The Best Short Stories of 1915
shed. Pigalle sauntered
e asked, slowly, in
's t
. Also wot you call loafer: 'e do not work wen 'e wish not to. But, mon Dieu, 'ow 'e can play, that man!" He made a sua
" I exclaimed. "Wha
mme
ke this?" I held up the c
the astonished Pigalle.
ustrated Sunday Magazine. Copyri
OF YOU
ER J. M
The M
side of the road. He spoke sharply to the plodding team and turned the cultivator around, lowering the blades for another row. Then,
p on the heavy levers. When he raised the blades, his fingers became streaked with red and the corners of his mouth drew back and grew hard with concentrated effort. Occasionally he tugged at the reins knotted about his shoulders,
reen, while the more distant fields of grain were dark against the light ash of plowed land. Above, the sun shone slanti
ivator, a flock of blackbirds fed in the fresh-turned earth. The boy watched them with half-shut eyes. When one of the birds had fed, it would hop upon a lump of wet, black earth, and being satisfied that it could eat no more, would skim in rapid, undulating fl
r seat. The tugs straightened and the horses walked again into the corn. One of the
in. In sudden violence of anger, the boy pulled cruelly at the horse's mouth, cursing in low, abrupt sentences. The horse stopped, the blades slipped, again tearing up a hill of corn. From sheer rage the boy was silent, th
face. At last he stopped. A slight color had come to his cheeks. For a moment he watched the horse, which stood with muscles moving in quivering ripples of pain and fear; then he walked soberly back and climbed up
by the road and jumping down from the seat walked to the horse he had beat
Whoa, boy!"
e of fear gone as they reached out their necks for the young grass. Over the boy's face passed a conflict of expressions. At one time the cheeks were soft, and a boyish look lay in h
furiously down the hill. The boy turned quickly about in the seat as if he had not seen Bill and tried to hurry the horses. What did Bill want, anyway? It was like him to blu
ute!" Bill slid awkward
ins about the levers a
l," he answered w
colt, a bay, t
rd against the fence. "I broke him in myself-all alone, too! Now, that was
ing clods at the colt, which jumped wildly each time one st
lods Bill tur
be I'll be l
looked u
It's work, work, work all the time with a little while for eatin' and sleepin'. All summer you c'n wo
hich the small eyes peered inquisitively, disgusted the boy. Bill picked up another bit of tu
d to Bill, hi
cut out firing stones at that colt. You'll nev
incredulous surprise on Bill's face. Then it became brick-re
with the rhythm of the gallop. The boy was glad that Bill was angry. He didn't want
warm dust, swinging his water-pail in cadence with his steps. They reached the top of the hill. The house was only a short distance from the road. He could see his father carrying a basket of wood to the house. He hoped that his father would not come and help him unharness the horses. He wanted to be alone; he dreaded facing their
down on the edge of the trough, fanning himself with his hat. The boy noticed that his father seemed more tired than usual. His brown
rom the trough, the boy led them to
Frank?" he asked as he
t wasn
as pretty har
t v
ed and fell upon his foot. His face writhed in a flash of temper and he began cursing in a low tone, heavily and deliberately. Then he picked up the collar and struck the horse. Under lowered ey
o be looking out of the open window into the orchard; instead, through his lowered eyelashes, he followed his mother's movements about the room as she set the small table for three, still humming as she worked. The boy saw that she stopped often to cough. This was not unusual, bu
emed different to-day. He wished that she didn't wear that black dress, it made her face look too white and her eyes too large and bright. He ate rapidly. Why didn't his father
ickly at his father. The boy watched them closely and uneasily. Both seemed to be shrinking from something. His father ca
Frank," he spoke
d at his father a mom
ate this afternoon, Frank,"
tened grayness return to his mother's face. His father, too,
't been feelin' well for quite a while and we rode over
d feel her hand on his shoulders. He turned ha
Frank-the doctor said
twining his hair
ed. The boy sat staring at his mother with an intensity that made a color come to her cheeks, but he was not looking at her any more. Instead, he was wondering fiercely why h
g on, his voice devoid of life or feeling. "But he said that she
t was?" he asked i
r lungs,
the window at a far-away straw-stack which lay a ma
eavy silence of the room he could hear her uneven
us go," he spoke with an attempt at cheerfuln
ther's hand press more heavily on his shoulder. He turned from the win
r price. Help is scarce and rent's low sinc
is father's glance res
he old place; we hav
tiffened. Did they expect him to stay on the farm? He wouldn't-he could not do that! The
hout looking at her, picked up his hat and went outs
