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Set against the backdrop of the tumultuous period in the nineteenth century during which parts of Italy fell under Austria's control, The Gadfly is an engrossing historical romance that blends the passion of a revolutionary uprising with the intensity of a newly blossoming relationship. A must-read for fans of historically compelling romances.

The Gadfly Chapter 1 No.1

Arthur sat in the library of the theological seminary at Pisa, looking through a pile of manuscript sermons. It was a hot evening in June, and the windows stood wide open, with the shutters half closed for coolness. The Father Director, Canon Montanelli, paused a moment in his writing to glance lovingly at the black head bent over the papers.

"Can't you find it, carino? Never mind; I must rewrite the passage. Possibly it has got torn up, and I have kept you all this time for nothing."

Montanelli's voice was rather low, but full and resonant, with a silvery purity of tone that gave to his speech a peculiar charm. It was the voice of a born orator, rich in possible modulations. When he spoke to Arthur its note was always that of a caress.

"No, Padre, I must find it; I'm sure you put it here. You will never make it the same by rewriting."

Montanelli went on with his work. A sleepy cockchafer hummed drowsily outside the window, and the long, melancholy call of a fruitseller echoed down the street: "Fragola! fragola!"

"'On the Healing of the Leper'; here it is." Arthur came across the room with the velvet tread that always exasperated the good folk at home. He was a slender little creature, more like an Italian in a sixteenth-century portrait than a middle-class English lad of the thirties. From the long eyebrows and sensitive mouth to the small hands and feet, everything about him was too much chiseled, overdelicate. Sitting still, he might have been taken for a very pretty girl masquerading in male attire; but when he moved, his lithe agility suggested a tame panther without the claws.

"Is that really it? What should I do without you, Arthur? I should always be losing my things. No, I am not going to write any more now. Come out into the garden, and I will help you with your work. What is the bit you couldn't understand?"

They went out into the still, shadowy cloister garden. The seminary occupied the buildings of an old Dominican monastery, and two hundred years ago the square courtyard had been stiff and trim, and the rosemary and lavender had grown in close-cut bushes between the straight box edgings. Now the white-robed monks who had tended them were laid away and forgotten; but the scented herbs flowered still in the gracious mid-summer evening, though no man gathered their blossoms for simples any more. Tufts of wild parsley and columbine filled the cracks between the flagged footways, and the well in the middle of the courtyard was given up to ferns and matted stone-crop. The roses had run wild, and their straggling suckers trailed across the paths; in the box borders flared great red poppies; tall foxgloves drooped above the tangled grasses; and the old vine, untrained and barren of fruit, swayed from the branches of the neglected medlar-tree, shaking a leafy head with slow and sad persistence.

In one corner stood a huge summer-flowering magnolia, a tower of dark foliage, splashed here and there with milk-white blossoms. A rough wooden bench had been placed against the trunk; and on this Montanelli sat down. Arthur was studying philosophy at the university; and, coming to a difficulty with a book, had applied to "the Padre" for an explanation of the point. Montanelli was a universal encyclopaedia to him, though he had never been a pupil of the seminary.

"I had better go now," he said when the passage had been cleared up; "unless you want me for anything."

"I don't want to work any more, but I should like you to stay a bit if you have time."

"Oh, yes!" He leaned back against the tree-trunk and looked up through the dusky branches at the first faint stars glimmering in a quiet sky. The dreamy, mystical eyes, deep blue under black lashes, were an inheritance from his Cornish mother, and Montanelli turned his head away, that he might not see them.

"You are looking tired, carino," he said.

"I can't help it." There was a weary sound in Arthur's voice, and the Padre noticed it at once.

"You should not have gone up to college so soon; you were tired out with sick-nursing and being up at night. I ought to have insisted on your taking a thorough rest before you left Leghorn."

"Oh, Padre, what's the use of that? I couldn't stop in that miserable house after mother died. Julia would have driven me mad!"

Julia was his eldest step-brother's wife, and a thorn in his side.

"I should not have wished you to stay with your relatives," Montanelli answered gently. "I am sure it would have been the worst possible thing for you. But I wish you could have accepted the invitation of your English doctor friend; if you had spent a month in his house you would have been more fit to study."

