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The True Story of My Life

Chapter 6 No.6

Word Count: 8531    |    Released on: 06/12/2017

over my earlier life, that a loving Providence watched over me, that all was directed for me by a higher Power; and the firmer becomes such a conviction, the more secure

one of my later travels abroad, may serve as an introduction to what I have here to relate. He wrote in his own peculiar style:-"It is your vivid imagination which creates the idea of your being despised in Denmark; it is utterly u

se must pay court to them, or they may ruin a part, or what is still worse, may spread abroad an unfavorable opinion of the piece previous to its being acted; and thus you have a coffee-house criticism before any one ought properly to know anything of the work. It is moreover characteristic of the people of Copenhagen, that when a new piece is announced, they do not say, "I am glad of it," but, "It will probably be good for nothing; it will be hissed off the stage." That hissing-off plays a great part, and is an amusement which fills the house; but it is not the bad actor who is hissed, no, the author and the composer only are the criminals; for them the scaffold is erected. Five minutes is the usual time, and the whistles resound, and the lovely women smile and felicitate themselves, like the Spanish ladies at their bloody bullfights. All our most eminent dramatic writers have been whistled down,-as Oehlenschl ger, Heiberg, Oversko, and others; to say nothing of foreign classics, as Moli re. In the mean time the theatre is the most profitable sphere of labor for the Danish writer, whose public does not extend far beyond the frontiers. This had induced me to writ

heard that I did not possess the assiduity sufficient to work my mat riel well, I resolved to labor this drama-"The Mulatto"-from the beginning to the end, in the most diligent manner, and to compose it in alternately rhyming verse, as was then the fashion. It was a foreign subject of which I availed myself; but

ere flowers for the garden-a real consolation for me. The assistant-manager, Privy Counsellor of State, Adler, a man of taste and liberality, became the patron of my work; and since a very favorable opinion of it already prevailed with the public, after I had read it to many persons, it was resolved on for representation. I had the honor to read it before my present King and Queen, who received me in a very kind and friendly manner, a

-"The Mulatto;" which was received with the most triumphant acclamation; but I could not at onc

; a Danish company gave it in the original language, in the Swedish city Malm÷, and a troop of students from the university town of Lund, welcomed it with enthusiasm. I had been for a week previous on a visit at some Swedish country houses, where I was entertained with so much cordial kindness that the recollection of it will never quit my bosom; and there, in a foreign country, I r

ousness of my deficiencies, so that I seemed bowed to the very earth at the moment others were elevating me. As they all uncovered their heads while I stepped forth, I had need of all my thoughts to avoid bursting into tears. In the feeli

:-"When your native land, and the natives of Europe offer you their homage, then may you

hanks so deep, so heartfelt,-certainly never was an expression of thanks more sincere. When I returned to my chamber, I went aside, in order to weep out this excitement, this overwhelming sensation. "Think no more of it, be joyous with us," said some of my lively Swedish friends; but a

fly my thoughts towards the Swedish University city, but I myself have not been there again since. In the Swedish newspapers the honors paid me were mentioned, and it was added that the

and tried friends I found the most genuine sympathy. I saw tears in their eyes, tears of joy for the honors paid me; and especially, said

of "The Picture-Book without Pictures," and worked it out. This little book appears, to judge by the reviews and the number of editions, to have obtained an extraordinary popularity in Germany; it was also translated into Swedish, and dedicated to myself; at home, it was here less esteemed; people talked only of The Mulatto; and finally, only of the borrowed mat riel of it. I determined, therefore to produce a new dramatic work, in which both subject and development, in fact, everything should be of my own conception. I had the idea

public is a crime, enough: from this hour Heiberg became my opponent,-he whose intellectual rank I so highly estimated,-he with whom I would so willingly have allied myself,-and he who so often-I will venture to say it-I had approached with the whole sincerity of my nature. I have constantly declared his wife to be so distinguished an actress, and continue

ed, I hastened forth. In this mood I wrote a prologue to The Moorish Maiden; which betrayed my irritated mind far too palpably. If I would represent this portion of my life more clearly and reflectively it would require me to penetrate into the mysteries of the theatre,

o receive me were Collin, Oehlenschl ger and Oersted. This was somewhat of sunshine in the midst of my mortification; songs by Oehlensc

