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Blue-grass and Broadway by Maria Thompson Daviess
"We are all going to stand by, little girl"
* * *
BLUE-GRASS
AND
BROADWAY
BY
MARIA THOMPSON DAVIESS
Author of "The Melting of Molly," "The Golden Bird," "The Tinder Box," etc.
NEW YORK
THE CENTURY CO.
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Literature
From the book:All love is a gas, and it takes either loneliness, strength of character, or religion to liquefy it into a condition to be ladled out of us, one to another. There is a certain dangerously volatile state of it; and occasionally people, especially of opposite sexes, try to administer it to each other in that form, with asphyxiation resulting to both hearts. And I'm willing to confess that it is generally a woman's fault when such an accident occurs. That is, it is a mistake of her nature, not one of intent. But she is learning! Also when a woman is created, the winds have wooed star-dust, rose-dew, peach-down, and a few flint-shavings into a whirlwind of deviltry, and the world at large looks on in wonder and sore amazement, as well as breathless interest. I know, because I am one, and have just been waked up by the gyrations of the cyclone; and I'm deeply confounded. I don't like it, and wish I could have slept longer, but Fate and Jane Mathers decreed otherwise. At least Jane decreed, and Fate seems so far helpless to controvert the decree.
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Literature
From the book:A beautiful woman is intended to create a heaven on earth and she has no business wasting herself making imaginary excursions into any future paradise. The present is her time for action; and again, Charlotte, I ask you to name the day upon which you intend to marry me, said Nickols Powers, as he stood lounging in the broad window of Aunt Clara's music room and gazing down into the subdued traffic of upper Madison Avenue. "I wish you had never taken me across that ferry and into that room crowded with redolent humanity to hear an absurd little man string together vivid, gross words about religion, words that made me tingle all over," I answered as I threw my coat on a chair, lifted my hat from my head and sat down on the seat before the dark old piano. "I think religion is the most awful thing in the world and I am as afraid of it as I am of - of death. I'm going home to my father." "Oh, don't be afraid of it. Religion is the most potent form of intoxication known to the human race. That's why I took you over to hear the little baseball player. I wanted you to get a sip. But don't let it go to your head." And Nickols mocked me with soft tenderness in his smile.
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Literature
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
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Literature
"Now, child, be sure and don't mix 'em with a heavy hand! Lightness is expected of riz biscuits and had oughter be dealt out to 'em by the mixer from the start. Just this way - " "Mother, oh, Mother," came a perturbed hail in Doctor Mayberry's voice from the barn door, "Spangles is off the nest again - better come quick!" "Can't you persuade her some, Tom?" Mother called back from the kitchen door as she peered anxiously across the garden fence and over to the gray barn where the Doctor stood holding the door half open, but ready for a quick close-up in case of an unexpected sally. "My hands is in the biscuits and I don't want to come now. Just try, Tom!" "I have tried and I can't do it! She's getting the whole convention agitated. You'd better come on, Mother!" "Dearie me," said Mrs. Mayberry, as she rinsed her hands in the wash-pan on the shelf under tin cedar bucket, "Tom is just as helpless with the chickens at setting time as a presiding elder is at a sewing circle; can't use a needle, too stiff to jine the talk and only good when it comes to the eating, from broilers to frying size. Just go on and mix the biscuits with faith, honey-bird, for I mistrust I won't be back for quite a spell."
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Linsey was stood up by her groom to run off with another woman. Furious, she grabbed a random stranger and declared, "Let's get married!" She had acted on impulse, realizing too late that her new husband was the notorious rascal, Collin. The public laughed at her, and even her runaway ex offered to reconcile. But Linsey scoffed at him. "My husband and I are very much in love!" Everyone thought she was delusional. Then Collin was revealed to be the richest man in the world. In front of everyone, he got down on one knee and held up a stunning diamond ring. "I look forward to our forever, honey."
