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Blackwood's Edinburgh Magazine, No. CCCXLII. Vol. LV. April, 1844

Blackwood's Edinburgh Magazine, No. CCCXLII. Vol. LV. April, 1844

Author: Various
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Chapter 1 -THE BATTLE OF THE BRIDGE.

Word Count: 5577    |    Released on: 06/12/2017

est injunctions of Contarini, the weakness of his character withheld him alike from confessing his fault, and from encountering the penetrating gaze of the old painter. Neglecting thus his u

d without his finding the smallest trace of her he sought, his repeated disappoi

d his pillow, now partially shrouded by the ample veil, then again fully exposed and apparently exulting in its unearthly ugliness; or else peering at him from behind the

faithful gondolier Jacopo. The sun was shining brightly through his chamber wi

tone and manner. "Up, Signor Antonio! You were not wont to oversleep yourself on the day of the Bridge Fight. All

d forward to with the greatest impatience and interest, by Venetians of all ranks, ages, and sexes; a festival which he himself was in the habit o

ed into two parties or communities, separated from each other by the grand canal. Those who dwelt on the western or land side of this boundary were styled the Nicolotti, after the parish of San Nicolo; while those on the eastern or sea side took the appellation of Castellani, from the district of

should not become too heated and the fight too dangerous." "Also on cloudy days," says the same authority, "that the spectators might not be molested by the sun; and on Sundays or Saints' days, that the people thereby might not be hindered from their occupations." On these occasions one of the numerous bridges was selected as the scene of

ctive parties; whereas with the lower orders the strife, begun in good-humour, not unfrequently turned to bitter earnest, and had dangerous and even fatal results. In the wish, however, to keep up a warlike spirit in the people, and perhaps still more with a view to make them forget, in a temporary and boundless license,

k mass of gondolas, which rendered even a casual glimpse of the water scarcely obtainable; and it was amidst the cries of the gondoliers and the noise of boats knocking against each other, that the young painter passed the Dogana and reached the grand canal. The

most part provided with baskets of provisions, and evidently determined to sit or stand out the whole of the spectacle. In the anxiety to obtain good places, the most extraordinary risks were run, and feats of activity displayed. Here might be seen individuals clambering up perpendicular buildings, by the aid of ledges and projections which appeared far too narrow to afford either grasp or foot-hold; further on, some herculean gondolier or pea

erhaps the most striking feature of this striking scene was to be found in the custom of masking, then almost universal in Venice, and the origin of which may be traced in great part to dread of the Inquisition, and of its prying enquiries into the actions and affairs of individuals. Amidst the sea of fac

in long black robes; and Jews, whose habitually greedy and crafty countenances had for the nonce assumed an expression of eager curiosity and expectation. The mercantile spirit of the Venetians prevented them from extending to individuals the quarrels of states; and although the republic was then at war with Spa

thrown by the overhanging balconies, in the recesses of deep and gloomy portals, or peering out from the entrance of some narrow and tortuous alley, these men were grouped, silent, scowling, and alone, and apparently known to none of the surrounding crowd. But suspicious as were the appearance and deportment of the persons in question, Antonio's thoughts were too much engrossed by another and far more interesting subject, to accord them much attention. He nourished the hope of discovering amongst the multitude assembled around him, the mysterious being who had taken so strong

ence that was repressed by the ?diles stationed at either end of the bridge, who did their utmost to enforce the laws of this popular tournament. Notwithstanding their efforts, however, the mostra or duello between two persons, by which the combat should begin, was often converted into the frotta or mêlée, in which all pressed forward without order. The first advantage was held to be-for one of the combatants to draw blood, if it were only a single drop, from the nose or mouth of his op

easts protected by leathern doublets, and their heads by closely fitting caps-their dress altogether as light as possible, and well adapted to the struggle in which they were about to engage. The loud hum of the multitude was hushed on their appearance, and the de

before Antonio, whose thoughts had been gradually diverted from the incognita by the struggle that was going on, perceived symptoms of weariness amongst those indefatigable athletes. Here and there a knee was seen to bend, or a muscular form to sink, under some well-directed blow, or before a sudden rush of the opposite party. First one, then another of the combatants was hurled from the bridge into the canal, an immersion that, dripping with perspiration as they were, not unfrequently caused death or severe illness. Nevertheless the fury of the fight seemed rather to increase than diminish. So long as only a man here and there fell into the water, they were dragged out by their friends; and the spectators even seemed to feel pity and sympathy for the unfortunates, as they saw them carried along, some covered with blood, others paralysed by the sudden cold, with faces pale as death and limbs stiff and r