Greece and Constantinople-a journey which I have

y Nuremberg to Munich, where I again met with Cornelius and Schelling, and was kindly received by Kaulbach and Schelling. I cast a passing glance on the artistic life in Munich, but for the most part pursued my own solitary course, sometimes filled with

had gone quietly off the stage; but, as was seen beforehand, a small public only had been present, and therefore the manager had laid the piece aside. Other Copenhagen letters to our countrymen in Rome spoke with enthusiasm of a new work by Heiberg; a satirical poem-A Soul after Death. It was but just out, they wrote; all Copenhagen was full of it, and Andersen was famously handled in it. The book was admirable, and I was made ridiculous in it. That was the whole which I heard,-all that I knew. No one told me what really was said of me; wherein lay the amusement and the ludicrous. It is doubly painful to be ridiculed when we don't know wherefore we are so. The information operated like molten lead dropped into a wound, and agonized me cruelly. It was not till aft

he poison was which lay concealed in them. It seemed to me that Rome was no joy-bringing city; when I was there before, I had

hine song in Germany. He lived in the same house with me in Rome, and showed me much sympathy: with him I made the journey to Naples, where, notwithstanding it was March, the sun would not properly shine, and the snow lay on the hills

e case; and if this does not appear legibly in my later writings, yet it manifested itself in my views of life, and in my whole inner development. As I saw my European home lie far behind me, it

kward, and yet advances again victoriously through all ages; and I found in the legend of the Wandering Jew an occasion for it. For twelve months this fiction had been emerging from the sea of my thoughts; often did it wholly fill me; sometimes I fancied with the alchemists that I had dug up the treasure; then again it sank suddenly, and I despaired of ever being able to bring it to the light. I felt what a mass of knowledge of various kinds I must first acquire. Often at home, when I was compelled to hear reproofs on what they call a want of study, I had sat deep into the night, and had studied history in Hegel's Philosophy of History. I said nothing of this, or other studies, or they would immedi

ntrymen. I found hospitality and a friendly feeling in the noble Prokesch-Osten; even th

that which I felt as a child when I entered the old church at Odense. I thought on Christ, who bled on this earth; I thought on Homer, whose song eterna

in travel, the birthday of Mahomet itself fell exactly during my stay there. I saw th

home and friends. I contemplated making my return by the Black Sea and up the Danube; but the country was disturbed; it was said there had been several thousand Christians murdered. My companions of the voyage, in the

to become acquainted with the interior of the country, and to traverse the Danube in its greatest expansion. I battled with myself; my imagination pointed to me the most horrible circumstances; it was an anxious night. In the morning I took counsel with Baron St rmer; and as he was of opinion that I might undertake the voyage, I determined upon it. From the moment that I had taken my determination, I had the most immovable reliance on Providence,

a song. It was a fugitive idea, born, may I venture to say, in a grateful mood. Count Rantzau-Breitenburg, who had resided in Italy, who loved the land, and was become a friend and benefactor to me through my Improvisatore, must love that part of the book which treated of his country. To Liszt and Thalberg, who had both shown me the greatest friendship, I dedicated the portion which contain

it, if we except notices in some daily papers, and afterwards in the poetical attempt of a young writer who, a year before, had testified to me in writing his love, and his wish to do me honor; but who now, in his first public appearance, launched his satirical poem against his friend. I was personally attached to this young man, and am so still. He assuredly thought more on the popularity he would gain by

a painter, I would paint this bridge; but, as I am no painter, but a poet, I must therefore speak," &c. Upon this the critic says, "He is so vain, that he tells us himself that he is a poet." There is something so pitiful in such criticism, that one cannot be wounded by it; but even when we are the most peaceable

ved, connected with this book, much encouragement and many recognitions from ind

to show indications of a firmer purpose, a more certain judgmen

that many things look very different when contemplated from the top of the tree, to what they did when seen from its roots. I will bow myself before him who is influenced by a noble conviction, and who only desires that which is conducive to good, be he prince or man of the people. Politics are no affair of mine. God has imparted to me another mission: that I felt, and that I feel still. I met in the so-called first families of the country a number of friendly, kind-hearted men, who valued the good that was in me, received me into their circles, and permitted me to participate in the happiness of their opulent summer residences; so that, still feeling independent, I could thoroughly give myself up to the pleasures of nature, the solitude of woods, and country life. There for the first time I lived wholly among the scenery of Denmark, and there I w

ongs to Count Moltke, Danish Minister of Finance. The hospitality which I met with in this place, one of the richest and

