The Trespasser, Volume 1.
in hers, Captain Maudsley in his; and so on. Each looks at it from an individual stand-point. But all agree on two matters: that
ith Pogan, the groom, who had at last won Saracen's heart. But one day when the meagre village chemist saw him cracking jokes with Beard, the carpenter, and sidled in with a silly air of equality, which wa
country people, and had dined them; had entered upon the fag-end of the London season with keen, amused enjoyment; and had engrafted every little use of the convention. The art was learned, but the man was always apart from it; using it as a toy, yet not despising it; for, as he said, it had its poi
seventeenth century; he saturated himself with it: to-morrow he would present to his grandfather a scheme for improving the estate and benefiting the cottagers. Or h
is wish, they did not entertain for him in town the previous season-Lady Belward had not lived in town for years. But all had gone so well, if not with ab
seal of their approval.
ness and point all its
ppeal to his naive im
he did not wear a
done their parts. At eleven in the morning Gaston had time on his han
dmothers did for them, and begging them to do their duty "in that state of life," etc. He listened, wondering at the pious
in an easy, quiet voice. He asked them little out-of-the-way questions, he lifted the school-room from their minds, and then he told them a story, showing them on the map where the place was, giving them distances, the kind of climate,
on, blow on d
artist had been in Morocco,-nor had he heard of him save through a note in a newspaper which said that he was giving no powerful
lit a cigar, took down a copy of Matthew Arnold's poems, opening at "Sohrab and Rustum," read it with a quick-beating heart, and then came to "Tristram and Iseult." He knew little of "that Arthur" and his knights of the Round Table, and Iseult of Brittany was a new figure of romance to him.
r thy dogs i
and with
-tassell'd
he glades thy
t rouse no s
hou seest a
those who li
and yea
t to read the poem in a desert, out by the Polar Sea, down on the Amazon, yonder at Nukualofa; that it would fit in with bearding the Spaniards two hundred years ago. Bearding the Spaniards- what did he mean by that? He shut his eyes and saw a picture: A Moorish castle, men firing from the
d behind him: "You have you
ok, and met the other's ey
ory is go
ty years-h'm, n
u are my father's br
uncl
uizzical loftiness in
t he hoped you would get as much out of life as
y like Robert. He loved
pull together; but I was
, and you are the resul
y-his an
nds. The kind of man was new to Gaston: self-indulgent, intelligent, heavily nourished, nonchalant, with a coarse kind of handsomeness. He
ill hurt you longer tha
took the hi
Well, that looks likely just now; but I doubt it al
templation of himself,
ly he
, "where did you
he saw the resemblanc
I am. I am neare
sured his wor
as soils the stre
side the prostrate body of h
ut his ear to the chest. He did it all coolly, though swiftly-he was' born for action and incident. And during that moment of suspense
he found that
undid the collar, got
ton ordered some bran
andy had been given,
lifted
d more brandy, and wh
shoulde
r. But you've certain
alby entered to say that Sir William was not in the house. With a wave of the hand Gas
y,-"fairly in such little things; but a gentleman, your u
nk reply as he sm
blow, sir; but was
question? Faults and m
manners; and that wi
ghted my
had, you should
ts. It is your way, sir. I know
ad manners, after all. You are as rash as he; an
hand now, cooler
cism now, sir, to save future expla
hen done-H'm! Were it not well to pause in time, and go back to your wild Nor
a gesture: "Can I do
but swayed a little, and
alice cross
s much assumed as natural: "You may ring the bell, and tell Falby to come to my room. And because I am to appear at the flare-up to-night-all
roug
and passion remained. For his age he was impossibly young. Well past fifty he looked thirty-five, no more. His luxurious soul loathed the approach of age. Unlike many men of indulgent natures, he loved youth for the sake of his art, and he had sacrificed upon that altar more than most men-sacrificed others. His cruelty
art period. He had long wanted to do a statue of the ill-fated Monmouth, and another greater than that. Here was the very man: with a proud, daring, homeless look, a splendid body, and a kind of cavalier co
shall call you that: you sha
ow
he explained, scanning
g. He had passed the
he questi
hat way. 'Portrait' so
an; but we will call it
pass
e had instincts about art, and he liked pictures; statuary, poetry, romance; but he had no standards. He was
earance,' yes. And
, you were serious. Do not be serious. Assume it sometimes, if you will;
asking mu
this damned headache stops! Then at my studio in London in th
you
und. He had yet to be presented at St. James's, and elected a member of the Trafalgar Club. Certainly he had n
h this romantic figure. He would do two pictures: Monmouth, and an ancient subject-that legend of the ancient c
handle it. It shall be royal, melancholy, devilish: a splendid bastard with creation against him; th
s mind; his face pale, but alive with interest, whic
ance! You've got it all there in you-the immense manner. You, a nineteenth century gentleman, to do this game of Ridley Court, and paddle round the Row? Not you! Yo
in my proper place-in my father's home. But
ow you what half the world never see, and wouldn't appreciate if they did. You'
they had never felt the force of that occasional enthusiasm. He had been in the National Gallery several times, and over and over a
ITOR'S B
enough to ad
w surprise
s long, bu