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Luna has tried her best to make her forced marriage to Xen work for the sake of their child. But with Riley and Sophia- Xen's ex-girlfriend and her son in the picture. She fights a losing battle. Ollie, Xen's son is neglected by his father for a very long time and he is also suffering from a mysterious sickness that's draining his life force. When his last wish to have his dad come to his 5th birthday party is dashed by his failure to show up, Ollie dies in an accident after seeing his father celebrate Riley's birthday with Sophia and it's displayed on the big advertising boards that fill the city. Ollie dies and Luna follows after, unable to bear the grief, dying in her mate's hands cursing him and begging for a second chance to save her son. Luna gets the opportunity and is woken up in the past, exactly one year to the day Sophia and Riley show up. But this time around, Luna is willing to get rid of everyone and anyone even her mate if he steps in her way to save her son.
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At their wedding night, Kayla caught her brand-new husband cheating. Reeling and half-drunk, she staggered into the wrong suite and collapsed into a stranger's arms. Sunrise brought a pounding head-and the discovery she was pregnant. The father? A supremely powerful tycoon who happened to be her husband's ruthless uncle. Panicked, she tried to run, but he barred the door with a faint, dangerous smile. When the cheating ex begged, Kayla lifted her chin and declared, "Want a second chance at us? Ask your uncle." The tycoon pulled her close. "She's my wife now." The ex gasped, "What!?"
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After two years of marriage, Kristian dropped a bombshell. "She's back. Let's get divorced. Name your price." Freya didn't argue. She just smiled and made her demands. "I want your most expensive supercar." "Okay." "The villa on the outskirts." "Sure." "And half of the billions we made together." Kristian froze. "Come again?" He thought she was ordinary-but Freya was the genius behind their fortune. And now that she'd gone, he'd do anything to win her back.
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She hides behind ugly suits and fake names. He's done trusting women. When they meet in a masked sex club, neither realizes they've been fighting each other across boardroom tables for eighteen months. At Taylor Industries, she's Joy Smith-the frumpy CFO who drowns her curves in shapeless polyester and wearing a wig. At home, she's the forgotten wife of a cheating lawyer who hasn't touched her in so long she's starting to wonder if she's broken. When she finds hot pink lace panties stuffed in her couch cushions...definitely not hers, it's not heartbreak she feels. It's freedom. Grayson Taylor doesn't do relationships anymore. Not after walking in on his actress fiancée with another woman. Now he channels everything into hostile takeovers and board meetings, especially the ones where his overcautious CFO fights him on every goddamn acquisition. Joy Smith is brilliant, infuriating, and funny when he pushes all her buttons. But Honey is tired of being invisible. Tired of never having felt real pleasure. So, when her best friend gives her the details of The Velvet Room-Manhattan's most exclusive masked club-she promises herself just one night. One night to find out if her husband's right, if she really is frigid, or if she's just never been touched by the right hands. She doesn't expect the masked stranger who claims her the second she walks in. Doesn't expect the chemistry that ignites between them, the way he makes her body sing, or the orgasms that leave her shaking. Doesn't expect him to hand her an email address with one command: "Only me. No one else touches you."
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Narine never expected to survive. Not after what was done to her body, mind, and soul. But fate had other plans. Rescued by Supreme Alpha Sargis, the kingdom's most feared ruler, she finds herself under the protection of a man she doesn't know... and a bond she doesn't understand. Sargis is no stranger to sacrifice. Ruthless, ambitious, and loyal to the sacred matebond, he's spent years searching for the soul fate promised him, never imagining she would come to him broken, on the brink of death, and afraid of her own shadow. He never meant to fall for her... but he does. Hard and fast. And he'll burn the world before letting anyone hurt her again. What begins in silence between two fractured souls slowly grows into something intimate and real. But healing is never linear. With the court whispering, the past clawing at their heels, and the future hanging by a thread, their bond is tested again and again. Because falling in love is one thing. Surviving it? That's a war of its own. Narine must decide, can she survive being loved by a man who burns like fire, when all she's ever known is how not to feel? Will she shrink for the sake of peace, or rise as Queen for the sake of his soul? For readers who believe even the most fractured souls can be whole again, and that true love doesn't save you. It stands beside you while you save yourself.
Blue-grass and Broadway
Maria Thompson Daviess
Literature
Chapter 1 * * *
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Chapter 2 No.2
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Chapter 3 No.3
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Chapter 4 No.4
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Chapter 5 No.5
01/12/2017
Chapter 6 No.6
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Chapter 7 No.7
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Chapter 8 No.8
01/12/2017
Chapter 9 No.9
01/12/2017


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