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The Captain of the Wight

The Captain of the Wight

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PREFACE 

Word Count: 1045    |    Released on: 17/11/2017

que period in the history of Western

sting. The rough simplicity of the proud medi?val knight, gradually yielding to the subtle spell of pure poesy and courtly love, while the

life, with its sordid materialism, there are many men and women who dwell with delight on some noble life clothed round with the glamour of ancient time, and presenting itself to the mind in the

Captain of the Wight, but what little there is, shows him in so noble a light, that I feel I am not necessarily exaggerating, may even be accurately describing, his knightly character. His attachment to his own unfortunate family, and his mur

devil, etc, etc.--are as numerous as those of Leicester, who wrote his own name eight different ways; while Villiers va

he seems to have made himself so popular that, by his own influence alone, he was able to induce four hundred of the inhabitants to follow him to Brittany. "Noble and courageous," "hardie and valyant," "a valiant gentleman, and desirous of honour," are the epithets

ortunate, inhabitant of Carisbrooke C

hing common

hat memora

, died fighting with his sword in hand, and his face to

le gentil Seigneur de Bayart," have been my chief sources for knightly feats and the accessories of chivalry; while the chroniclers Halle, Grafton, Fabyan, Stowe, Philip de Commines, Bouchet, and the Paston Letters, have been my chief historical guides. Lord Bacon has surveyed the whole period from a loftier standpoint, and in his "

ing of that fatal expedition to Brittany, every one of the old historians speak of the bravery

e same year (1488). I have tried laboriously to find out the names of the chief inhabitants of the Isle of Wight at that time; but owing to the great danger and discomfort there was in living in the island during the 15th cen

ale line. This fact is very significant of the troubled state of the times. It was not that the manhood of

d less attention to the delineation of character than the animation of incident, and the variety of the scene, I tru

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The Captain of the Wight
The Captain of the Wight
“Among the many aspects in which it is possible to regard this important epoch, that of its influence on chivalry is one of the most interesting. The rough simplicity of the proud medi?val knight, gradually yielding to the subtle spell of pure poesy and courtly love, while the barred helm and steel gauntlet were hardly doffed from the stern field, or gorgeous tourney, this is a subject which will always fascinate.”
1 PREFACE2 CHAPTER I. HOW THE GERFALCON SPED3 CHAPTER II. HOW THE FLEDGLING LEFT THE NEST4 CHAPTER III. OF THE FLEDGLING REJOICING IN HIS FREEDOM5 CHAPTER IV. HOW THE FLEDGLING GREW TO A COCKEREL6 CHAPTER V. OF THE COMING TO THE ISLE OF WIGHT7 CHAPTER VI. HOW THEY CAME TO CARISBROOKE CASTLE8 CHAPTER VII. HOW THE COCKEREL SHOWED FIGHT9 CHAPTER VIII. HOW THE COCKEREL GOT A FALL10 CHAPTER IX. HOW THE COCKEREL LEARNT HARDIHOOD11 CHAPTER X. HOW THE COCKEREL VAUNTED HIMSELF12 CHAPTER XI. HOW JOYOUSLY LIFE GOETH13 CHAPTER XII. HOW THE COCKEREL FELT HE WAS BUT A COCKEREL14 CHAPTER XIII. OF THE SHARPENING OF THE COCKEREL'S SPURS15 CHAPTER XIV. HOW THE COCKEREL USED HIS SPURS16 CHAPTER XV. HOW THE COCKEREL CROWED17 CHAPTER XVI. HOW THE COCKEREL WAS PETTED18 CHAPTER XVII. HOW THEY WERE AT FAULT19 CHAPTER XVIII. HOW THE RUSTY KNIGHT LET THE SUN GO DOWN ON HIS WRATH20 CHAPTER XIX. OF THE PERPLEXITY OF THE LITTLE MAID21 CHAPTER XX. HOW THE CAPTAIN KEPT TRYST22 CHAPTER XXI. OF THE COMBAT à OUTRANCE23 CHAPTER XXII. OF THE VOICE OF THE CHARMER24 CHAPTER XXIII. HOW THEY LEFT THE WIGHT25 CHAPTER XXIV. OF LA BEALE FRANCE. 26 CHAPTER XXV27 CHAPTER XXVI. HOW THE FLOWERS OF THE FOREST WERE A' WEDE AWAY. 28 CHAPTER XXVII. OF THE CRAWLING TIDE. 29 CHAPTER XXVIII. HOW THE SEA MIST ROSE IN TERQUETE BAY30 CHAPTER XXIX. HOW THERE'S NO CLOUD WITHOUT ITS SILVER LINING