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Grandmother Dear: A Book for Boys and Girls

Grandmother Dear: A Book for Boys and Girls

Mrs. Molesworth

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Grandmother Dear: A Book for Boys and Girls by Mrs. Molesworth

Chapter 1 MAKING FRIENDS.

"Good onset bodes good end."

Spenser.

"Well?" said Ralph.

"Well?" said Sylvia.

"Well?" said Molly.

Then they all three stood and looked at each other. Each had his or her own opinion on the subject which was uppermost in their minds, but each was equally reluctant to express it, till that of the others had been got at. So each of the three said "Well?" to the other two, and stood waiting, as if they were playing the old game of "Who speaks first?" It got tiresome, however, after a bit, and Molly, whose patience was the most quickly exhausted, at last threw caution and dignity to the winds.

"Well," she began, but the "well" this time had quite a different tone from the last; "well," she repeated emphatically, "I'm the youngest, and I suppose you'll say I shouldn't give my opinion first, but I just will, for all that. And my opinion is, that she's just as nice as she can be."

"And I think so too," said Sylvia, "Don't you, Ralph?"

"I?" said Ralph loftily, "you forget. I have seen her before."

"Yes, but not to remember," said Sylvia and Molly at once. "You might just as well never have seen her before as far as that goes. But isn't she nice?"

"Ye-es," said Ralph. "I don't think she's bad for a grandmother."

"'For a grandmother!'" cried Molly indignantly. "What do you mean, Ralph? What can be nicer than a nice grandmother?"

"But suppose she wasn't nice? she needn't be, you know. There are grandmothers and grandmothers," persisted Ralph.

"Of course I know that," said Molly. "You don't suppose I thought our grandmother was everybody's grandmother, you silly boy. What I say is she's just like a real grandmother-not like Nora Leslie's, who is always scolding Nora's mother for spoiling her children, and wears such grand, quite young lady dresses, and has black hair," with an accent of profound disgust, "not nice, beautiful, soft, silver hair, like our grandmother's. Now, isn't it true, Sylvia, isn't our grandmother just like a real one?"

Sylvia smiled. "Yes, exactly," she replied. "She would almost do for a fairy godmother, if only she had a stick with a gold knob."

"Only perhaps she'd beat us with it," said Ralph.

"Oh no, not beat us," cried Molly, dancing about. "It would be worse than that. If we were naughty she'd point it at us, and then we'd all three turn into toads, or frogs, or white mice. Oh, just fancy! I am so glad she hasn't got a gold-headed stick."

"Children," said a voice at the door, which made them all jump, though it was such a kind, cheery voice. "Aren't you ready for tea? I'm glad to see you are not very tired, but you must be hungry. Remember that you've travelled a good way to-day."

"Only from London, grandmother dear," said Molly; "that isn't very far."

"And the day after to-morrow you have to travel a long way farther," continued her grandmother. "You must get early to bed, and keep yourselves fresh for all that is before you. Aunty says she is very hungry, so you little people must be so too. Yes, dears, you may run downstairs first, and I'll come quietly after you; I am not so young as I have been, you know."

Molly looked up with some puzzle in her eyes at this.

"Not so young as you have been, grandmother dear?" she repeated.

"Of course not," said Ralph. "And you're not either, Molly. Once you were a baby in long clothes, and, barring the long clothes, I don't know but what--"

"Hush, Ralph. Don't begin teasing her," said Sylvia in a low voice, not lost, however, upon grandmother.

What was lost upon grandmother?

"And what were you all so busy chattering about when I interrupted you just now?" she inquired, when they were all seated round the tea-table, and thanks to the nice cold chicken and ham, and rolls and butter and tea-cakes, and all manner of good things, the children fast "losing their appetites."

Sylvia blushed and looked at Ralph; Ralph grew much interested in the grounds at the bottom of his tea-cup; only Molly, Molly the irrepressible, looked up briskly.

"Oh, nothing," she replied; "at least nothing particular."

"Dear me! how odd that you should all three have been talking at once about anything so uninteresting as nothing particular," said grandmother, in a tone which made them all laugh.

"It wasn't exactly about nothing particular," said Molly: "it was about you, grandmother dear."

"Molly!" said Sylvia reproachfully, but Molly was not so easily to be snubbed.

"We were wishing," she continued, "that you had a gold-headed stick, and then you'd be quite perfect."

It was grandmother's and aunty's turn to laugh now.

"Only," Molly went on, "Ralph said perhaps you'd beat us with it, and I said no, most likely you'd turn us into frogs or mice, you know."

