Wilderness, A Journal of Quiet Adventure in Alaska

Wilderness, A Journal of Quiet Adventure in Alaska

Rockwell Kent

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In August 1918 Rockwell Kent and his 9-year-old son settled into a primitive cabin on an island near Seward, Alaska. Kent, who during the next three decades became America's premier graphic artist, printmaker, and illustrator, was seeking time, peace, and solitude to work on his art and strengthen ties with his son. This reissue of the journal chronicling their 7-month odyssey describes what Kent called "an adventure of the spirit." He soon discovers how deeply he is "stirred by simple happenings in a quiet world" as man and boy face both the mundane and the magnificent: satisfaction in simple chores like woodchopping or baking; the appalling gloom of long and lonely winter nights; hours of silence while each works at his drawings; crystalline moonlight glancing off a frozen lake; killer whales cavorting in their bay. Richly illustrated by Kent's drawings, the journal vividly re-creates that sense of great height and space — both external and internal — at the same time that it celebrates a wilderness now nearly lost to us.

Wilderness, A Journal of Quiet Adventure in Alaska Chapter 1 DISCOVERY

We must have been rowing for an hour across that seeming mile-wide stretch of water.

The air is so clear in the North that one new to it is lost in the crowding of great heights and spaces. Distant peaks had risen over the lower mountains of the shore astern. Steep spruce-clad slopes confronted us. All around was the wilderness, a no-man's-land of mountains or of cragged islands, and southward the wide, the limitless, Pacific Ocean.

A calm, blue summer's day,-and on we rowed upon our search. Somewhere there must stand awaiting us, as we had pictured it, a little forgotten cabin, one that some prospector or fisherman had built; the cabin, the grove, the sheltered beach, the spring or stream of fresh, cold water,-we could have drawn it even to the view that it must overlook, the sea, and mountains, and the glorious West. We came to this new land, a boy and a man, entirely on a dreamer's search; having had vision of a Northern Paradise, we came to find it.

With less faith it might have seemed to us a hopeless thing exploring the unknown for what you've only dreamed was there. Doubt never crossed our minds. To sail uncharted waters and follow virgin shores-what a life for men! As the new coast unfolds itself the imagination leaps into full vision of the human drama that there is immanent. The grandeur of the ocean cliff is terrible with threat of shipwreck. To that high ledge the wave may lift you; there, where that storm-dwarfed spruce has found a hold for half a century, you perhaps could cling. A hundred times a day you think of death or of escaping it by might and courage. Then at the first softening of the coast toward a cove or inlet you imagine all the mild beauties of a safe harbor, the quiet water and the beach to land upon, the house-site, a homestead of your own, cleared land, and pastures that look seaward.

Now having crossed the bay thick wooded coast confronted us, and we worked eastward toward a wide-mouthed inlet of that shore. But all at once there appeared as if from nowhere a little, motor-driven dory coming toward us. We hailed and drew together to converse. It was an old man alone. We told him frankly what we were and what we sought.

"Come with me," he cried heartily, "come and I show you the place to live." And he pointed oceanward where, straight in the path of the sun stood the huge, dark, mountain mass of an island. Then, seizing upon our line, he towed us with him to the south.

The gentle breeze came up. With prow high in the air we spanked the wavelets, and the glistening spray flew over us. On we went straight at the dazzling sun and we laughed to think that we were being carried we knew not where. And all the while the strange old man spoke never a word nor turned his head, driving us on as if he feared we might demand to be unloosed. At last his island towered above us. It was truly sheer-sided and immense, and for all we could discover harborless; till in a moment rounding the great headland of its northern end the crescent arms of the harbor were about us,-and we were there!

"ZARATHUSTRA HIMSELF LED THE UGLIEST MAN BY THE HAND, IN ORDER TO SHOW HIM HIS IT-WORLD AND THE GREAT ROUND MOON AND THE SILVERY WATERFALLS NIGH UNTO HIS CAVE"

What a scene! Twin lofty mountain masses flanked the entrance and from the back of these the land dipped downwards like a hammock swung between them, its lowest point behind the center of the crescent. A clean and smooth, dark-pebbled beach went all around the bay, the tide line marked with driftwood, gleaming, bleached bones of trees, fantastic roots and worn and shredded trunks. Above the beach a band of brilliant green and then the deep, black spaces of the forest. So huge was the scale of all of this that for some time we looked in vain for any habitation, at last incredulously seeing what we had taken to be bowlders assume the form of cabins.

The dories grounded and we leapt ashore, and followed up the beach onto the level ground seeing and wondering, with beating hearts, and crying all the time to ourselves: "It isn't possible, it isn't real!"

