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Seeing Europe with Famous Authors, Volume I. Great Britain and Ireland

Chapter 2 CATHEDRALS AND ABBEYS

Word Count: 11533    |    Released on: 06/12/2017

m "Two Months Abroad." Pr

HE E

en England accepted Him, and acceptance came only after the Saxon King Ethelbert had married Bertha, daughter of a Frankish prince. Here in Canterbury Ethelbert held his court. Bertha, like her father, was a Christian. After her marriage, Bertha h

ry. St. Augustine and forty monks were dispatched by Gregory to the English shore. To-day I have seen the church where this great missionary preached. It still contains the font from which he baptized his many English converts. In this

ever were, had a strong attachment for it, and here lies buried. Opposite his tomb sleeps Henry IV, the king who dethroned Richard II, son of this same Black Prince. Thomas à Becket, and those marvelous pilgrimages that followed his murder for three hu

onuments and seemed to add something unreal to the air of solemn greatness that appeared in every street and corner. Chance threw me into Mercury Lane. Here at once was historic ground. On a corner of the lane stan

rose ponderously into the clouded air. No picture, no figures, no mere letter, can place before the reader's mind this enormous edifice. Its total length is 520 feet-Westminster Abbey is more than 100 feet less. As we enter, the immensity of it grows. It is a beautiful theory that these great Gothic churches, as outgrowths of the spirit of Christianity, i

hes. Beneath the choir and chapel is a crypt, also Norman and the oldest part of the cathedral, some of it undoubtedly dating from St. Augustine's time. He is known to have built a church soon after his arri

tone and wonderfully symmetrical in all its outlines. A screen, richly wrought, divides the Norman from the Gothic part. Two flights of stone steps lead from one to the other. It will not be easy to forget the impression made that dark December morning when I entered the

In one cornear is the "Warrior's Chapel," crowded with the tombs of knights whose effigies, in full armor, lie recumbent on elaborate bases. Henry IV. and his second queen lie in the Becket Chapel under an elegant canopy, betwe

that lead to it show how they were deeply worn by pilgrims, who ascended in pairs on their knees. Where stood the shrine the pavement has also been worn deeply down to the shape of the human knee by pilgrims while in prayer. Each pilgrim brought an offering, and nothing less than gold was accepted. No

h no ordinary feeling does one stand amid the scene of this most interesting and curious chapter in church history. Not far from the shrine is the place where the murder of Becket was committed. You are shown the actual stone that was stained with his blood. A piece of this stone, about four inches square, was cut out of the pavement at the time of the murder and sent

lishmen and for descendants of Englishmen in the New World. St. Martin's is somewhat removed from the town, where it stands alone on a sloping knoll, and is very simple in form. The tower that rises over the doorway is built of plain Roman brick and broken flint stones, and has occasionally a piece of

t was baptized. Both chronicle and tradition say good Bertha was buried here. A recess in the wall of the chancel contains an old stone coffin, which is believed to contain the dust of England's first Christian queen. Standing within this ancient structure, one feels that he has reached the sou

" By arrangement with the publishers, Moffat,

LLIAM

eheld one of the loveliest spectacles that ever blest the eyes of man. The wind was fierce, the sun brilliant, and the vanquished storm-clouds were streaming away before the northern blast. Far beneath lay the red-roofed city, its devious lanes and its many great churches,-crumbling relics of ancient ecclesiastical power,-distinctly visible. Through the plain, and far away toward the s

gth was ripe for the ruin of Glamis and Cawdor. Close by is the field of Stamford, where Harold defeated the Norwegians with terrible slaughter, only nine days before he was himself defeated, and slain, at Hastings. Southward, following the line of the Ouse, you look down upon the ruins of Clifford's Tower, built by King William the Conqueror in 1068, and destroyed by the explosion of its powder m

to visitors. A few miles away, but easily within reach of your vision, is the field of Marston Moor, where the impetuous Prince Rupert imperiled and well-nigh lost the cause of King Charles the First in 1644; and as you look toward that fatal spot you almost hear, in the chamber of your fancy, the paeans of thanksgiving for the victory,

ife to man and man's pathetic faith in that promise. Dark and lonely it comes back upon my vision, but during all hours of its daily

me fine remains of the Norman church that preceded it on the same site, together with traces of the still older Saxon church that preceded the Norman. The first one was of wood, and was totally destroyed. The Saxon remains are a fragment of stone staircas

D [Footnote: From "Engli

ARD A.