"No, Padre, I shouldn't indeed! The Warrens are very good and kind, but they don't understand; and then they are sorry for me,-I can see it in all their faces,-and they would try to console me, and talk about mother. Gemma wouldn't, of course; she always knew what not to say, even when we were babies; but the others would. And it isn't only that--"

"What is it then, my son?"

Arthur pulled off some blossoms from a drooping foxglove stem and crushed them nervously in his hand.

"I can't bear the town," he began after a moment's pause. "There are the shops where she used to buy me toys when I was a little thing, and the walk along the shore where I used to take her until she got too ill. Wherever I go it's the same thing; every market-girl comes up to me with bunches of flowers-as if I wanted them now! And there's the church-yard-I had to get away; it made me sick to see the place--"

He broke off and sat tearing the foxglove bells to pieces. The silence was so long and deep that he looked up, wondering why the Padre did not speak. It was growing dark under the branches of the magnolia, and everything seemed dim and indistinct; but there was light enough to show the ghastly paleness of Montanelli's face. He was bending his head down, his right hand tightly clenched upon the edge of the bench. Arthur looked away with a sense of awe-struck wonder. It was as though he had stepped unwittingly on to holy ground.

"My God!" he thought; "how small and selfish I am beside him! If my trouble were his own he couldn't feel it more."

Presently Montanelli raised his head and looked round. "I won't press you to go back there; at all events, just now," he said in his most caressing tone; "but you must promise me to take a thorough rest when your vacation begins this summer. I think you had better get a holiday right away from the neighborhood of Leghorn. I can't have you breaking down in health."

"Where shall you go when the seminary closes, Padre?"

"I shall have to take the pupils into the hills, as usual, and see them settled there. But by the middle of August the subdirector will be back from his holiday. I shall try to get up into the Alps for a little change. Will you come with me? I could take you for some long mountain rambles, and you would like to study the Alpine mosses and lichens. But perhaps it would be rather dull for you alone with me?"

"Padre!" Arthur clasped his hands in what Julia called his "demonstrative foreign way." "I would give anything on earth to go away with you. Only-I am not sure--" He stopped.

"You don't think Mr. Burton would allow it?"

"He wouldn't like it, of course, but he could hardly interfere. I am eighteen now and can do what I choose. After all, he's only my step-brother; I don't see that I owe him obedience. He was always unkind to mother."

"But if he seriously objects, I think you had better not defy his wishes; you may find your position at home made much harder if--"

"Not a bit harder!" Arthur broke in passionately. "They always did hate me and always will-it doesn't matter what I do. Besides, how can James seriously object to my going away with you-with my father confessor?"

"He is a Protestant, remember. However, you had better write to him, and we will wait to hear what he thinks. But you must not be impatient, my son; it matters just as much what you do, whether people hate you or love you."

The rebuke was so gently given that Arthur hardly coloured under it. "Yes, I know," he answered, sighing; "but it is so difficult--"

"I was sorry you could not come to me on Tuesday evening," Montanelli said, abruptly introducing a new subject. "The Bishop of Arezzo was here, and I should have liked you to meet him."

"I had promised one of the students to go to a meeting at his lodgings, and they would have been expecting me."

"What sort of meeting?"

Arthur seemed embarrassed by the question. "It-it was n-not a r-regular meeting," he said with a nervous little stammer. "A student had come from Genoa, and he made a speech to us-a-a sort of-lecture."

"What did he lecture about?"

Arthur hesitated. "You won't ask me his name, Padre, will you? Because I promised--"

"I will ask you no questions at all, and if you have promised secrecy of course you must not tell me; but I think you can almost trust me by this time."

"Padre, of course I can. He spoke about-us and our duty to the people-and to-our own selves; and about-what we might do to help--"

"To help whom?"

"The contadini-and--"

"And?"

"Italy."

There was a long silence.

"Tell me, Arthur," said Montanelli, turning to him and speaking very gravely, "how long have you been thinking about this?"

"Since-last winter."

"Before your mother's death? And did she know of it?"

"N-no. I-I didn't care about it then."

"And now you-care about it?"

Arthur pulled another handful of bells off the foxglove.

