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Nat Goodwin's Book

Chapter 3 STUART ROBSON

Word Count: 2560    |    Released on: 06/12/2017

imitations of actors and pronounced upon them favorably, "not only for their accuracy," as he put it, but the methods I employed remi

Theatre, Philadelphia. Had he lived he would certainly have made dramatic history for himself. I have only a faint recollection of

geniuses that I have ever met-a master in all matters pertaining to the drama and literature of the theatre. Had he lived I feel ce

ac

rt R

spearean clown

s. His knowledge of painting, drama, music, sculpture, literature, poetry, in fact all the arts, seemed unlimited. As a critic he had a style peculiarly his own, equalled only by Hazlitt, Lamb, Lewes and a few others. He was a graduate of Annapolis and left there with many honors. Very often we would sit in his rooms and he would read me his prose and poetry, which he never a

l engagement and make the acquaintance of the best Shakespearean clown of mod

where I stood, transfixed, walked toward me and said, "My God, Brad! who is this young man?" Bradford answered, "A young friend of mine who wants to go on the stage. Of whom does he remind you, Rob?" Robson looked at me for a minute, and ejaculated, "Merciful powers, Bob Craig!" After being introduced we shoo

itations. I rendered sixteen and Rob, bless him, always pronounced the last one the best. I was about to leave the stage when Brad insisted that I should giv

following Monday I appeared in Bradford's play, "Law in New York," as Ned the newsboy, and

! Robson!" He was standing in the wings and as I came off I said, "What can I do, Mr. Robson? They are clamoring for me to give an imitation of you!" "Do?" said he in that falsetto voice so well known to theatregoers of that period, "Go back and give the villains hell!" On the impulse of the moment I went through an

tonight that I shall never forget-halted the performance of a very good pla

nerisms, was never able to detect his even when emphas

time in this same line and being rather conspicuous that evening I gave vent to my pleasure by applauding most vociferously all of his efforts. To my horror he approached the footlights and announced an imitation of me! As he finished the applause from all

y I arrived in time to save him from a pauper's grave, and he now sleeps tranquilly in beautiful Mt. Auburn with his poems and

he ethics of our art! Analytically he was master of more of the fundamental rules of acting than even Lawrence Barrett who was an authority. While Robson was never able to convey a sentimental thought by any facial express

. We gave the characters all the study and attention due to the great master and were firm in our resolution to play the respective r?les with proper reverence, to bestow upon them all the tragic

ely I came on with the mob and my few lines passed unnoticed, as none in front recognized me. To be s

ac

y H

of an Irish Apol

true tragic dignity. Then a hush, as the audience settled back for the expected travesty. It needed only the familiar notes of Rob's voice to reassure them that they were right in their conjectures and a shout of laughter went up as he began the speech, "That I do love you, Brutus," etc. The shrieks of laughter interrupted his long thought-out delivery. He paused. His face became

ave them the necessary emphasis his voice, that most ready of organs, refused to obey the dictation of the brain and the gradual crescendo required for the delivery became a succession of Robsonian squeaks! The audience loyally tried to suppress its hilarity. At first it smiled, then giggled, then peals of laughter hurled themselves across the footlights

Troy upon his shoulder

udience was laughing a

ank, blankety-blank!", his added interpol

end had come. I prayed fervently that it had, but no such luck! It gradually quieted down and the play proceeded. When my turn came to end the act some of my friends said

liberality of a king. He absolutely refused to grow old and sought only the young. He tried to emulate the deeds of charity of the Good Samaritan and

the time at his summer place at Cohasset, Mass. The coachman went his way and Rob told me of his promise. I said, "Surely, you are not going to make good a promise made in jest?" He answered, "I am," went inside the house and in a few minutes came back on the veranda with the cheque for four thousand, nine hundred and ninety-nine dollars in his hand. He called his daughter and se

hter if she had performed the duty as requested. She answered, "Yes, papa, I gave him the cheque." Rob asked, "How did he take it?" His daughter repl

tter man than Stuart Robson; a loving father, a dutiful husband, a great comedian, an honest actor and an upright American cit

leave a place for me! If it's hell, I'll invoke a blizzard; if Heaven, we shall need each