"'Frogs or mice, I know,' but indeed I don't know," said grandmother; "why should I wish to turn my boy and girl children into frogs and mice?"

"If we were naughty, I meant," said Molly. "Oh, Sylvia, you explain-I always say things the wrong way."

"It was I that said you looked like a fairy godmother," said Sylvia, blushing furiously, "and that put it into Molly's head about the frogs and mice."

"But the only fairy godmother I remember that did these wonderful things turned mice into horses to please her god-daughter. Have you not got hold of the wrong end of the story, Molly?" said grandmother.

"The wrong end and beginning and middle too, I should say," observed Ralph.

"Yes, grandmother dear, I always do," said Molly, complacently. "I never remember stories or anything the right way, my head is so funnily made."

"When you can't find your gloves, because you didn't put them away carefully, is it the fault of the shape of the chest of drawers?" inquired grandmother quietly.

"Yes, I suppose so,-at least, no, I mean, of course it isn't," replied Molly, taking heed to her words half-way through, when she saw that they were all laughing at her.

Grandmother smiled, but said no more.

"What a wool-gathering little brain it is," she said to herself.

When she smiled, all the children agreed together afterwards, she looked more like a fairy godmother than ever. She was really a very pretty old lady. Never very tall, with age she had grown smaller, though still upright as a dart; the "November roses" in her cheeks were of their kind as sweet as the June ones that nestled there long ago-ah! so long ago now; and the look in her eyes had a tenderness and depth which can only come from a life of unselfishness, of joy and much sorrow too-a life whose lessons have been well and dutifully learnt, and of which none has been more thoroughly taken home than that of gentle judgment of, and much patience with, others.

While they are all finishing their tea, would you, my boy and girl friends, like to know who they were-these three, Ralph, Sylvia, and Molly, whom I want to tell you about, and whom I hope you will love? When I was a little girl I liked to know exactly about the children in my books, each of whom had his or her distinct place in my affections. I liked to know their names, their ages, all about their homes and their relations most exactly, and more than once I was laughed at for writing out a sort of genealogical tree of some of my little fancy friends' family connections. We need not go quite so far as that, but I will explain to you about these new little friends of yours enough for you to be able to find out the rest for yourselves.

They had never seen their grandmother before, never, that is to say, in the girls' case, and in Ralph's "not to remember her." Ralph was fourteen now, Sylvia thirteen, and Molly about a year and a half younger. More than seven years ago their mother had died, and since then they had been living with their father, whose profession obliged him often to change his home, in various different places. It had been impossible for their grandmother, much as she wished it, to have had them hitherto with her, for, for several years out of the seven, her hands, and those of aunty, too, her only other daughter besides their mother, had been more than filled with other cares. Their grandfather had been ill for many years before his death, and for his sake grandmother and aunty had left the English home they loved so much, and gone to live in the south of France. And after his death, as often happens with people no longer young, and somewhat wearied, grandmother found that the old dream of returning "home," and ending her days with her children and old friends round her, had grown to be but a dream, and, what was more, had lost its charm. She had grown to love her new home, endeared now by so many associations; she had got used to the ways of the people, and felt as if English ways would be strange to her, and as aunty's only idea of happiness was to find it in hers, the mother and daughter had decided to make their home where for nearly fourteen years it had been. They had gone to England this autumn for a few weeks, finally to arrange some matters that had been left unsettled, and while there something happened which made them very glad that they had done so. Mr. Heriott, the children's father, had received an appointment in India, which would take him there for two or three years, and though grandmother and aunty were sorry to think of his going so far away, they were-oh, I can't tell you how delighted! when he agreed to their proposal, that the children's home for the time should be with them. It would be an advantage for the girls' French, said grandmother, and would do Ralph no harm for a year or two, and if his father's absence lasted longer, it could easily be arranged for him to be sent back to England to school, still spending his holidays at Chalet. So all was settled; and grandmother, who had taken a little house at Dover for a few weeks, stayed there quietly, while aunty journeyed away up to the north of England to fetch the children, their father being too busy with preparations for his own departure to be able conveniently to take them to Dover himself. There were some tears shed at parting with "papa," for the children loved him truly, and believed in his love for them, quiet and undemonstrative though his manner was. There were some tears, too, shed at parting with "nurse," who, having conscientiously spoilt them all, was now getting past work, and was to retire to her married daughter's; there were a good many bestowed on the rough coat of Shag, the pony, and the still rougher of Fusser, the Scotch terrier; but after all, children are children, and for my part I should be very sorry for them to be anything else, and the delights of the change and the bustle of the journey soon drowned all melancholy thoughts.