anguorous mist had fallen. The boy looked out to where earth and sky met in a haze of indefinable color. W
a quiet summer afternoon, dressed as Indians, and in heavy seriousness would plan a desperate attack on the little white house with its green trimmings. What
reached his destination. A tree, broken off a couple of feet from the ground, had l
grove brought old memories. As he brooded there, relaxed, the sunlight coming in b
father and mother would not expect him to stay on the farm. With his reflections came the picture of his mother, her dark eyes shining unnaturally out o
d chirping. A blue-jay, in a cracked crescendo, was attacking the established order of things among birds. A bee droned idly past. Occasion
, hovered a brown wood-thrush. He stiffened. His flesh always crawled at the sight of a snake! Yet, leaning forward, he watched intently. The thrush, its body a blur of brown feathers, rose and fell in continuous at
again its body flashed in silent deadly attack. The snake, rearing its head f
eathers and a glimpse of a twisting, bluish body were all that the boy could see. A moment, and the snake writhed out from the nest. T
had a horror of seeing a creature maimed or killed. He felt it doubly now, and he might have helped the bird,-no one else could. Yet it was only a bird
e tranquillity of space lay lightly in the air and bathed the earth with a drowsy light. And the b
rs, black where they reached the sun, darkening the earth with the gray misty twilight
im all the afternoon had spent themselves, and he whistled as he walked on between the trees. When he turned into the lane near the house, he c
ome-like it all was! The boy walked quickly toward the house, took the milk pails from the hooks on the porch and went into the barn. The horses did not raise their heads from the grain as he entered. The
ight, son. You don't get a vacati
ad a queer pity for his father. He almost wis
ted through its sleep. Out of the oak-grove sounded the hopeless lament of the turtle-dove, voicing the mystery and sadness of the night. From the farm to the north came the fai
ve of pity and understanding. It seemed to him there, in the darkness, that suddenly he wa
seemed a living and beautiful power, ever-veiled but always near. For a moment
n T. Frederick. Copyright, 1
OF THE
WBOLD
Every
thousand feet above the lake, stands a little weather-stained church. Beneath it lie the two villages of Cadenabbia and Menaggio; b
inds up the face of the chrome-colored cliff. Once a year, in a creeping procession of black and white, the nat
ot a rustle in the gray-green olive trees that shimmered silver in the sunlight. Little lizards, sunning themselves on warm flat stones, watched him with brilliant eyes, and dar
otsteps echoing heavily through the shadows, though he walked on tiptoe. After the brilliant sunlight outside he could make out bu
n amazement. It had evidently been painted by a master hand. Blagden was no artist; but the face told him that. It was drawn with won
dows, and the flickering candlelight lent a witchery to blurred outlines that half dec
lean stroke-and opened in a disfiguring gash. Beneath it, on a l
pick it up-and a voice spoke
Signor," it said, and B
in the shadow, al
ore the long brown gown of a monk. His face was like a wit
den with their strange brilliance. The
?" said
tingly at the younger man before him, searching his face with his wonderfully piercing eyes. He seemed t
y. Would the Sig
ont line of little low chairs. Before them, over the dancing light of the four c
an speaking, and Blagden liste
years ago," said the old man
io. And every day in the warm sunlight of the open fields she sang as she watched the goats fo
was young, and the sun had never stopped shini
where the yellow roses with the pink hearts grew so sweetly
ength of his youth, and he too would sing
s singing, hand in hand, as the sun slipped golden over the top of the hills across the lake. Sometimes they would walk together in the
en he told her of his dreams, while the gentlest of winds stirred her curls against hi
when the grapes were pick
orce came into the girl's
nk. She was torn with the idea that she should join her church, g
. This young, beautiful girl who seemed so much a part of the sunsh
king it was s
frantic-you
little sun-kissed hands in his and begged on his knees with tears streaming down his cheeks. And Rosa wept also-but could n
ould come up here to this little church and pray for Ma
doubted but that she would c
ing; for she loved him. And the Virgin above the four candles looked down with the
ed the white walls across the la
med out his hate for the world and his God, and rushed up
h the Virgin and stabbed with an oath on his
ld monk was silent for a
still. He was met by a white funeral winding up the little path. You understand, S
or what he had done, no bittern
ward that her face was strangely like that of the Virgin when they found her,-beautiful and pleading and sad. There wa
lagden and the withered, white-haired man, staring mutely up at th
ink happened?"
