On the Art of Writing / Lectures delivered in the University of Cambridge 1913-1914
n up by Mr Holmes in his book 'What Is, and What Might Be,' of the things that
des
alk and
the dramatic se
aw, paint
dance a
w the why
onstruct
this catalogue bri
y rate with his chosen ones-his parents, brothers, sisters, nurse, governess, gardener, boot-boy (if he possess these last)-with other c
obviously all these are what Aristotle would call 'mimetic' instincts: 'imitative' (in a sense I shall presently explain); even as No. (2)-acting-like No. (1)-talking and listen
uble to parents, parsons, governesses, conventional schoolmasters-to all grown-up persons who pretend t
come,' the
of many
storks an
n
Evangelists' Window
er cows h
rn, and 'in the negative': in tolerant moments
instinct and discussed
s-the 'constructive instinc
voir: induire pour déduire, afin de construire. The desire to make things, to build things up, to control ways and means, to master the resources of nature, to put his knowledge of her laws and facts to practical use, is strong in his so
ers into the art of making mud-pies and has also been applied in the past to great poetry. If you don't kee