Fresh Fields
nsic musical excellence, and so largely a matter of association and suggestion, or of subjective coloring and rem
uropean traveler in this country, in the burst of the blackcap, or the redbreast, or the whistle of the merlin! The relative merit of bird-songs can hardly be settled dogmatically; I suspect there is ver
th the general silence and desolation of nature is the most striking and impressive. The nightingale needs to be heard at night, the lark at dawn rising to meet the sun; and robin, if you would know the magic of his voice, should be heard in early spring, when, as the sun is setting, he carols steadily for ten or fifteen minutes from the top of some near tree. There is perhaps no other sound in nature; patches of snow linger here and there; the trees are naked and the earth is cold and dead, and this contented, hopeful, reassuring, and withal musical strain, poured out
one of its silent and meditative moods, or else, in the wilds of Canada where his grace speaks of having seen it, the sandpiper is a more taciturn bird than it is in the States. True, its call-notes are not incessant, and it is not properly a song-bird any more than the British species is; but it has a very pretty and pleasing note as it flits up and down our summer streams, or runs along on their gray, pebbly,
st solitudes) during the richest moment of the spring, say from the 1st to the 20th of May, and at times till near midsummer; moreover, more bird-voices join in it, as I shall point out, than in Britain; but it is probably more fitful and intermittent, more confined to certain hours of the day, and probably proceeds from throats less loud and vivacious than that with which our distinguished critic wa
been materialized and made as palpable to the eye as they were to the ear, I think they would have veiled the landscape and darkened the day. There were big songs and little songs,-songs from the trees, the bushes, the ground, the air,-warbles, trills, chants, musical calls, and squeals, etc. Near by in the foreground were the catbird and the brown thrasher, the former in the bushes, the latter on the top of a hickory. These birds are related to the mockingbird, and may be called performers; their songs are a series of vocal feats, like the exhibition of an acrobat; they throw musical somersaults, and turn and twist and contort themselves in a very edifying manner, with now and then a
tood more or less in the way of the strain I was listening for, because every one had a touch of that burr or guttural hum of the lark's song. The ear had still other notes to contend with, as the strong, bright warble of the tanager, the richer and more melodious strain of the rose-breasted grosbeak, the distant, brief, and emphatic song of the chewink, the child-like contented warble of the red-eyed vireo, the animated strain of the goldfinch, the softly ringing notes of the bush sparrow, the rapid, circling, vivacious strain of the purple finch, the gentle lullaby of the song sparrow, the pleasing "wichery," "wichery" of the yellow-throat, the clear whistle of the oriole, the loud call of the high-hole, the squeak askylark. Our high, wide, bright skies seem his proper field, too. His song is a pure ecstasy, untouched by any plaintiveness, or pride, or mere hi
up with me in
ng, Lark,
p with me int
ng, s
nd sky about
guide me
ich seems so
ts, I should say that our bird-choir was a larger one
he birds that have musical call-notes, and by some are denominated songsters, as the bluebird, the sandpiper, the swallow, the red-shouldered starling, the pewee, the high-hole, and others, would embrace more names, though perhaps no songsters equal to the lark and nightingale, to wit: the robin, the catbird, the Baltimore oriole, the orchard oriole, the song sparrow, the wood sp
per sparrow, full of the repose and the wild sweetness of the fields; or the strain of the little bush sparrow, suddenly projected upon the silence of the fields or of the evening twilight, and delighting the ear as a beautiful scroll delights the eye! The whit
British house wren, but our marsh wren has a lively song; while our winter wren, in sprightliness, mellowness, plaintiveness, and execution, is surpassed by but f
, but the pathetic and silvery note of the wood pewee more than makes up for it. White says the golden-crowned wren is not a song-bird in Great Britain. The corresponding species here has a pleasing though not remarkable song, which is seldom heard, however, except
and all summer, in the maples and locusts. It is he, or rather she, that builds the exquisite basket nest on the ends of the low, leafy branches, suspending it between two twigs. The warbling vireo has a stronger, louder strain, more continuous, but not q
our bird-melody, including in the family the tanager and the grosbeaks, while in Europe the warblers lead. White names seven finches in his list, and Barrington includes eight, none of them very noted songsters, except the linnet. Our list would include the sparrows above named, and the indigo-bird, the goldfinch, the purple finch, the scarlet tanager, the rose-breasted grosbeak, the blue grosbeak, and the cardinal bird. Of these birds, all e
ade, or on the brink of some little dark eddying pool above it, this bird darts by me, up or down the stream, or alights near me, upon a rock or stone at the edge of the water. Its speckled breast, its dark olive-colored back, its teetering, mincing gait, like that of a sandpiper, and its sharp chit, like the click of two pebbles under water, are characteristic features. Then its quick, ringing song, which you are sure presently to hear, suggests something so bright and silvery that it seems almost to light up, for a brief moment, the dim retreat. If this strain were only sustained and prolonged like the nightingale's, there would be good grounds for Audubon's comparison. Its cousin, the wood wagtail, or golden-crowned thrush of the older ornithologists, and golden-crowned accentor of the later,-a common bird in all our woods,-has a similar strain, which it delivers as it were surreptitiously, and in the most precipitate manner, while on the wing, high above the treetops. It is a kind of wood-lark, practicing and rehearsing on the sly. When the modest songster is ready to come out and give all a chance to hear his full and completed strain, the European wood-lark will need to look to his laurels. These two birds are our be
here are house and garden birds there. They find good pasturage and protection everywhere. A land of parks, and gardens, and hedge-rows, and game preserves, and a climate free from violent extremes,-what a stage for the birds, and for enhancing the effect of their songs! How prolific they are, how abundant! If our songsters were hunted and trapped by bird-fanciers and others, as the lark, and goldfinch, and mavis, etc., are in England, the race would soon become extinct. Then, as a
ging above the South Downs in October, apparently with full spring fervor and delight. The wren, the robin, and the wood-lark sing throughout
ed-eyed vireo, while White names eight or nine August songsters, though he speak of the yellow-hammer only as persistent. His dictum, that birds sing as long as nidification goes o
summer. The sedge-bird also sings the greater part of the night. A stone thrown into the bushes where it is roosting, aft
f the night, but so briefly that it gives one the impression that they sing in their sleep. Thus I have heard the hair-bird, or
d in fluency, variety, and execution is highly probable. That the total effect of his strain may be less winning and persuasive than the nocturne of the nightingale is the only question in my mind about the relative merits of the two songsters. Bring our birds together as
uch smaller and plainer-colored bird," he says, "than our [the English] thrush, and its song is not so loud, varied, or so long sustained; here the tone is of a sw
each with an asterisk, those that are probably the better songsters; followed by a list
and. New
ark. Me
ush. *Wo
ren. Hou
ren. *Wi
ast. Bl
art. R
rrow. *So
mmer. *Fo
rk. Bo
ow. S
p. Wood
tlark (spri
bird.
*Maryland y
ch. Gol
ch. *Woo
ow. *Vespe
*Purpl
ch. Indi
ale. Wate
ush. *Herm
ouse. Sava
ch. Chi
irds not included
yed v
-eyed
ly love
ary v
throate
et ta
more
rd or
tb
thra
ew
easted
le m
rd (occas
ed, some of which, like the black-throated green warbler, the speckled Canada warbler, th