know," sai
r pause, then Bl
nd across his eyes, "she paid in p
oftly. "I wonder, Sign
ery Week Corporation. Copyr
ND THE GRAS
UMAS
ustrated Sun
nderful place when you come to think about it, an' Ireland is a wonderful place an' so is America, an' though there are lots of places like each other there's no place like Ballysantamalo.
ou're poor is extravagance, an
?" said
ich an' the rich give to the poor an' when the poor
n an' enlightenment. Sure if the poor weren't dacent they'd be rich an' if the rich we
rd that can't p
n wing an' couldn't fly to wher
e pickings to him. T
is holding your tongue when you don
ll the young women worrying their heads off reading trashy novels an' doin' all sorts of silly things like fixin' their hair in a
than the last until you meet the next an' so you go on to another until you're so old that
y heart can always get a young lady to marry him," said Felix, "thoug
nothin' like a weak constitution, a col
re quare,"
re then they'd be only young fools in the world. I don't wonder a bit at the suffragett
d the strain of doin' what they please without encountering opposition. When a man falls in love he falls int
nk we will leave the women wh
that?" as
answered
ry fine if they staye
n't you take a swim for yourself?' So I did take a swim, an' I swam to the rocks where the seals goes to get their photograph's taken an' while I was havin' a rest for meself I noticed a grasshopper sittin' a short distance away an' 'pon me word, but he was the most sorrowful
grasshopper. 'Me grandmother died las
e poor old soul had her fill of days, an' sure we all must die, an' 'tis cheaper to be dead than alive at
out, like the barbers and the cobblers,' said the grasshopper.
for the tenth time, an' as I was in China on the last few occasions I m
pper, 'because you are heartily welcome an'
ale, 'but America doesn't
that?' ses th
an' don't I read the ne
society columns, then
,' ses the whale 'have they society
d they oftentimes devote a few columns to oth
adth of it. I swam around it twice last week without stoppin,' to try an' reduce me weight, an' would
bad,' said th
American?' sa
think 'tis the way I'd be born at sea an' no nation
y, might
ricans? Think of all the connoisseurs who wouldn't buy a work of art in their own country when they could go to E
industry,' ses the whale, 'i
ws about it, either. A work of art is like a flower, it grows, it happens. That's all. An'
all you can get an' if you want to be a philanthropis
in' I misses, like the fisherwoman who missed the fish and caught a
was preaching civilization for centuries so that she
e whale. 'Is there anything else w
sh question,' ses
es the whale. 'Isn't that an i
, 'but England is an islan
g about Ireland. Sure, I nearly swallowed it up be mistake while I was
w something about indigestion. The less you have to say about Ireland the
what I like?'
grasshopper, 'but say what other people
much abused as poli
ng about poetry and the drama to-day. Only for fools they'd be no wise people an' only f
e saying?' ses the
se me temper with you
nners, you insignificant little spalpeen. How
r?' ses the grassh
then,' ses
the whale, 'an' I'll put you w
ubt but vanity, ignorance and ambition are t
d do hurt or harm to me. You could have every soldier in the German Army, the Frenc
he whale's nose as happy an' contented as if nothing happened. An' when he jumped back to the rock again he says: 'A little exercise when 'tis tempered with discretion, never
u,' ses the whale, 'I'd knock
ly way of displaying your disp
y of any kind. All you want is self-control and a little education. You should
ning to the likes of you,' ses the whale. 'If any of
ever again if they thought I was trying to make a whale behave himself. There
nonsense can you do except
on dry land all me life if I choose, while you can't live under water, or over water, on land or on sea, and while all the king's horses and all the king's men couldn't catch me if they were trying till the crack of doom, you could
corsets an' paper knives, and what about all the storie
," said Felix. "Is it a pint of
int, I think,"
lustrated Sunday Magazine. Copy
ERLI
BOYLE
oston Dail
ho seemed weak and ill. Above the click-clack of the car wheels passengers could hear her counting: "One, two, three," evidently absorbed in her own thoughts. Sometimes she rep
nconscious woman. Again the girls giggled s
that this poor lady is my wife. We have just lost our three sons in battle. Be
ribly quiet i
915, by The Bosto
TING YE
RINE MET
Century
ms-these were the most sharply defined elements of Mark Faraday's picture of home. Born in Italy, for most of his young life a sojourner in foreign lands, he yet remembered being utterly happy at "Aunt Lucretia's" when at seven he had made his first visit
ere dreams of unheard melodies, for Mark Faraday was a composer. So little of his life had been spent in his own country that outside the garden he felt less at home in Am
ded the grass plot about the dial. From it as a center curved paths wandered outward dividing the flower-beds. The flowers were planted without much regularity except for the borders of four o'clock and mignonette. It was this spot that had inspired Mark's song cycle, "The Sun-dial
