. Hervé might feel hurt if we showed any preference for Hena or Odelin. But we do not. We are equally kind to all the three."

"Yes, indeed. We shall have to look elsewhere for the cause of the change that afflicts us. Can it be that, without our knowledge, he keeps bad company? There is one circumstance in this affair that has struck me. Paternal love does not blind me. I see great aptitudes in Hervé. Not to mention the gift of an easy flowing eloquence that is exceptional at his age, he has become an excellent Latinist. Owing to his aptitude in that direction he has more than once been chosen to gather precious manuscripts at the houses of some men of letters, who are the friends of Master Robert Estienne. Usually our son attended to such work with accuracy and despatch. Of late, however, his absence from the shop on such errands is often long, unnecessarily so and also frequent, and he does not attend properly to his errands, sometimes does not attend to them at all. Master Robert Estienne has complained to me in a friendly way, saying that Hervé should be watched, that he was drawing near his eighteenth year and might contract acquaintances that would be cause of trouble for us later."

"On that very subject, my friend, only a few days ago I was reproaching Hervé for his estrangement from the friends of his boyhood, all of whom are good and honest lads. He flees their company and spurns their cordial advances. The only person with whom he seems to be intimate is Fra Girard, the Franciscan friar and son of our neighbor the mercer."

"I would prefer some other company for our son, but not that I accuse Fra Girard of being, like so many other monks, an improper person to associate with. He is said to be of austere morals, but being older than Hervé, he has, I am afraid, gained considerable influence over him, and rendered him savagely intolerant. Several of the artisans at the shop of Master Estienne are, like he himself, partisans of the religious reform; some are openly so, despite the danger that their outspokenness entails, others more privately. More than once did our son raise his voice with excessive violence against the new ideas which he calls heresies. And yet he knows that you and I share them."

"Alas! my friend, what woman, what mother would not share the reform ideas, seeing that they reject auricular confession? Did we not find ourselves compelled to stop our daughter from attending the confessional on account of the shameful questions that a priest dared to put to her and which, in the candor of her soul, she repeated to us? But to return to Hervé, even though, in some respects, I dislike his intimacy with Fra Girard and fear it may tend to render him intolerant, the influence of the monk, the austerity of whose morals is commented upon, must have had the effect of keeping far from our son's mind an act so ugly that we can not mention it without shedding tears of sorrow," added Bridget wiping her moist eyes; "Hervé's piety, my friend, becomes daily more fervent; as you know, the unhappy boy imposes upon himself, at the risk of impairing his health, ever longer fasts. Did I not discover from the traces of blood upon his shirt that on certain days he carries close to his skin a belt that is furnished within with sharp iron pricks? That is not the conduct of a hypocrite! He sought to conceal from all eyes the secret macerations that he inflicts upon himself in penitence. It was only accidentally that I discovered the fact. I deplore such fanaticism; but his fanaticism may also be a safeguard. The very exaggeration to which Hervé carries his religious principles must strengthen him against temptation. Heaven be blessed! You were right, Christian; by closely considering the circumstances, we can come at no other conclusion than that such suspicions are unfounded. Our son is innocent, do you not think so, Christian?"

Gloomy and pensive the artisan listened to his wife without interrupting her. He replied:

"No, dear wife; fanaticism is no safeguard against evil. Alas! differently from you, the more I consider the facts that you adduce-I hardly dare say so to you-my suspicions, so far from being removed, grow in weight. Yes, I believe our son guilty."

"Great God! What a horrible thought!"

"I believe our son is sincere in his devout practices, however exaggerated these may be. But I also know that one of the most frightful consequences of fanaticism is that it clouds and perverts the most elemental principles of right and wrong, of justice and injustice, with those whom it dominates. Religious faith substitutes morality."

"But theft, seeing that I must mention the word-theft-how can fanaticism excuse that? You must be mistaken upon that subject!"

"Listen, Bridget. A few days ago-and it was the recollection of the circumstance that first awoke my suspicions-a few days ago one of our fellow workmen at the shop expressed himself with indignation at the traffic of indulgences that has recently been carried on in Paris, and he said emphatically that besides the immorality of the trade that was being practiced in the Pope's name, the extortion of money by such means from ignorance and from popular credulity was nothing short of a fraud practiced upon the people. And do you know the answer that our son made? 'That is a lie! It is impious! The money that is devoted to a pious deed, even if it be the fruit of a theft, of a murder, is purified and sanctified from the moment that it is employed to the greater glory of the Lord!'"

Bridget grew pale, and murmured in a voice smothered by sobs:

"Oh! now I fear-I also fear! May God have mercy upon us!"

"Do you now understand how, if our son is indeed guilty of the shameful act which we hesitate to impugn to him, in his blind fanaticism the unhappy boy will have believed that he was doing a meritorious act if he employed the money in some such work of devotion as ordering the saying of masses?"

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According to Wikipedia: "Joseph Marie Eugène Sue (20 January 1804 – 3 August 1857) was a French novelist... His naval experiences supplied much of the materials of his first novels, Kernock le pirate (1830), Atar-Gull (1831), La Salamandre (2 vols., 1832), La Coucaratcha (4 vols., 1832-1834), and others, which were composed at the height of the Romantic movement of 1830. In the quasi-historical style he wrote Jean Cavalier, ou Les Fanatiques des Cevennes (4 vols., 1840) and Lautréaumont (2 vols., 1837). He was strongly affected by the Socialist ideas of the day, and these prompted his most famous works: Les Mystères de Paris (10 vols., 1842-1843) and Le Juif errant (tr. "The Wandering Jew") (10 vols., 1844-1845), which were among the most popular specimens of the roman-feuilleton. He followed these up with some singular and not very edifying books: Les Sept pêchés capitaux (16 vols., 1847-1849), which contained stories to illustrate each of the Seven Deadly Sins, Les Mystères du peuple (1849-1856), which was suppressed by the censor in 1857, and several others, all on a very large scale, though the number of volumes gives an exaggerated idea of their length. Some of his books, among them Le Juif Errant and the Mystères de Paris, were dramatized by himself, usually in collaboration with others. His period of greatest success and popularity coincided with that of Alexandre Dumas, père, with whom he has been compared. Sue has neither Dumas's wide range of subject, nor, above all, his faculty of conducting the story by means of lively dialogue; he has, however, a command of terror which Dumas seldom or never attained... Seven years after the publication of Sue's Les Mystères du peuple, a French revolutionary named Maurice Joly plagiarized aspects of the work for his anti-Napoleon III pamphlet, Dialogues in Hell between Machiavelli and Montesquieu, which in turn was later adapted by the Prussian Hermann Goedsche into an 1868 work entitled Biarritz, in which Goedsche substituted Jews for Sue's infernal Jesuit conspirators. Ultimately, this material became incorporated directly into the notorious anti-Semitic hoax, The Protocols of the Elders of Zion."

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