And so far all had gone charmingly. Aunty had proved to be all that could be wished of aunty-kind, and grandmother promised more than fairly.

"What would we have done if she had been very tall and stout, and fierce-looking, with spectacles and a hookey nose?" thought Molly, and as the thought struck her, she left off eating, and sat with wide open eyes, staring at her grandmother.

Though grandmother did not in general wear spectacles-only when reading very small print, or busied with some peculiarly fine fancywork-nothing ever seemed to escape her notice.

"Molly, my dear, what are you staring at so? Is my cap crooked?" she said. Molly started.

"Oh no, grandmother dear," she replied. "I was only thinking--" she stopped short, jumped off her seat, and in another moment was round the table with a rush, which would have been sadly trying to most grandmothers and aunties, only fortunately these special ones were not like most!

"What is the matter, dear?" grandmother was beginning to exclaim, when she was stopped by feeling two arms hugging her tightly, and a rather bread-and-buttery little mouth kissing her valorously.

"Nothing's the matter," said Molly, when she stopped her kisses, "it only just came into my head when I was looking at you, how nice you were, you dear little grandmother, and I thought I'd like to kiss you. I don't want you to have a gold-headed stick, but I do want one thing, and then you would be quite perfect. Oh, grandmother dear," she went on, clasping her hands in entreaty, "just tell me this, do you ever tell stories?"

Grandmother shook her head solemnly. "I hope not, my dear child," she said, but Molly detected the fun through the solemnity. She gave a wriggle.

"Now you're laughing at me," she said. "You know I don't mean that kind. I mean do you ever tell real stories-not real, I don't mean, for very often the nicest aren't real, about fairies, you know-but you know the sort of stories I mean. You would look so beautiful telling stories, wouldn't she now, Sylvia?"

"And the stories would be beautiful if I told them-eh, Molly?"

"Yes, I am sure they would be. Will you think of some?"

"We'll see," said grandmother. "Anyway there's no time for stories at present. You have ever so much to think of with all the travelling that is before you. Wait till we get to Chalet, and then we'll see."

"I like your 'we'll see,'" said Molly. "Some people's 'we'll see,' just means, 'I can't be troubled,' or, 'don't bother.' But I think your 'we'll see' sounds nice, grandmother dear."

"I am glad you think so, grand-daughter dear; and now, what about going to bed? It is only seven, but if you are tired?"

"But we are not a bit tired," said Molly.

"We never go to bed till half-past eight, and Ralph at nine," said Sylvia.

The word "bed" had started a new flow of ideas in Molly's brain.

"Grandmother," she said, growing all at once very grave, "that reminds me of one thing I wanted to ask you; do the tops of the beds ever come down now in Paris?"

"'Do the tops of the beds in Paris ever come down?'" repeated grandmother. "My dear child, what do you mean?"

"It was a story she heard," began Sylvia, in explanation.

"About somebody being suffocated in Paris by the top of the bed coming down," continued Ralph.

"It was robbers that wanted to steal his money," added Molly.

Grandmother began to look less mystified. "Oh, that old story!" she said. "But how did you hear it? I remember it when I was a little girl; it really happened to a friend of my grandfather's, and afterwards I came across it in a little book about dogs. 'Fidelity of dogs,' was the name of it, I think. The dog saved the traveller's life by dragging him out of the bed."

"Yes," said aunty, "I remember that book too. It was among your old child's books, mother. A queer little musty brown volume, and I remember how the story frightened me."

"There now!" said Molly triumphantly. "You see it frightened aunty too. So I'm not such a baby after all."

"Yes, you are," said Ralph. "People might be frightened without making such a fuss. Molly declared she would rather not go to Paris at all. That's what I call being babyish-it isn't the feeling frightened that's babyish-for people might feel frightened and still be brave, mightn't they, grandmother?"

"Certainly, my boy. That is what moral courage means."

"Oh!" said Molly, as if a new idea had dawned upon her. "I see. Then it doesn't matter if I am frightened if I don't tell any one."

"Not exactly that," said grandmother. "I would like you all to be strong and sensible, and to have good nerves, which it would take a good deal to startle, as well as to have what certainly is best of all, plenty of moral courage."

"And if Molly is frightened, she certainly couldn't help telling," said Sylvia, laughing. "She does so pinch whoever is next her."

"There was nothing about a dog in the story of the bed we heard," said Molly. "It was in a book that a boy at school lent Ralph. I wouldn't ever be frightened if I had Fusser, I don't think. I do so wish I had asked papa to let him come with us-just in case, you know, of the beds having anything funny about them: it would be so comfortable to have Fusser."

