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The Mediaeval Mind (Volume II of II)

Chapter 2 GERMAN CONSIDERATIONS WALTHER VON DER VOGELWEIDE

Word Count: 3228    |    Released on: 06/12/2017

ions of a certain thinking atom revolving in the same. The atom referred to was Walther von der Vogelweide, a Ger

hem who were educated had received a Latin education. Yet their natures, though somewhat tempered, showed largely and distinctly German. Moreover, through the centuries, they had acquired-or rather

dish German circles from the Rhine to the Danube. Nevertheless the German character maintained itself in the Minnelieder which followed Proven?al poetry, and in the h?fisch (courtly) epics which were palpable transla

mer wrestled with that ancient theme, "from suffering, wisdom," which he pressed into the tale of Parzival. His great poem, achieved with toil and sweat, was

s personal and political. Less is known of his life than of his whole and manly views, his poetic fancies, his musings, his hopes, and great depressions. Many places have claimed the honour of his birth, which took place somewhat before 1170. He was poor, and through his youth and m

d conventions of the Proven?al poetry upon which they were modelled. A strong nature might use such with power, or break with their influence. Walther made his own the high convention of trouvère and troubadour, that love uplif

ar more joyous, and as immoral as one pleases, is Unter der Linde, most famous of his songs. Marvellously it gives the mood of love's joy remembered-and anticipated too. The

hich comes to a false heart never.[11] He seems to feel it necessary to defend love for itself, perhaps because marriage was taken more seriously in this imitative German literature than in the French and Proven?al originals: "Who says that love is sin, let him consider well. Many an honour dwells with her, and troth and happiness. If o

s Minnesinger applied most earnest standards to life; lofty his praise of the qualities of womanhood, which are better than beauty or riches: "woman" is a higher word than "lady"[14]-it took a German to say this.

ss is not all mine." He knows his good unbending temper which will not endure to hear ill spoken of the upright. But he thinks, what is the use? why speak so sweetly, why sing, when virtue and beauty are so lightly held, and every one does evil, fearing nought? The verse which carries these reflections is tossing in the squally haven of Society; soon the poet will encounter the wild sea without. Still from the windy harbour comes one grand lament over art's decline: "The worst songs please, frogs' voices! Oh, I laugh from anger! Lady World, no score of mine is on your devil's slate. Many a life of man

to have the type-idea of the Empire and the Papacy, those two powers which were set, somewhat antagonistically, on the decree of God; both claiming the world's headship; the one, Roman in tradition, but in strength and temper German, and of this world decidedly. The other, Roman in the genius of its organization, and Christian in its subordination of the life below to the life to come, if not in the metho

aimed the throne. His unequal opponent was Otto of Brunswick, of the ever-rebellious house of Henry the Lion. The Pope opposed the Hohenstauffen; but was obliged to acknowledge him when the course of the ten years of wasting civil war in Germany decided in his favour-whereupon, alack! Philip was murdered (1207). Quickly the Pope turned back to Otto; but the latter, after he had been crowned king and emperor, became intolerable to Innocent through the compulsion of his position as the head of an empire inherently hostile to the papacy. To thwart him Innocent set up his own ward

ainst Otto and the Pope. On Philip's death, he turned to Otto; but with all the world left him at last for Frederick. It is known that Walther, an easily angered man, felt himself ill-used by Otto and justified in turning to the open-handed Fre

hand I leaned. Anxiously I pondered. I could see no way to win gain without loss. Honour and riches do not go hand in hand, both of less value than God's favour. Would I have them all? Alas! rich

nd thy order and thy honour!-I hear the lies of Rome betraying two kings!" And in verses of wrath Walther inveighs against the Pope. The sweeping nature of his denunciati

abuse and not the system is attacked. Hostility to the latter, however sweeping the language of satirist or preacher, is not lightly to be inferred. The invectives of St. Bernard and Damiani are very broad; but where had the Church more devoted sons? Even the satirists composing in

d held those of Gregory VII. in England, and as, two centuries afterwards, Philip the Fair was to hold those of Boniface VIII. in France. But in neither case was there such sheer and fundamental antagonism as men felt to exist between the Empire and the Papacy. Perhaps it was possible in the early thirteenth century for a German whose whole heart was on the German side to dispute even the sacerdotal principle of papal authority. It is hard to judge otherwise of Freidank, the very German composer or collector of trenchant sayings in the early th

as! Alas! Alas! Christendom before stood crowned with righteousness. Now is poison fallen on her, and her honey turned to gall-sad for the world henceforth!' To-day the princes all live

m to perdition. When will all tongues call Heaven to arms, and ask God how long He will sleep? They bring to nought His work, distort His Word. His steward steals His treasure; His judge robs here and murders there; His shepherd has become a wolf among His sheep."[22] The clergy point their fingers heavenward while they travel fast to hell.[23] Ho

the saints, and a beautiful verse of penitent contrition, in which he confesses his sins to God very directly-how that he does the wrong, and leaves the right, and fails in love of neighbour. "Father, Son, may thy Spirit lighten mine; how may I love him who does me ill? Ever dear to me is he who treats me well!"[26] Wa

took form in a great elegy. After long years he seemed, with heavy steps, and leaning on his wanderer's staff, to be returning to a home which was changed forever: "Alas! whither are they vanished, my many years! Did I dream my life, or is it real? what I once deemed it, was it that? And now I wake, and all the things and people once familiar, strange! My playmates, dull and old! And the fields changed; only that the streams still flow as then they flowed, my heart would break with thinking on the gla

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