urably finer than those of York; but the front of Y

not be wholly made a matter of blame to the original builders. For it is clear that some finish, whether a crown like those at Newcastle and Edinburgh or any other, was intended. Still the proportion which is solemn in Romanesque becomes squat in perpendicular, and, if York has never received its last finish, Lincoln has lost the last finish which it received. Surely no one who is not locally sworn to the honor of York can doubt about preferring

it were, by the huge gable window above it-big enough to be the east window of a large church-and the aisles, whose east windows are as good on their smaller scale as the great window, are absurdly finished with sham gables, destroying the real

ne of the loveliest of human works; the proportion of the side elevations and the beauty of the details are both simply perfect. But its addition has spoiled the minster as a whole. The vast length at one unbroken height gives to the eastern view of the inside the eff

ation of stone construction in wood runs through the greater part of the church; it comes out specially in the transepts, where a not very successful attempt is made to bring the gable windows within the vault-the very opposite to the vast space lost in the roofs at Lincoln. Yet with all this, many noble views may be got in York nave and transepts, provided only the beholder takes care never to look due east or w

nt with, and by permission of, the publishers of Hawthorn

ANIEL H

Norman arch; nor is there, as far as I remember, a single pointed arch in the cathedral. The effect is to give the edifice an air of heavy grandeur. It seems to have been built before the best style of church architecture had established itself; so that it weighs upon the soul, instead of helping it to aspire. First, t

channeled straight up and down; some are wrought with chevrons, like those on the sleeve of a police inspector. There are zigzag cuttings and carvings, which I do not know how to name scientifically, round the arches of

ary here. The exterior of the cathedral, being huge, is therefore grand; it has a great central tower, and two at the western end; and reposes in vast and heavy length, without the multitude of niches, and crumbling statues, and richness of detail, that make the towers and fronts of some cathedrals so endl

oudest chapel of the cathedral before occupying its present bed among the grass. About fifteen paces from the central tower, and within its shadow, I found a weather-worn slab of marble, seven or eight feet long, the inscription on which interested me somewhat. It was to the memory of Robert Dodsley, the bookseller, Johnson's acquaintance, who, as his tombstone rather superciliously avers, had made a much better figure as an author than "could have been expected in his rank of life." But, after all, it is inevitable that a ma

a better style of architecture than the nave and choir.... Thence we went into the cloisters, which are entire, but not particularly in

Its Scenery, Art, and People." P

ES M.

ingdon route more directly to Cambridge. This was quite a loss, for Oliver Cromwell was born in

derived from "willow," or a kind of willow or ozier island, upon which the abbey and town were built in the midst of marshes. Among these impenetrable marshes Hereward the Saxon retreated; and here, too, we have that bit of genuine antique poetry which fro

ed out of the bishopric of Lincoln, and comprizes Cambridge in its jurisdiction. It has, therefore, had all the riches, influence, taste, and learning of the University to bear upon the restoration of its noble old cathedral; and of all the old churches of England this one exhibits indications of the greatest modern care and thought bestowed upon it. It glows

rfully elaborate. The bronze scroll and vine work of the gates and lamps, for grace and Oriental luxuriance of fancy, for their arabesque and flower designs, might fitly have belonged to King Solomon's Temple of old. The modern woodwork of the choir compares also well with the ancient woodwork carving. Gold stars on azure ground, and all vivid coloring and gilding, are freely used. The n

ment with, and by permission of, the publishers of Hawthor

ANIEL H

gray stone, and looks as perfect as when just finished, and with the perfection, too, that could not have come in less than six centuries of venerableness, with a view to which these edifices seem to have been built. A new cathedral would lack the las

s if man had contrived them. They might be fancied to have grown up, just as the spires of a tuft of grass do, at the same time that they have a law of propriety and regularity among themselves. The tall spire is of such admirable proportion that

mind they fell a little short of grandeur. The interior is seen to disadvantage, and in a way the builder never meant it to be seen; because there is little or no painted glass, nor any such mystery as it makes, but only a colorless, common daylight, revealing everything without remorse. There is a general light hue, moreover, lik

ere are many other warriors and bishops, and one cross-legged Crusader, and on one tombstone a recumbent skeleton, which I have likewise seen in two or three other cathedrals. The pavement of the aisles and nave is laid in g

hat the vergers may raise a revenue by showing strangers through the richest part of the cathedral. By and by one of these vergers came through the screen with a gentleman and lady whom he was taking around, and we joined ourselves to the party. He showed us into the cloisters, which had long been neglected and ruinous, until the time of Bishop Denniso

al spire. On one side of this cloistered walk seems to be the length of the nave of the cathedral. There is a square of four such sides; and of places for meditation, grave, yet not too somber, it seemed to me one of the best. While we stayed there,

and it was decided to restore the building in his honor, and by way of monument to him. The repairs are now nearly completed; and the interior of this chapter-house gave me the first idea, anywise adequate, of the splendor of these Gothic church edifices. The roof is sustained by one great central pillar of polished marble-small pillars clustered about a great central column, which rises to the

rrangement with, and by permission of, the pu

A BOWM

might be some days in town without so much as suspecting that one of the finest cathedrals in England was a near neighbor. It was almost by chance, I remember, that as we turned into a long,

t of features in English cathedrals-an elaborately sculptured screen, thoroughly honest in construction. In originality of conception this front is perhaps unrivalled, at least on English soil; there are three receding stories, so admirably proportioned as to

