Atlantic Monthly, Vol. XII. September, 1863, No. LXXI.
you, staining the pane through which their light shone with their own images, but who became perfectly transparent to the word they uttere
ad looked on that which he evidently desired to conceal; she saw written, in pencil, upon it, "Sternenkranz." Thenceforth shops and catalogues were ransacked, but no "Sternenkranz" was found,-the word was evidently her master's own fancy; so she summoned all her heroism, one day, when Herr Otto complained of her indifference to the pieces he set before her, and informed him that she should perish at his feet, unless he would give her "Sternenkranz." Of course her guilt was ma
s obtained for him is not as universal, it is just as fervent. Many silent and holy hours have I sat communing, through her, with him whom the Germans love to call their Tone-Poet; and the music remained to clothe with the full vesture of romance the meagre paragr
th it. Such ugly thoughts were shamed, however, by the beaming welcome which shone from the face of the kindest of landladies, and at length completely thawed out of me by the glowing fire to which she introduced me, and which animated the coziest of rooms. Why has not some poet celebrated the experience of thawing? How delicio
up; and it was some moments before I understood that the music proceeded from the room adjoining mine in the hotel. Not altogether unfamiliar was the theme; the prie
ible termination was in the music, I knew not: the latter was quite probable, for, alas! such fearful Icarus-falls are not rare in poor Sch
d a voice, eage
e imagined that a stream of Plutonic fire had streamed into his veins from some more Oriental race. I stammered out an apology for my intrusio
said, "was to
ak months rested only on the glittering scales of the ice-dragon coiled about him,
in my heart never to be stilled but in that home w
s Boe
k a little piece of paper which he unwrapped from many fol
oehner! and mayst thou never want f
T SCH
r emotion than when, at this moment, I drew so nea
om his own words:-"The musical state of Germany, at that time, was not very encouraging. On the stage Rossini yet reigned, and on the piano Herz and Hünten excluded all others. And yet how few years had passed since Beethoven, Weber, and Schubert lived among us! True, Mendelssohn's star was ascending, and there were wonderful whispers of a certain Pole, Chopin; but it was later that these gained their lasting influence. One day the idea took possession of our young and hot heads,-Let us not idly look on; take hold, and reform it; take hold, and the Poetry of Art shall be again enthroned!" Then gathered together a Protestant-league of music, whose Luther and Melancthon in one was Schumann. The Devil at which they threw their inkstands and semi-breves was the Philistines, which is the general term amongst German students, artists, poets, etc., for prosaic, narrow, hard, ungenial, common
entirely to music, had removed to Leipsic and was now a pupil of the 'old schoolmaster,' as the father of Clara Wieck liked to be called. Young Robert Schumann had good reason to be melancholy. After long struggles, he had only been able to devote himself entirely to music comparatively late in life, and had been obliged to pass a part of his precious youth in studies which were as uncongenial as possible to his artist-spirit. He had finally decided for the career of a virtuoso, and was pursuing the study of the piano with an almost morbid zeal, when the disabling of one of his fingers, a consequence of his over-exertions, obliged him to give up this career forever. He did not yet suspect that this accident would prove fortunate for him in the end, by directing him to his true vocation, composition. Perhaps, too, it was the first germ of l
ible, stood that sacred circle, which had unconsciously born
as blessed hill and vale, was glowing for his eye alone; this breast held his sorrows and his hopes, when he was struggling to reach his Clara; these
otion, he sat down
I went out, and was informed that my audience was waiting