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EARTHTENTACLE BREEDING GROUND

The Scars She Hid From The World

The Scars She Hid From The World

REGINA MCBRIDE
The heavy iron gates of the Wilderness Correction Camp groaned as they released me after three years of state-sponsored hell. I stood on the dirt road, clutching a plastic bag that held my entire life, waiting for the family that claimed they sent me there for "rehab." My brother, Brady, picked me up in a luxury SUV only to throw me out onto a deserted highway in the middle of a brewing storm. He told me I was a "public relations nightmare" and that the rain might finally wash the "stink" of the camp off me. He drove away, leaving me to limp miles through the mud on a snapped ankle. When I finally dragged myself to our family estate, my mother didn't offer a hug; she gasped in horror because my muddy clothes were ruining her Italian marble. They didn't give me my old room back. Instead, they banished me to a moldy gardener’s shack and hired a "babysitter" to make sure I didn't embarrass them further. My sister, Kaleigh, stood there in white cashmere, pretending to cry while clinging to her fiancé, Ambrose—the man who had once been mine. They all treated me like a volatile junkie, refusing to acknowledge that Kaleigh was the one who planted the drugs in my bag three years ago. They wanted to believe I was broken so they wouldn't have to feel guilty about the "wellness retreat" that was actually a torture chamber. I sat in the dark of that shed, feeling the cooling gel on the cigarette burns that covered my arms, and realized they had made a fatal mistake. They thought they had erased me, but I had returned with a roadmap of scars and a hidden satellite phone. At dinner, I didn't beg for their love. I simply rolled up my sleeves and showed them the price of their silence. As the wine spilled and the lies crumbled, I sent a single text to the only person I trusted: "I'm in. Let them simmer." The hunt was finally on.
Modern RevengeScheming
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Toward the close of an early summer afternoon, a little girl came running along the turnpike to where a boy stood wriggling his feet in the dust.

"Old Aunt Ailsey's done come back," she panted, "an' she's conjured the tails off Sambo's sheep. I saw 'em hanging on her door!"

The boy received the news with an indifference from which it blankly rebounded. He buried one bare foot in the soft white sand and withdrew it with a jerk that powdered the blackberry vines beside the way.

"Where's Virginia?" he asked shortly.

The little girl sat down in the tall grass by the roadside and shook her red curls from her eyes. She gave a breathless gasp and began fanning herself with the flap of her white sunbonnet. A fine moisture shone on her bare neck and arms above her frock of sprigged chintz calico.

"She can't run a bit," she declared warmly, peering into the distance of the long white turnpike. "I'm a long ways ahead of her, and I gave her the start. Zeke's with her."

With a grunt the boy promptly descended from his heavy dignity.

"You can't run," he retorted. "I'd like to see a girl run, anyway." He straightened his legs and thrust his hands into his breeches pockets. "You can't run," he repeated.

The little girl flashed a clear defiance; from a pair of beaming hazel eyes she threw him a scornful challenge. "I bet I can beat you," she stoutly rejoined. Then as the boy's glance fell upon her hair, her defiance waned. She put on her sunbonnet and drew it down over her brow. "I reckon I can run some," she finished uneasily.

The boy followed her movements with a candid stare. "You can't hide it," he taunted; "it shines right through everything. O Lord, ain't I glad my head's not red!"

At this pharisaical thanksgiving the little girl flushed to the ruffled brim of her bonnet. Her sensitive lips twitched, and she sat meekly gazing past the boy at the wall of rough gray stones which skirted a field of ripening wheat. Over the wheat a light wind blew, fanning the even heads of the bearded grain and dropping suddenly against the sunny mountains in the distance. In the nearer pasture, where the long grass was strewn with wild flowers, red and white cattle were grazing beside a little stream, and the tinkle of the cow bells drifted faintly across the slanting sunrays. It was open country, with a peculiar quiet cleanliness about its long white roads and the genial blues and greens of its meadows.

"Ain't I glad, O Lord!" chanted the boy again.

The little girl stirred impatiently, her gaze fluttering from the landscape.

"Old Aunt Ailsey's conjured all the tails off Sambo's sheep," she remarked, with feminine wile. "I saw 'em hanging on her door."

"Oh, shucks! she can't conjure!" scoffed the boy. "She's nothing but a free nigger, anyway-and besides, she's plum crazy-"

"I saw 'em hanging on her door," steadfastly repeated the little girl. "The wind blew 'em right out, an' there they were."

"Well, they wan't Sambo's sheep tails," retorted the boy, conclusively, "'cause Sambo's sheep ain't got any tails."