n the bridge, without its being possible for any one to divine whence the weapons came. The spectators, seized with a panic fear, fled in every direction, and sprang in crowds from the quays to seek shelter under the awnings of the gondolas covering the canal. In vain did the gondoliers resist the intrusion of the fugitives: all considerations of rank and property were lost sight of in the terror of the moment, and some of the boats sank under the weight of the multitudes that poured into them. In their haste to get away, the gondolas impeded each other, and became wedged together in the canal; and amidst the screams of the ladies and angry exclamations of the men, the gondoliers laid down their oars

defiance were hushed; the arm that was already drawn back to deal a blow fell harmless by its owner's side, the storm of missiles ceased, the contending factions parted, and left the combat undecided. The habit of obedience an

rt of the merchants' warehouses were situated. Thither the crowd of gondolas now steered, and Antonio found himself carried along with the stream. But although the fire was already beginning to subside before the prompt measures taken to subdue it, the alarm-bell kept clanging on; and Antonio soon perceived that the

At one of the windows of the palace, a tall man in a flowing white robe, with a naked sabre in one hand and a musquetoon in the other, which, from the smoke still issuing from its muzzle, had apparently just been discharged, stood defending

ion of the archducal counsellors, the high-spirited maiden resolved to execute a plan she had herself devised, and which, although in the highest degree rash and hazardous, might still succeed if favoured

in believing the account they gave of themselves, had not the urgent applications made by the Austrian Envoy and the Capitano of Fiume, for the release of the Uzcoques, given their suspicions new strength. The object of the Venetians was, if they could ascertain that there was a chief among the prisoners, to obtain from him, by torture or otherwise, confessions which might enable them to prove to the Archduke the encouragement afforded by his counsellors to the piracies of the Segnarese. They accordingly delayed, by every possible pretext, giving an answer to the archducal ambassador, doing their utmost meanwhile to find out the real quality of the prisoners. This, Strasolda was most anxious that they should not discover; and her anxiety was scarcely less to prevent the captivity of their leader from becoming known among the pirates themselves. His daughter's entreaties, and his own better nature, had frequently caused Dansowich to check his followers in the atrocities they were too apt to commit. In consequence of this i

he fight was at the fiercest, one party mixed with the combatants, exciting and urging them on, and doing all in their power to increase the confusion; others set fire to the warehouses on the island of San Giorgio, in order to draw the public attention in that direction; while the third and most numerous

f the Venetian police, rising as it seemed out of the very earth, surrounded the ladder, and a fierce conflict began. Even the watchfulness and precautions of the Inquisition, however, were to a certain extent overmatched by Uzcoque cunning and foresight. Had it not been necessary to ring the alarm bell on account of the fire, the police, who were far the most numerous, and who each moment received an accession to their numbers, could scarcely have failed to capture some of their opponents, and thus have ascertained to a certainty what the

en cut and thrown down. Desirous of escaping from this scene of confusion, the young painter was making his way towards the quay, close to which his gondola was waiting, when his heart suddenly leaped within him at the sight of a muffled figure that passed near him, and in whi

g the ladder," ex

bing up it herself

itch dead!" shoute

mpt the rescue, which would have been by no means difficult to accomplish by the display of a little boldness and promptitude. Whilst he was thus hesitating, there suddenly broke through the crowd a young man, attired like himself in a black dress, and holding a naked rapier in his hand. The new comer had probably lost his mask in the tumult and confusion, for his features were uncovered, and Antonio saw, to his inexpressible consternation and astonishment, that they were the exact counterpart of his own. Before he could recover from this new shock, the stranger, by the aid of his fierce and determined demeanour, and the rapid play of his weapon, had made his way to the mysterious old woman, whose back was turned towards him, and seizing her round the w

r frightful countenance, unveiled in the struggle and no longer seen through the beautifying prism of the young artist's imagination, again displaying the yellow and wrinkled skin, and the deep-set glittering eyes, which now seemed

of such a frightful witch? Never did I see you so ready with your rapier, fl

," answered Antoni

To think of your thus denying your own noble daring! Do, for the blessed virgin's sake, let us jump out upon the ne

ith superstitious awe, though he at the same time felt himself drawn towards her by a fascination, against which he found it was in vain to conten

to Antonio, and then retreated, as if anxious to avoid

t a sound was heard except the distant hum of the multitude assembled in the quarter of St Mark's. Without exciting suspicion or attracti

ad disappeared behind the angle of a palace, he stood gazing, like one entranced, at the spot where he had last seen her imposing and graceful figure. The approach of Jacopo, still crossing himself, and calling upon all t

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