At this they all laughed, and aunty promised that if Molly felt dissatisfied with the appearance of her bed, she would exchange with her. And not long after, Sylvia and Molly began to look so sleepy, in spite of their protestations that the dustman's cart was nowhere near their door, that aunty insisted they must be mistaken, she had heard his warning bell ringing some minutes ago. So the two little sisters came round to say good-night.

"Good night, grandmother dear," said Molly, in a voice which tried hard to be brisk as usual through the sleepiness.

Grandmother laid her hand on her shoulder and looked into her eyes. Molly had nice eyes when you looked at them closely: they were honest and candid, though of too pale a blue to show at first sight the expression they really contained. Just now too, they were blinking and winking a little. Still grandmother must have been able to read in them what she wanted, for her face looked satisfied when she withdrew her gaze.

"So I am really to be 'grandmother dear,' to you, my dear funny little girl?" she said.

"Of course, grandmother dear. Really, really I mean," said Molly, laughing at herself. "Do you see it in my eyes?"

"Yes, I think I do. You have nice honest eyes, my little girl."

Molly flushed a little with pleasure. "I thought they were rather ugly. Ralph calls them 'cats',' and 'boiled gooseberries,'" she said. "Anyway Sylvia's are much prettier. She has such nice long eyelashes."

"Sylvia's are very sweet," said grandmother, kissing her in turn, "and we won't make comparisons. Both pairs of eyes will do very well my darlings, if always

'The light within them,

Tender is and true.'

Now good night, and God bless my little grand-daughters. Ralph, you'll sit up with me a little longer, won't you?"

"What nice funny things grandmother says, doesn't she, Sylvia?" said Molly, as they were undressing.

"She says nice things," said Sylvia, "I don't know about they're being funny. You call everything funny, Molly."

"Except you when you're going to bed, for then you're very often rather cross," said Molly.

But as she was only in fun, Sylvia took it in good part, and, after kissing each other good night, both little sisters fell asleep without loss of time.

* * *

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The Children of the Castle

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"Hast thou seen that lordly castle, That castle by the sea? Golden and red above it The clouds float gorgeously."  Do you remember Gratian—Gratian Conyfer, the godson of the four winds, the boy who lived at the old farmhouse up among the moors, where these strange beautiful sisters used to meet? Do you remember how full of fancies and stories Gratian's little head was, and how sometimes he put them into words to please Fergus, the lame child he loved so much?  The story I am now going to tell you is one of these. I think it was their favourite one. I can not say that it is in the very words in which Gratian used to tell it, for it was not till long, long after those boyish days that it came to be written down. But all the same it is his story.About Author:Mary Louisa Molesworth, née Stewart (1839 – 1921) was an English writer of children's stories who wrote for children under the name of Mrs Molesworth. Her first novels, for adult readers, Lover and Husband (1869) to Cicely (1874), appeared under the pseudonym of Ennis Graham.She was born in Rotterdam, a daughter of Charles Augustus Stewart (1809–1873) who later became a rich merchant in Manchester and his wife Agnes Janet Wilson (1810–1883). Mary had three brothers and two sisters. She was educated in Great Britain and Switzerland: much of her girlhood was spent in Manchester. In 1861 she married Major R. Molesworth, nephew of Viscount Molesworth; they legally separated in 1879.Mrs Molesworth is best known as a writer of books for the young, such as Tell Me a Story (1875), Carrots (1876), The Cuckoo Clock (1877), The Tapestry Room (1879), and A Christmas Child (1880). She has been called "the Jane Austen of the nursery," while The Carved Lions (1895) "is probably her masterpiece." In the judgement of Roger Lancelyn Green:Mary Louisa Molesworth typified late Victorian writing for girls. Aimed at girls too old for fairies and princesses but too young for Austen and the Brontes, books by Molesworth had their share of amusement, but they also had a good deal of moral instruction.The girls reading Molesworth would grow up to be mothers; thus, the books emphasized Victorian notions of duty and self-sacrifice.Typical of the time, her young child characters often use a lisping style, and words may be misspelt to represent children's speech—"jography" for geography, for instance.She took an interest in supernatural fiction.In 1888, she published a collection of supernatural tales under the title Four Ghost Stories, and in 1896 a similar collection of six tales under the title Uncanny Stories. In addition to those, her volume Studies and Stories includes a ghost story entitled "Old Gervais" and her Summer Stories for Boys and Girls includes "Not exactly a ghost story."A new edition of The Cuckoo Clock was published in 1914.

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