This complete and harmonious front is nobly enriched by the splendid note of contrast in the two transeptal Norman towers

in this instance, this effect of immensity is not due to an unbroken stretch of nave-aisles or to a lengthy procession of pier-arches, but to the magnificent sweep of the unencumbered vaulting in the roof. An organ screen intercepts the line of vision at the entrance to the ch

of the cathedral as a whole-its expressive, noble character, its breadth and grandeur, the poetry of its dusky aisles, and the play of the rich shadows about its massive columns-that charmed and enchained us. It was one of the few English cathedrals, we said to each other,

From "Our Old Home."

lin

ANIEL H

ructed vision, it seemed the object best worth gazing at in the whole world; and now, after beholding a great many more, I remember it with less prodigal admiration only because others are as magnificent as itself. The traces remaining in my memory represent it as airy rather than massive. A multitude of beautiful shapes appeared to be comprehended with

tible existence of all this cloudlike vicissitude. A Gothic cathedral is surely the most wonderful work which mortal man has yet achieved, so vast, so intricate, and so profoundly simple, with such strange, delightful recesses in

ng before the richly decorated shrines of saints. In the audacity of my ignorance, as I humbly acknowledge it to have been, I criticized this great interior as too much broken into compartment

onuments of personages whom I had ever heard of-one being Gilbert Walmesley, and the other Lady Mary Wortley Montagu, a literary acquaintance of my boyhood. It was really pleasant to meet her there; for after a friend has lain in the grave far into the second century, she would be unreasonable to require any

s generally succeed in acquiring. Their most marked feature is a dignified comfort, looking as if no disturbance or vulgar intrusiveness could ever cross their thresholds, encroach upon their ornamented lawns, or straggle into the beautiful gardens that surround them with flower-beds and rich clumps of shrubbery. The episcopal palace is a stately mansion of stone, built somewhat in the Italian style, and bearing on its front the figures of 1687, as the date of its erection. A large edifi

e: From "Visits to

LLIAM

t a deeper tranquillity of its own. Its numerous tombs and headstones, scattered over its greensward, and its lofty avenues of limetrees, seem to give you a peaceful welcome to the Christian fame and resting-place of so many generations. If you enter at the central passag

of Diocletian, when the Christians fell here by thousands; the repeated massacres and conflagrations of the Danes; the crowning of Saxon and of English kings; the proud processions of kings and queens,

eyes accustomed to the lofty and rich towers of some of our cathedrals, has an air of meanness. Many people tell you that it never was finished; but besides that there is no more reason that the tower should remain unfinished throu

wo smaller side-doors; the fretted gallery over it, where the bishop in his pontificals was wont to stand and bless the people, or absolve them from the censures of the churc

ws of lofty clustered pillars; the branching aisles, with their again branching and crossing tracery; the long line of the vaulted roof, embossed with armorial escutcheons and religious devices of gorgeous coloring; the richly painted windows; and, below

e front that elegant screen with which modern good taste has replaced the screen of Inigo Jones, who, blind to all the beauty of the Gothic architecture, not only placed here a Gre

d value, being of silver, which were bequeathed to the minster by the notorious Archbishop Stigand, before the Conquest. As we enter the choir through the door in the sc

the splendid east window in that direction, emblazoned with "the several implements of our Savior's Passion-the cross, crown of thorns, nails, hammer, pillar, scourges, reed, sponge, lance, sword, with the ear of Malchus upon it, lantern, ladder, cock, and dice; also the faces of Pilate and his wife, of the Jewish high pri

of dark marble-the tomb of William Rufus; and arranged on the top of the beautiful stone partitions on each side of the sanctuary, dividing it from the aisles, are six mortuary chests, three on a side, containing the bones of many of the most eminent Saxon princes. The bones which, from the repeated rebuildings and alterings of the cathedral, must have been in danger of being disturbed, and the places of their burial ren

ted a great fault. No, we stood on the stone in the floor of Prior Silkstede's chapel in the old Norman south transept, which is inscribed with the name of Izaak Walton

"Old England: Its Sc

y Houghton,

ES M.