There was a green grass lawn beneath our feet extending on one side under an orchard of neatly pruned alders to the mountain's base, and on the other into the forest or along the shore. In the midst of the clearing stood the old man's cabin. He led us into it. One little room, neat and comfortable; two windows south and west with the warm sun streaming through them; a stove, a table by the window with dishes piled neatly on it; some shelves of food and one of books and papers; a bunk with gaily striped blankets; boots, guns, tools, tobacco-boxes; a ladder to the store-room in the loft. And the old man himself: a Swede, short, round and sturdy, head bald as though with a priestly tonsure, high cheek bones and broad face, full lips, a sensitive small chin,-and his little eyes sparkled with good humor.

"Look, this is all mine," he was saying; "you can live here with me-with me and Nanny,"-for by this time not only had the milk goat Nanny entered but a whole family of foolish-faced Angoras, father, mother, and child, nosing among us or overturning what they could in search of food. He took us to the fox corral a few yards from the house. There were the blues in its far corner eying us askance. We saw the old goat cabin built of logs and were told of a newer one, an unused one down the shore and deeper in the woods.

"But come," he said with pride, "I show you my location notice. I have done it all in the proper way and I will get my title from Washington soon. I have staked fifty acres. It is all described in the notice I have posted; and I would like to see anybody get that away from me."

By now we had reached the great spruce tree to whose trunk he had affixed a sort of roofed tablet or shrine to house the precious document. But, ah look! the tablet was bare! only that from a small nail in it hung a torn shred of paper.

"Billy, Nanny!" roared the old man in irritation and mock rage; and he shook his fist at the foolish looking culprits who regarded us this time, wisely, from a distance. "And now come to the lake!"

We went down an avenue through the tall spruce trees. The sun flecked our path and fired here and there a flame-colored mushroom that blazed in the forest gloom. Right and left we saw deep vistas, and straight ahead a broad and sunlit space, a valley between hills; there lay the lake. It was a real lake, broad and clean, of many acres in extent, and the whole mountain side lay mirrored in it with the purple zenith sky at our feet. Not a breath disturbed the surface, not a ripple broke along the pebbly beach; it was dead silent here but for maybe the far off sound of surf, and without motion but that high aloft two eagles soared with steady wing searching the mountain tops. Ah, supreme moment! These are the times in life-when nothing happens-but in quietness the soul expands.

Time pressed and we turned back. "Show us that other cabin, we must go."

The old man took us by a short cut to the cabin he had spoken of. It stood in a darkly shadowed clearing, a log cabin of ample size with a small doorway that you stooped to enter. Inside was dark but for a little opening to the west. There were the stalls for goats, coops for some Belgian hares he had once kept, a tin whirligig for squirrels hanging in the gable peak, and under foot a shaky floor covered with filth.

UNKNOWN WATERS

But I knew what that cabin might become. I saw it once and said, "This is the place we'll live." And then returning to our boat we shook hands on this great, quick finding of the thing we'd sought and, since we could not stay then as he begged us to, promised a speedy return with all our household goods. "Olson's my name," he said, "I need you here. We'll make a go of it."

The south wind had risen and the white caps flew. We crossed the bay pulling lustily for very joy. Reaching the other shore we saw, too late, crossing the bay in search of us the small white sail of the party that had brought us part way from the town. So we turned and followed them until at last we met to their relief and the great satisfaction of our tired arms.

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Wilderness, A Journal of Quiet Adventure in Alaska Wilderness, A Journal of Quiet Adventure in Alaska Rockwell Kent Literature
“In August 1918 Rockwell Kent and his 9-year-old son settled into a primitive cabin on an island near Seward, Alaska. Kent, who during the next three decades became America's premier graphic artist, printmaker, and illustrator, was seeking time, peace, and solitude to work on his art and strengthen ties with his son. This reissue of the journal chronicling their 7-month odyssey describes what Kent called "an adventure of the spirit." He soon discovers how deeply he is "stirred by simple happenings in a quiet world" as man and boy face both the mundane and the magnificent: satisfaction in simple chores like woodchopping or baking; the appalling gloom of long and lonely winter nights; hours of silence while each works at his drawings; crystalline moonlight glancing off a frozen lake; killer whales cavorting in their bay. Richly illustrated by Kent's drawings, the journal vividly re-creates that sense of great height and space — both external and internal — at the same time that it celebrates a wilderness now nearly lost to us.”
1

Chapter 1 DISCOVERY

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2

Chapter 2 ARRIVAL

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3

Chapter 3 CHORES

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4

Chapter 4 WINTER

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5

Chapter 5 WAITING

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6

Chapter 6 EXCURSION

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7

Chapter 7 HOME

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8

Chapter 8 CHRISTMAS

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Chapter 9 NEW YEAR

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10

Chapter 10 OLSON!

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Chapter 11 TWILIGHT

01/12/2017