The Husband Who Threw Me Away

The Husband Who Threw Me Away

Qin Wei

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I was Elara, an orphaned girl embraced by foster parents, now the wife of Julian Vance. Our marriage, two years strong, coincided with a miraculous turnaround in Julian's health and fortune, earning me the quiet title of the family' s 'lucky charm' . But then, my estranged half-sister, Chloe – the one my wealthy biological family kept – dramatically reappeared. She accused me, with theatrical tears, of manipulating everyone and driving her away. Julian, without a moment's hesitation or a single glance at my visibly rounded stomach, cast me aside, his face a mask of cold fury. I was banished to a desolate 'wellness retreat,' a euphemism for a hellhole where public humiliation was daily bread and I endured three years of unspeakable degradation. There, alone on a cold floor, I tragically lost our unborn baby. Upon my return, a mere husk, I overheard Julian dismiss me as a discarded 'rabbit's foot,' and shortly after, Chloe set fire to the boathouse where she'd confined me, intending to burn me alive. The crushing weight of their betrayal hit harder than any physical blow: I was never Julian' s wife, never family; just a disposable vessel for their 'luck,' discarded once my purpose was seemingly served. How could Julian, my own husband, be so blind, so callous? And what kind of monster actively orchestrates another's living hell, then tries to erase them entirely? But I refused to be extinguished. Pulled from the literal and metaphorical ashes by my loving foster parents, the naive victim they knew perished that night. From the remnants of despair, a new Elara rose, transforming their small farm into 'Elara' s Harvest,' a thriving empire built on integrity and true strength – ready for vengeance, or perhaps, something far more satisfying.

Introduction

I was Elara, an orphaned girl embraced by foster parents, now the wife of Julian Vance.

Our marriage, two years strong, coincided with a miraculous turnaround in Julian's health and fortune, earning me the quiet title of the family' s 'lucky charm' .

But then, my estranged half-sister, Chloe – the one my wealthy biological family kept – dramatically reappeared.

She accused me, with theatrical tears, of manipulating everyone and driving her away.

Julian, without a moment's hesitation or a single glance at my visibly rounded stomach, cast me aside, his face a mask of cold fury.

I was banished to a desolate 'wellness retreat,' a euphemism for a hellhole where public humiliation was daily bread and I endured three years of unspeakable degradation.

There, alone on a cold floor, I tragically lost our unborn baby.

Upon my return, a mere husk, I overheard Julian dismiss me as a discarded 'rabbit's foot,' and shortly after, Chloe set fire to the boathouse where she'd confined me, intending to burn me alive.

The crushing weight of their betrayal hit harder than any physical blow: I was never Julian' s wife, never family; just a disposable vessel for their 'luck,' discarded once my purpose was seemingly served.

How could Julian, my own husband, be so blind, so callous?

And what kind of monster actively orchestrates another's living hell, then tries to erase them entirely?

But I refused to be extinguished.

Pulled from the literal and metaphorical ashes by my loving foster parents, the naive victim they knew perished that night.

From the remnants of despair, a new Elara rose, transforming their small farm into 'Elara' s Harvest,' a thriving empire built on integrity and true strength – ready for vengeance, or perhaps, something far more satisfying.

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I died on a Tuesday. It wasn't a quick death. It was slow, cold, and meticulously planned by the man who called himself my father. I was twenty years old. He needed my kidney to save my sister. The spare part for the golden child. I remember the blinding lights of the operating theater, the sterile smell of betrayal, and the phantom pain of a surgeon's scalpel carving into my flesh while my screams echoed unheard. I remember looking through the observation glass and seeing him-my father, Giovanni Vitiello, the Don of the Chicago Outfit-watching me die with the same detached expression he used when signing a death warrant. He chose her. He always chose her. And then, I woke up. Not in heaven. Not in hell. But in my own bed, a year before my scheduled execution. My body was whole, unscarred. The timeline had reset, a glitch in the cruel matrix of my existence, giving me a second chance I never asked for. This time, when my father handed me a one-way ticket to London-an exile disguised as a severance package-I didn't cry. I didn't beg. My heart, once a bleeding wound, was now a block of ice. He didn't know he was talking to a ghost. He didn't know I had already lived through his ultimate betrayal. He also didn't know that six months ago, during the city's brutal territory wars, I was the one who saved his most valuable asset. In a secret safe house, I stitched up the wounds of a blinded soldier, a man whose life hung by a thread. He never saw my face. He only knew my voice, the scent of vanilla, and the steady touch of my hands. He called me Sette. Seven. For the seven stitches I put in his shoulder. That man was Dante Moretti. The Ruthless Capo. The man my sister, Isabella, is now set to marry. She stole my story. She claimed my actions, my voice, my scent. And Dante, the man who could spot a lie from a mile away, believed the beautiful deception because he wanted it to be true. He wanted the golden girl to be his savior, not the invisible sister who was only ever good for her spare parts. So I took the ticket. In my past life, I fought them, and they silenced me on an operating table. This time, I will let them have their perfect, gilded lie. I will go to London. I will disappear. I will let Seraphina Vitiello die on that plane. But I will not be a victim. This time, I will not be the lamb led to slaughter. This time, from the shadows of my exile, I will be the one holding the match. And I will wait, with the patience of the dead, to watch their entire world burn. Because a ghost has nothing to lose, and a queen of ashes has an empire to gain.

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