The Call of the Cumberlands

towered above a creek called Misery was pointed and edged with emerald tracery where the loftiest timber thrust up its crest plumes into the sun. On the hillsides it would b

iving throats except at intervals the clear "Bob White" of a nesting partridge, and the silver confidence of the red cardinal flitting among the pines. Occasionally, too, a stray whisper of breeze stole along the creek-bed and rustled the beeches, or stirred in the broad, fanlike leaves of

cross the slope drifted the call of the partridge, and with perfect imitation she whistled back an answer. It would have seemed appropriate to anyone who had seen her that she should talk bird language to the birds. She was herself as much

ew note of color, for her calico dress was like the red cornucopias of the trumpet-flower, and her eyes were blue like little scraps of sky. Her heavy, brown-red hair fell down over her shoulders in loose profusion. The coarse dress was freshly briar-torn, and in many places patched; and it hung to the lithe curves of her body in a fashion which told that she wore little else. She had no hat, but the same spirit of childlike whimsey that caused her eyes to dance as she answered the partridge's call had led her to fashion for her own crowning a headgear of laurel leaves and wild roses. As she stood with the toes of one bare foot twisting in the gratefully cool moss, she laughed with the sheer exh

s a painter's sketching palette was a thing which she could not know, since the ways of artists had to do with a world as remote from her own as the life of the moon or stars. It was one of those vague mysteries that made up the wonderful life of "down below." Even the names of such towns as Louisville and Lexington meant nothing definite to this girl who could barely spell out, "The cat caught the rat," in the primer. Yet here beside the box and palette stood a strange jointed tripod, and upon it was some sort of sheet. What it all meant, and what was on the other side of the sheet became a matter of keenly alluring

dropped to the moss-covered rock, leaning back on her brown hands and gazing intently. Sh

cal murmur. "Hit's plumb dead beautiful!" H

a finished picture-merely a study of what lay before her-but the hand that had placed these brushstrokes on the academy board was the sure, deft hand of a master of landscape, who had caught the splendid spirit of the thing, and fixed it immutably in true and glowing appreciation. Who he was; where he had gone; why his work stood there unfinished and abandoned, were details which f

covered that they held a picturesque and rugged beauty; that they were not merely steep fields where the plough was useless and the hoe must be used. She must tell Samson: Samson, whom she held in an

than herself, that her eyes could discover-and yet to her ears came the sound again, and this time more distinctly. It was the sound of a man's voice, and it was moaning as if in pain. She rose and searched vainly through the bushes of the hillside where the rock ran o

n by echoing obstacles does not readily betray its source. Finally she stoo

he had been sitting and another-small only by comparison. There, ten feet down, in a narrow alley littered with ragged stones, lay the crumpled body of a man. It la