The Mormons and the Theatre or The History of Theatricals in Utah

feeling also found expression to some extent, for a short time in the sphere of the theatre, and it was boldly announced by some who were close in the councils of the Mormon chief, th

feelings harrowed up by tragic representations. This policy obtained for a short time only; gradually the general growing desire for the higher class of plays had to be taken into consideration by the managers, Clawson and Caine, who were ru

the Stock Company opened up for a regular winter season in the "Honeymoon" under the direction and tutorship of our old Nauvoo favorite, Tom Lyne, who had learned of the o

nager Clawson with the result that he was engaged to come to the Salt Lake Theatre as a tutor to the company. He was received with great kindness by the company and managers, and especially by Brigham Young, who treated him with marked consideration.

lieu," "Othello," "Richard," "William Tell," "Sir Giles Overreach," and Rolla in "Pizarro." In the latter play he could not expect to have any of the old Nauvoo cast, especially Brigham Young for the "High Priest," as he was now reigning as High Priest in reality; but he found a very capab

let down the bars," broken the isolation policy to such an extent that other Gentile actors soon followed. The truth is that the managers discovered even at that early period in Salt Lake's theatrical experience that the local Stock Company could not hold up the interest unaided and alone, especially after the Lyne engagement had shown the public the difference between a past master in the art (as Lyne was), and a company of comparative novices however talented they might be. Another line of policy which had been laid down by the chief of the new amusement bureau (that he would not have any tragedies nor murder plays performed in the new theatre) was sadly tangled and demoralized, during the very first engagem

that tragedy had its votaries quite as numerous as those of the Comic Muse; and there were no more protests either against the Gentile actors or the tragic plays, for t

ing" woman. In the classic plays which Lyne put on: "Virginius," "Damon and Pythias," "Richelieu," etc., (Mrs. Alice Clawson was cast for the leading juvenile roles; she filled all the requirements so far as looks were concerned, but was not at all convincing where any impassioned acting was required) the popular verdict was "She's pretty, but can't act." Soon the managers discovered a very talented and promising actress to fill the place, in one Mrs. Lydia Gibson. Lydia was the young and pretty wife of Elder William Gibson, who had recently converted Lydia to the Mormon faith in the old country and brought her to Salt Lake and prevailed on her to become Mrs. Gibson number two. She was a very lovely wo

t win fresh laurels. No doubt the fact of appearing alongside of a veteran like Lyne, made "Jim" more or less nervous. Somehow he did not "screw his courage to the sticking place," whether from nervousness or other causes, and failed to give a satisfactory performance of the part; he was over-excited, and the Calanthe complained that he was too realistic. He terrified the soldiers of Dionysius to such a degree that they wanted

nominally the leading man of the theatre. He had played with stately dignity the parts of "Dionysius" in "Damon and Pythias" and "Pizarro" to Lyne's "Rolla,"

nights in the week. The Stock Company filled out the season of '62-63 which closed after the April conference, '63. Soon after the

of "Evadne" in which he was cast for the part of "Colonno," a character of the "Hotspur" type. He made a distinct and pronounced hit in this character, fairly dividing honors with Irwin, who played "Ludovico," a character of the "Iago" type, an

of being the first Gentile actor to play in the Mormon theatre. How far astray from the historic

this was the rule; it was the exception when a piece ran three nights in succession. It was the custom to put up a new bill each week, so this gave the company about a week to get up in a new play and a new farce; with their daily occupations to attend to as well. Actors today would consider it a task to get up in a new play and a farce each week with nothing else to attend to. It will readily be understood from this statement that the original stock company of the Salt Lake Theatre had no sinecure, or "soft snap," to phrase it in the present vernacular, esp

of the various members of the company, so that a number of changes were wrought ou

or the theatre. The stock company opened up the season without any assistance from the "Gentile" dramatic world no second star had as yet appeared on our dramatic horizon. Some additional interest, however, was lent to the stock company by the accession to its ranks of two new members, who had been sele

nterest with them throughout the season; so the Irwins were welcomed by both the company and the patrons of the theatre. Selden Irwin (or as he was familiarly called "Sel") was at this time in the very flush of manhood, full of life and ambition, with a plethora of good looks and activity. He was essentially a dashing actor, and pleased the public immensely. Mrs. Irwin was even more of a favorite than "Sel." If not great, she was very versatile, and they gave Salt Lakers a series of plays of very great variety, embracing classic tragedy, comedy and farce. Everything from "Camille" and the "Lady of Lyons" to "That Rascal P

of the company to such an extent that they had to neglect to a greater or less degree their regular business, that on which they depended for their living, for it must be understood that there was no compensation attached, beyond the honor of acting in the Salt Lake Theatre. So there began to be some dissatisfaction with this part of the business, and complaints from some that they were neglecting

was a very modest one, yet quite acceptable, as it was unexpected. The following autograph letter of Brigham Young's will show the

ITY, April

hn S.

rs, being amount assigned you out of the procee

thful services, and t

to our amusement duri

u, and increase your

her in th

HAM

ontented mood, and was repeated at the clos

d in; while they were assisting in a great measure to pay for the great Thespian temple in which they were performing, they were enjoying the labor immensely and gave the same enthusiastic efforts to it they would have done to a mission, had they been called to go and preach the gospel. Moreover, they were gaining an experien