Brought to bay, the little girl looked doubtfully up and down the turnpike. "Maybe she conjured 'em on first," she suggested at last.

"Oh, you're a regular baby, Betty," exclaimed the boy, in disgust. "You'll be saying next that she can make rattlesnake's teeth sprout out of the ground."

"She's got a mighty funny garden patch," admitted Betty, still credulous. Then she jumped up and ran along the road. "Here's Virginia!" she called sharply, "an' I beat her! I beat her fair!"

A second little girl came panting through the dust, followed by a small negro boy with a shining black face. "There's a wagon comin' roun' the curve," she cried excitedly, "an' it's filled with old Mr. Willis's servants. He's dead, and they're sold-Dolly's sold, too."

She was a fragile little creature, coloured like a flower, and her smooth brown hair hung in silken braids to her sash. The strings of her white pique bonnet lined with pink were daintily tied under her oval chin; there was no dust on her bare legs or short white socks.

As she spoke there came the sound of voices singing, and a moment later the wagon jogged heavily round a tuft of stunted cedars which jutted into the long curve of the highway. The wheels crunched a loose stone in the road, and the driver drawled a patient "gee-up" to the horses, as he flicked at a horse-fly with the end of his long rawhide whip. There was about him an almost cosmic good nature; he regarded the landscape, the horses and the rocks in the road with imperturbable ease.

Behind him, in the body of the wagon, the negro women stood chanting the slave's farewell; and as they neared the children, he looked back and spoke persuasively. "I'd set down if I was you all," he said. "You'd feel better. Thar, now, set down and jolt softly."

But without turning the women kept up their tremulous chant, bending their turbaned heads to the imaginary faces upon the roadside. They had left their audience behind them on the great plantation, but they still sang to the empty road and courtesied to the cedars upon the way. Excitement gripped them like a frenzy-and a childish joy in a coming change blended with a mother's yearning over broken ties.

A bright mulatto led, standing at full height, and her rich notes rolled like an organ beneath the shrill plaint of her companions. She was large, deep-bosomed, and comely after her kind, and in her careless gestures there was something of the fine fervour of the artist. She sang boldly, her full body rocking from side to side, her bared arms outstretched, her long throat swelling like a bird's above the gaudy handkerchief upon her breast.

The others followed her, half artlessly, half in imitation, mingling with their words grunts of self-approval. A grin ran from face to face as if thrown by the grotesque flash of a lantern. Only a little black woman crouching in one corner bowed herself and wept.

The children had fallen back against the stone wall, where they hung staring.

"Good-by, Dolly!" they called cheerfully, and the woman answered with a long-drawn, hopeless whine:-

"Gawd A'moughty bless you twel we

Meet agin."

Zeke broke from the group and ran a few steps beside the wagon, shaking the outstretched hands.

The driver nodded peaceably to him, and cut with a single stroke of his whip an intricate figure in the sand of the road. "Git up an' come along with us, sonny," he said cordially; but Zeke only grinned in reply, and the children laughed and waved their handkerchiefs from the wall. "Good-by, Dolly, and Mirandy, and Sukey Sue!" they shouted, while the women, bowing over the rolling wheels, tossed back a fragment of the song:-

"We hope ter meet you in heaven, whar we'll

Part no mo',

Whar we'll part no mo';

Gawd A'moughty bless you twel we

Me-et a-gin."

"Twel we meet agin," chirped the little girls, tripping into the chorus.

Then, with a last rumble, the wagon went by, and Zeke came trotting back and straddled the stone wall, where he sat looking down upon the loose poppies that fringed the yellowed edge of the wheat.

"Dey's gwine way-way f'om hyer, Marse Champe," he said dreamily. "Dey's gwine right spang over dar whar de sun done come f'om."

"Colonel Minor bought 'em," Champe explained, sliding from the wall, "and he bought Dolly dirt cheap-I heard Uncle say so-" With a grin he looked up at the small black figure perched upon the crumbling stones. "You'd better look out how you steal any more of my fishing lines, or I'll sell you," he threatened.

"Gawd er live! I ain' stole one on 'em sence las' mont'," protested Zeke, as he turned a somersault into the road, "en dat warn' stealin' 'case hit warn' wu'th it," he added, rising to his feet and staring wistfully after the wagon as it vanished in a sunny cloud of dust.

Over the broad meadows, filled with scattered wild flowers, the sound of the chant still floated, with a shrill and troubled sweetness, upon the wind. As he listened the little negro broke into a jubilant refrain, beating his naked feet in the dust:-

"Gawd A'moughty bless you twel we

Me-et a-gin."

Then he looked slyly up at his young master.

"I 'low dar's one thing you cyarn do, Marse Champe."

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