Cannon Fodder No More: A Baby's Plan

Cannon Fodder No More: A Baby's Plan

Eduino Aitchison

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My name is Madisyn, and my story began in a dirty alley in Los Angeles. I was just a baby, a "cannon fodder" character in someone else's tragic script, destined to be a footnote in the tragic ruin of Ethan and Nicole Clark, the self-destructive heirs to a Hollywood fortune. Their parents were absent figures, leaving them in a gilded cage, completely unaware they were about to be ensnared by Jennifer Chavez and Andrew Morris, two ambitious grifters ready to bleed them dry and turn them against each other. I knew their dark future, how Jennifer would prey on Ethan's buried hero complex, and Andrew on Nicole's desperate need for affection, ultimately leaving them broken and estranged. My tiny, innocent form was supposed to be irrelevant, easily discarded by these teenagers hardened by neglect. But I wasn't just any baby; I was a baby with a plan, a knowing narrator stuck in an infant's body. I screamed and cried to force their reluctant bond, giggled to melt their facades, and strategically withdrew my affection to expose the insidious poison the grifters were injecting into their fragile relationship. When an actress framed Nicole for assault and a musician's charade of heroism was revealed, everyone expected Ethan to side with the "victim." But he remembered my tiny cries of terror whenever the actress touched me, my pointed coldness towards the musician, and Nicole's sudden awareness after my clumsy toddler words: "No owe life, sissy." I had broken the script, and I wouldn't stop until their future was rewritten.

Introduction

My name is Madisyn, and my story began in a dirty alley in Los Angeles.

I was just a baby, a "cannon fodder" character in someone else's tragic script, destined to be a footnote in the tragic ruin of Ethan and Nicole Clark, the self-destructive heirs to a Hollywood fortune.

Their parents were absent figures, leaving them in a gilded cage, completely unaware they were about to be ensnared by Jennifer Chavez and Andrew Morris, two ambitious grifters ready to bleed them dry and turn them against each other.

I knew their dark future, how Jennifer would prey on Ethan's buried hero complex, and Andrew on Nicole's desperate need for affection, ultimately leaving them broken and estranged.

My tiny, innocent form was supposed to be irrelevant, easily discarded by these teenagers hardened by neglect.

But I wasn't just any baby; I was a baby with a plan, a knowing narrator stuck in an infant's body.

I screamed and cried to force their reluctant bond, giggled to melt their facades, and strategically withdrew my affection to expose the insidious poison the grifters were injecting into their fragile relationship.

When an actress framed Nicole for assault and a musician's charade of heroism was revealed, everyone expected Ethan to side with the "victim."

But he remembered my tiny cries of terror whenever the actress touched me, my pointed coldness towards the musician, and Nicole's sudden awareness after my clumsy toddler words: "No owe life, sissy."

I had broken the script, and I wouldn't stop until their future was rewritten.

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The valedictorian medal, cold against my skin, was a stark reminder of the ceremony an hour ago. My father' s face was a mask of disappointment, my mother fussed over my adopted brother, Alex, who sat slumped on the sofa. My crime? Not mentioning Alex in my valedictorian speech. An academic speech, not a family showcase. But to them, it was a deliberate act of cruelty, a way to "overshadow" Alex, who had just failed two finals and wouldn' t even get a full diploma. My mother accused, "Every success you have is just another way to remind him of what he isn't." My father added, "Family is supposed to support each other, not tear each other down. We are so disappointed in you." All my life, I'd craved their approval, but it was never enough. Alex was their sun; I, a distant, cold star. I tried to offer a peace offering-a framed photo of us, genuinely happy, from years ago. My mother twisted in disgust, pushing it away. It shattered on the floor, echoing the breaking of my heart. My graduation gift, a car for my internship, was given to Alex instead. My punishment: exile to my uncle' s farm, five hours away. Two hours into the drive, my phone buzzed. It was my mother, not to apologize, but to ask for my student ID for Alex's summer school discount. Then, she demanded I forget my internship and return to tutor Alex. As she listed his needs, a deer appeared. I hit the brake. Nothing. The pedal went straight to the floor. The last thing I heard was the sickening screech of metal against an old oak tree. Time became fluid, I was floating, watching my body in the wreckage. Ten days passed. No one came. My family didn' t notice I was gone. The letter from my internship, rescinding the offer, finally reached them. My father' s brow furrowed, "He's probably trying to punish us." That' s when I saw myself-a faint shimmer. I was a ghost. They couldn' t hear my screams, my explanations. My mother called my physical phone, miles away in the wreckage. Her voicemail, dripping with fury, not fear, echoed in my spectral ears: "This childish tantrum is over. Your brother needs you!" Anguish, cold and sharp, pierced through me. They only thought of Alex. What happened to us? And why was I, who worked so hard, always the family problem? What twisted delusion allowed them to ignore my efforts, my needs, my very existence, all while lavishing adoration on Alex? Why did they choose to be blind, even in my death? The answer would come, slowly, agonizingly, as my spectral presence clung to the home that no longer recognized me. And the truth, when it finally surfaced, would shatter their world just as irrevocably as my body had been shattered on that dark highway.

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