l we

ond

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Nat Goodwin's Book
Nat Goodwin's Book
“Nat Goodwin's Book by Nat C. Goodwin”
1 Chapter 1 COMMENCEMENT DAY2 Chapter 2 MY DEBUT3 Chapter 3 STUART ROBSON4 Chapter 4 No.45 Chapter 5 SIR HENRY IRVING6 Chapter 6 BARRY AND JEFFERSON7 Chapter 7 A SUNNY SON OF SOMETIME8 Chapter 8 CHARLES HOYT9 Chapter 9 SIR CHARLES WYNDHAM10 Chapter 10 No.1011 Chapter 11 SOL SMITH RUSSELL12 Chapter 12 RICHARD MANSFIELD13 Chapter 13 IN VARIETY14 Chapter 14 ELIZA WEATHERSBY15 Chapter 15 SUCCESSFUL FAILURES16 Chapter 16 BACK IN THE EIGHTIES17 Chapter 17 THE HALCYON DAYS OF UNION SQUARE18 Chapter 18 THE BIRTH OF THE SYNDICATE19 Chapter 19 STARS20 Chapter 20 ATMOSPHERIC PLAYS21 Chapter 21 ACTORS PAST AND PRESENT22 Chapter 22 MAUDE ADAMS23 Chapter 23 TYRONE POWER24 Chapter 24 AN ARTISTIC SUCCESS!25 Chapter 25 THE SKATING RINK26 Chapter 26 NUMBER TWO27 Chapter 27 A FIGHT WON ( )28 Chapter 28 JOHN CHAMBERLAIN29 Chapter 29 W. S. GILBERT30 Chapter 30 HENRY E. DIXEY31 Chapter 31 SWAGGER NEW YORKERS OF ANOTHER DAY32 Chapter 32 JAMES WHITCOMB RILEY33 Chapter 33 DIGBY BELL AND DE WOLF HOPPER34 Chapter 34 BLAINE AND INGERSOLL35 Chapter 35 JIM CORBETT IN ENGLAND36 Chapter 36 THE COCKNEY CABBY COMEDIAN37 Chapter 37 A GILDED FOOL AND OTHER PLAYS38 Chapter 38 GEORGE M. COHAN39 Chapter 39 THOUGHTS VAUDEVILLE-BORN40 Chapter 40 JOHN DREW41 Chapter 41 THE RIVALS REVIVAL42 Chapter 42 WILTON LACKAYE43 Chapter 43 YOUNG MANSFIELD44 Chapter 44 DAVID WARFIELD45 Chapter 45 A DAY AT RENO46 Chapter 46 LILLIAN RUSSELL47 Chapter 47 DRAMATIC SCHOOLS48 Chapter 48 NUMBER THREE (ALMOST)49 Chapter 49 THE CONFESSIONAL50 Chapter 50 SAN FRANCISCO51 Chapter 51 ANTONY ( ) AND CLEOPATRA52 Chapter 52 HONOLULU AND SAMOA53 Chapter 53 PUBLICITY-ITS RESULTS54 Chapter 54 IN THE LAND OF THE KANGAROO55 Chapter 55 WELCOME (!) HOME56 Chapter 56 NUMBER THREE57 Chapter 57 WHEN WE WERE TWENTY-ONE AND OTHER PLAYS58 Chapter 58 AT JACKWOOD59 Chapter 59 WHY DO BEAUTIFUL WOMEN MARRY NAT GOODWIN 60 Chapter 60 BILLY THOMPSON61 Chapter 61 THE CRITICS62 Chapter 62 JAMES A. HEARNE63 Chapter 63 EDDIE FOY64 Chapter 64 WILLIAM GILLETTE65 Chapter 65 WILLIAM BRADY, ESQ.66 Chapter 66 ROBERT FORD67 Chapter 67 MORE PLAYS68 Chapter 68 WILLIE COLLIER69 Chapter 69 HENRY MILLER70 Chapter 70 WHAT'S IN A NAME 71 Chapter 71 I TRY BEING A BUSINESS MAN72 Chapter 72 THE FIVE FATEFUL FISH CAKES AND NUMBER FOUR73 Chapter 73 SIR BEERBOHM TREE74 Chapter 74 THE ORIGIN OF THE STAGE75 Chapter 75 MY STAGE-STRUCK VALET76 Chapter 76 GEORGE C. TYLER77 Chapter 77 I FIND THE VERY BEST PHYLLIS78 Chapter 78 THE LAMBS CLUB79 Chapter 79 I COME BACK 80 Chapter 80 I GO BACK 81 Chapter 81 DAVID BELASCO82 Chapter 82 AUTHOR-AUTHOR 83 Chapter 83 MUSHROOM MANAGERS84 Chapter 84 KEEP OFF THE GRASS 85 Chapter 85 CALIFORNIA86 Chapter 86 I BECOME A BARNSTORMER!87 Chapter 87 NUMBER FIVE88 Chapter 88 L'ENVOI