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Chats on Old Miniatures

Chapter 10 SOME GEORGIAN ARTISTS

Word Count: 1142    |    Released on: 06/12/2017

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tation as miniature painters of the first rank. Thus Richard Cosway was elected Royal Academician in 1773, and Ozias Humphrey, having made his start in life and

indeed, of art generally, in this country. When the three distinguished artists I have just named, Petitot and the two or three good enamellers we h

There was also some good work done by stray artists like Gaspar Netscher, whose rendering of the imperious Sarah Jennings from the collection of Mr. Charles Butler I give on p. 177. Then there was the eccentric Jean Etienne Liot

He was patronised by Maria Theresa, and by Royalty in this country. The Museum at Amsterdam has of late years been enriched by several examples bequeathed by descendants. I confess to finding great charm in his work; so far as I know, he is unrepresented in our National collections, except by some drawings

SWAY,

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Campbell-

Nixon, born within a year or two of Ozias Humphrey-that is, in 1741 (his Miss Kitty Mudge is marked by great refinement); and Samuel Collins, whose

igin and want of training-for he was a self-taught genius, born in Whitechapel, in 1750. He is said to have founded his style upon that of Sir Joshua Reynolds; if so, he fell very far short of his master. He devoted much tim

to this period-that is to say, the latter half of the eighteenth century-is

st known by his drawings for Lodge's "Portraits of Illustrious Personages." He was assisted by a son, who lived until 1873. The work of the elder was m

lton is, of course, Elizabeth Gunning, Duchess of Hamilton and afterwards of Argyll, one of the two famous Ir

g, who became Countess of Coventry,

ries at least, and it has been carried to great perfection; no country can show more beautiful work of the kind, and in the number, as well as in the charm, of its miniatures England is unsurpassed. Yet no attempt has ever been made to procure a

be attractive and instructive in the highest degree-attractive to lovers of art and history, instructive to students, who could hardly fail to benefit by the study of such work as might have been, long ere this, brought together, whilst the miniature painters of o

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