s. They need it not, and I should be obliged to mention many other names still if this were my intention. I speak, however, only of these two places, and of Nys÷, which belongs to Baron Stampe, a

es, among the nobility, and among the poorest of the people, I have met with specimen

urse, work himself up to it. After the first accepted piece he obtains admission to the pit; after the second greater work, in the stalls, where the actors have their seats; and after three larger works, or a succession of lesser pieces, the poet is advanced to the best places. Here were to be found Thorwaldsen, Oehlenschl ger, and several older poets; and here also, in 1840,1 obtained a place, after I had given in seven pieces. Whilst Thorwaldsen lived, I often, by his own wish, sate at his side. Oehlenschl ger was also my neighbor, and in many an evening hour, when no one dreamed of it, my soul was steeped in deep humility, as I sate between these great spirits. The different periods of my life passed before me; the time when I sate on the hindmost bench in the box of the female figur

r as long as mankind endures. Denmark, Norway, and Sweden have fully appreciated him, and have shown him that they do so, and whenever it is asked who occupies the first place in the kingdom of mind, the palm is always awarded to him. He is the true-born poet; he appears always young, whilst he himself, the oldest of all, surpasses all in the productiveness of his mind. He listened with friendly disposition to my first lyrical outpourings; and he acknowledged with earnestness and cordiality the poet who told the fairy-tales. My Biographer in the Danish Pantheon brought me in contact with Oehlenschl ger, when he said, "In our days it is becoming more and more rare for any one, by implicitly following those inborn impulses of his soul, which make themselves irresistibly felt, to step forward as an artist or a poet. He is more frequently fashioned by fate and c

al festival. Boats decorated with flowers and flags filled the Rhede; painters, sculptors, all had their flags with emblems; the students' bore a Minerva, the poets' a Pegasus. It was misty weather, and the ship was first seen when it was already close by the city, and all poured out to meet him. The poets, who, I believe, according to the arr

therefore cried out to th

hl ger and Heiber

arrived, and it

o men were not with us, I should not sail

followed me, and came up just as Thorwaldsen reached land. We met with Oehlenschl ger

joyful old man clasped those whom he knew to his breast, gave them his kiss, and pressed their hands. There was a glory round Thorwaldsen which kept me timidly back: my heart beat for joy of seeing him who had met me when abroad with kindness and consolation, who had pressed me to his heart, and had said that we must always remain friends. But here in this jubilant crowd, where thousands noticed every movement of his, where I too by

of him who had returned home. I wrote of Jason who fetched the golden fleece-that is to say, Jason-Thorwaldsen, who went forth to win golden art. A great dinn

e firmly taken root, and where the greater number of his works, executed in Denmark, had their origin. He was of a healthful and simple disposition of mind,

ning; he appeared as if he did not wish to notice me, and I stole softly away again. At breakfast he was very parsi

s behind me, for he came, and said good morning-so I told him a long story about myself and Byron. I thought that he might give

us hear the whole story yet once

what was customary to him. 'Will not you sit still?' said I; 'but you must not make these faces.' 'It is my expression,' said Byron. 'Indeed?' said I, and then I made him as

s of looking extremely unhappy," adde

th the greatest interest on purpose to win. He would espouse with warmth and vehemence the part of those from whom he believed that he had received an injustice; he opposed himself to unfairness and raillery, even against the lady of the house, who for the rest had the most childlike sentiments towards him, and who had no other thought than how to make everything most agre

rks, would he stand with laughing countenance, and listen to the stories of the Top and the Ball, and the Ugly Duckling. I possess a certain talent of improvising in my native tongue little poems and songs

olberg live," by

y, his soul's bo

rmless clay, the

n, "shall Holber

in clay his great bas-relief of the Pro

it seem to you that I have

e Baroness, who was always with him: "it is

repeated h

ss that it really does appear to me as if Pilate w

rwaldsen, seizing the clay with h

nnihilated an immortal work," excla

cheerful humor, and modelled Pilate as he now remains

ning, before his door, accompanied by the music of jingling fire-irons, gongs, and bottles rubbed against a basket. Thorwaldsen himself, in his morning gown and

cisms which he had just read in the Corsair, a well-known Copenhagen newspaper, and spoke of the journey w

here I lived said, "that it was a very remarkable

I; "he is not dead, I d

y, and hastened immediately over to his house. There lay his corpse stretched out on the bed; the chamber was filled with strangers; the floor wet

which Hartmann composed the music, was

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