"It was this way, Padre," he began, with his eyes on the ground. "When I was preparing for the entrance examination last autumn, I got to know a good many of the students; you remember? Well, some of them began to talk to me about-all these things, and lent me books. But I didn't care much about it; I always wanted to get home quick to mother. You see, she was quite alone among them all in that dungeon of a house; and Julia's tongue was enough to kill her. Then, in the winter, when she got so ill, I forgot all about the students and their books; and then, you know, I left off coming to Pisa altogether. I should have talked to mother if I had thought of it; but it went right out of my head. Then I found out that she was going to die--You know, I was almost constantly with her towards the end; often I would sit up the night, and Gemma Warren would come in the day to let me get to sleep. Well, it was in those long nights; I got thinking about the books and about what the students had said-and wondering-whether they were right and-what-Our Lord would have said about it all."

"Did you ask Him?" Montanelli's voice was not quite steady.

"Often, Padre. Sometimes I have prayed to Him to tell me what I must do, or to let me die with mother. But I couldn't find any answer."

"And you never said a word to me. Arthur, I hoped you could have trusted me."

"Padre, you know I trust you! But there are some things you can't talk about to anyone. I-it seemed to me that no one could help me-not even you or mother; I must have my own answer straight from God. You see, it is for all my life and all my soul."

Montanelli turned away and stared into the dusky gloom of the magnolia branches. The twilight was so dim that his figure had a shadowy look, like a dark ghost among the darker boughs.

"And then?" he asked slowly.

"And then-she died. You know, I had been up the last three nights with her--"

He broke off and paused a moment, but Montanelli did not move.

"All those two days before they buried her," Arthur went on in a lower voice, "I couldn't think about anything. Then, after the funeral, I was ill; you remember, I couldn't come to confession."

"Yes; I remember."

"Well, in the night I got up and went into mother's room. It was all empty; there was only the great crucifix in the alcove. And I thought perhaps God would help me. I knelt down and waited-all night. And in the morning when I came to my senses-Padre, it isn't any use; I can't explain. I can't tell you what I saw-I hardly know myself. But I know that God has answered me, and that I dare not disobey Him."

For a moment they sat quite silent in the darkness. Then Montanelli turned and laid his hand on Arthur's shoulder.

"My son," he said, "God forbid that I should say He has not spoken to your soul. But remember your condition when this thing happened, and do not take the fancies of grief or illness for His solemn call. And if, indeed, it has been His will to answer you out of the shadow of death, be sure that you put no false construction on His word. What is this thing you have it in your heart to do?"

Arthur stood up and answered slowly, as though repeating a catechism:

"To give up my life to Italy, to help in freeing her from all this slavery and wretchedness, and in driving out the Austrians, that she may be a free republic, with no king but Christ."

"Arthur, think a moment what you are saying! You are not even an Italian."

"That makes no difference; I am myself. I have seen this thing, and I belong to it."

There was silence again.

"You spoke just now of what Christ would have said--" Montanelli began slowly; but Arthur interrupted him:

"Christ said: 'He that loseth his life for my sake shall find it.'"

Montanelli leaned his arm against a branch, and shaded his eyes with one hand.

"Sit down a moment, my son," he said at last.

Arthur sat down, and the Padre took both his hands in a strong and steady clasp.

"I cannot argue with you to-night," he said; "this has come upon me so suddenly-I had not thought-I must have time to think it over. Later on we will talk more definitely. But, for just now, I want you to remember one thing. If you get into trouble over this, if you-die, you will break my heart."

"Padre--"

"No; let me finish what I have to say. I told you once that I have no one in the world but you. I think you do not fully understand what that means. It is difficult when one is so young; at your age I should not have understood. Arthur, you are as my-as my-own son to me. Do you see? You are the light of my eyes and the desire of my heart. I would die to keep you from making a false step and ruining your life. But there is nothing I can do. I don't ask you to make any promises to me; I only ask you to remember this, and to be careful. Think well before you take an irrevocable step, for my sake, if not for the sake of your mother in heaven."

"I will think-and-Padre, pray for me, and for Italy."

He knelt down in silence, and in silence Montanelli laid his hand on the bent head. A moment later Arthur rose, kissed the hand, and went softly away across the dewy grass. Montanelli sat alone under the magnolia tree, looking straight before him into the blackness.

"It is the vengeance of God that has fallen upon me," he thought, "as it fell upon David. I, that have defiled His sanctuary, and taken the Body of the Lord into polluted hands,-He has been very patient with me, and now it is come. 'For thou didst it secretly, but I will do this thing before all Israel, and before the sun; THE CHILD THAT IS BORN UNTO THEE SHALL SURELY DIE.'"

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