i-distant from Bath, Bistol, and Bridgewater. It takes its name from the ancient well dedicated to St. Andrew, which rises

entual buildings, and the three venerable gates, or "eyes," as they are called, of the cathedral yard. The moat about the bishop's palace, overhung by a thick curtain of aged elms mingled with ivy, growing like a warrior's crest upon the high-turreted interior walls, and reflected in deep shadows in the smooth, dark mirror of the water, has a thoroughly feudal look, which is heightened by the drawbri

from its rich pinnacles, and is of a softened and gray tint. Beginning to show signs of sinking, it was raised in the fourteenth century, and was strengthened by the introduction beneath it of inverted buttressing-arches, which give to the interior a strange effect. These arches, architecturally considered, are undoubtedly blemishes, but they are on such a vast scale, and so bold in their forms, and yet so simple, that they do not take away from the plain grandeur of the interior.

that line the staircase, I remember in particular one queer old figure with a staff, or rather crutch, thrust in a dragon's mouth, supporting a column. While thus holding up the cathedral with its head and hand above, and choking a writhing dragon beneath, he looks smiling and unconcerned, as if it were an everyday affair with him, as

al College have a thoroughly quaint, old-fashioned look, quiet, rigid, and medieval; as if the students reared there could not but be Churchmen of the "Brother Ignatius" stamp, gentlemen, scholars, and-priests. I can not leave Wells without spe

tnote: From "The Abbe

LAIBORN

the East Angles, is said to have founded the first monastery at Beodericsworth (a town known to the Romans, ancient Britains, Saxons, and Danes), and to have subsequently laid aside his royal dignity by joining the brotherhood whic

ests at Beodericsworth, since when the town has been called St. Edmundsbury, in memory of the sainted monarch. Other wonderful traditions are associated with the shrine of St. Edmund. Sweyn, the violent Danish king, coming in hot pursuit of a woman who had claimed sanctuary, was miraculously killed by an imaginary spear which came out of th

and many benefactions. The monastery yearly became more prosperous, and, with the exception of Glastonbury, exceeded in magnificence and privileges all

the sun never saw. One might think the monastery alone a city: it has three grand gates for entrances, s

a wall. To the north was a great cloister, with the various conventual offices, to the southwest lay the cemetery and chur

supported the central tower. The site of St. Edmunds' Chapel-the part of the building which contained the famous and much-visited shrine-is at the east end of the church. Besides these relics of the minster, there still exists the Norman tower-built during the t

at the time of the massacre, discharged all the debts of his house, established many new rules, and set a godly and strenuous example to his followers. Later, in 1205, the chief barons met at Bury in opposition to King John, and swo

te: From "The Abbey

LAIBORN

he first British Christian settlement was established. The name of the new builder of the first early church can never be ascertained, so that in want of more substantial evidence the old legend of St. Joseph of Arimathaea must be accepte

lon (and so named in allusion to its apple orchards), and by means of preaching and many miraculous deeds persuaded the people to adopt Christianity. Gaining the good will of King Arviragus, they built a church of wattle and twigs on the ground given to them by their royal patron. The Benedictine, with its later developments in Norma

he Cistercian and other orders. The former were national houses-in every way belonging to the English people and untouched by Papal

r of the royal residences. Before leaving, Ethelburgh had commanded the servants to strip the castle of all its valuables, furniture, etc., and to fill it with rubbish, and to put a litter of pigs in the king's bed. A short distance on their journey, Ethelburgh persuaded the king to return, and, showing him over the desecrated palace, exhorted him to consider th

Benedictine house in his native town in the reign of Edmund the Magnificent. Many strange stories are told of him-the most fantastic, perhaps, being that of his interview with the natural enem

hops; many dukes; and the nobility of both sexes thought themselves happy in increasing the revenues of this venerable house, to ensure themselves a place of burial therein." The story of the burial of St. Joseph of Arim

fluence for miles around. There was but scanty comfort for its inmates, who rested on a straw mattress and bolster on their narrow bedstead in a bare cell, and whose food, duties and discipline were marked by an auster

e object of preserving them from desecration, the abbot had concealed some of the communion vessels, and for this offense the venerable man was tried and condemned to death. His head, white with the touch of eighty years, was fixt upon the abbey gate, and the rest of his body quartered and sent to Bath, Wells,

From "The Abbeys

LAIBORN

of loneliness and separation from the world so sought after by the Cistercian monks, who doubtless found inspiration in the grandeur of the surrounding mountains and in the peacefulness of the sweet valley below. Tho the church of the Early Eng

's lodge on the north side, and also the buttery, refectory, and kitchen. The delicacy of design and execution to be seen in the ruins is unrivaled in the kingdom-the tracery of the windows being particularly fine. The ruined church possesses the grace and lightness of architecture peculiar to the twelfth century, and is, even in its decay, of truly sublime and grand proportions. Time has been unable to obliterate the skilful work of our forefathers, for the Early English transition arches, the delicate molding, and the exquisite stone tracery in the windows still delight the eye. The history of Tintern is almost a hidden page in the chronicles

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