iciently trained. Stella was a fair musician and was fond of trying over new music, but to-day she was playing in a more musicianly manner than he had believed her capable of playing. He had expected that his aunt would ask her over for tea. He enjoyed the girl's companionship. He had not known many of his own countrywomen. Their naturalness and freedom from the personal attitude of the Continental woman interested him. It was perhaps this quality in Stella that most appealed to him
for the interruption: Stella should not attempt Brahms. The hazardous attempt broke off as abruptly as it had begun. There was something fragmentary, or perhaps more correctly, something unfinished about Stella. She never had just fulfilled the
cally tentative, wavering, fearful of intruding, a gentle, k
t. They had been large and dark once; now the filmy rim of age was visible about the iris. Her white hair lay in neat ringlets upon her bro
"but you won't mind her," she added, recalling the
ne of some old friend of the family. "An old lady." He had not re
lison is universally admired. Mrs. Herrick"-she quoted the oracle of her circle in that
toward the house; her
historian, bane of
back to him as his aunt preceded him with her small, hesitating steps up the narrow path. The picture of an old lady playing the "Songs with
la playing,"
joined afte
ople aren't in these days. At her age, if
at her, hooking her w
The 'Blue Alsatian Mountains'
ile held a f
id you
nd did you sing, 'Then
ng; but Mary-yo
cisiveness of voice and feature. As he released her hand, still aware of its hard, boyish grip, he heard his aunt's voice, light, wandering, non-arresting, as if continuing some conversational thread, "And Miss Allison Clyde, Mark-my old friend." He had been vaguely aware of some one else in the room, but when he met the smile of the older woman who held out her hand to him, he wondere
her and unconsciously glanced at Stella. The older woman belonged t
e, and Miss Lucretia presided. Mark's eyes again wandered fr
ted, carelessly and not quite gracefully. Miss Allison Clyde was taller than Stella, yet sh
rabbéd Age' for me again," she
d, going to the piano, plunged at once into the opening ba
, unabashed, as her fingers stumbled. "I think Miss Allison
you I heard a
melancholy attraction for me. I had no idea the composer wa
ted. "It would give me so much ple
son rose
they ran through it together, the older woman playing it with a musician's sense
e piano stool, Miss Allison let her fingers wander through passages of "
The gaucherie of that "still" struck upon Mark's artistic sensibiliti
imentality, but, as she spoke, lightly touched the delicate theme of the "Golden Apples" that brought eternal youth to the gods, passing into the sublimity of the Valhalla motive. Looking up, she met Mark's comprehension and smiled, then, bringing her chord to a resolution, rose from the piano stool. Mark watched he
resigned in favor of Shakespeare," Mark explained
ad the
love, t
Time's p
hour ha
wers ar
as pas
ove, to
ands at
t as the eyes of youth-autumn pools shot through with the sun. The mouth was a generous one, finely molded by the experience of the years. He remembered that she was a spinster, yet there was about her none of the emptiness, the starved quality, of the woman with her destiny unfulfilled; nothing of the futility,
yde was neither wife nor mother. She had turned, no doubt, to other interests with her un
It had been surely a vain waiting; yet, viewed as a p
ote a long letter to her lifelon
ed, so beyond us, in others they are further away from life's responsibilities than we were at their age. There is a suggestion of his Uncle William about Mark, but he is somehow stronger, more imperative. I was drawn to him at once because of his music. And he has the charming manner, the almost excessive chivalry, toward our sex that we see so little of any more, or at least seldom encounter at our age. Lucretia had asked Stella in for tea. She is a dear child and quite alarmingly composed, but not altogether musical, despite her excellent musical opportunities. She played one
and the mild, small daily occurrences that a
y seventies. Something in the face, clear-eyed, warm-lipped, trusting, caught and held his attention. He turned it over to see if the girl's name was on the back, but the only inscription was a dat
eye. Perhaps Uncle William had taken the little picture away with him to the war. The date must have been just about the time that he had enlisted and marched away. He had gone without telling her perh
Uncle William's picture beside the girl's, and impulsively he went back to the darkened drawing-room, groped for the fram
actually found a package of letters. He picked it up, and with a little thrill of realization recognized his uncle's writing. The paper was old and yellowed with time. It had no address, but was sealed with red wax. Scarcely expecting fulfillment of his romantic hope, he broke the seal and opened the package. There was no address on