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Their Majesties' Servants (Volume 3 of 3)

Chapter 4 A BEVY OF LADIES;—BUT CHIEFLY, MRS. BELLAMY, MISS FARREN, MRS. ABINGTON, AND PERDITA.

Word Count: 7627    |    Released on: 06/12/2017

ernor Hippisley's sister,-the original Mrs. Malaprop, and, but for Mrs. Clive, the first of petulant Abigails, finished in 1779[19] a public career which began in 1730.[20] In the same ye

r, was of feature, lacking expression, and though an impassioned, she was not an intelligent actress, unless her plunging her stage-wooers into mad lo

t, to Hyde Park, on a November morning of 1770. Baddeley was stirred up to fight Davy's brother, by a Jewish friend, who, being an admirer of the lady, wanted her husband to shoot her lover! The two pale combatants fired anywhere but at each other,

ckened her the more. She passed to country engagements, charming audiences for awhile with her Polly, Rosetta, Clarissa, and Imogen, ti

n the boxes, and call to authors that she was glad their play was damned; and to ladies, to stand up that she might look at them, and to display the fashion of her dress, wh

in. In 1753-54, she made almost as unsatisfactory a début at Drury Lane in a new part, Marcia, in "Virginia," in which she only showed promise. Richard Yates then married and instructed her, and she rapidly improved, but could not compete with Mrs. Cibber, till that lady's illness caused Mandane ("Orphan of China") to be giv

autifully, was always dignified, but seems to have wanted variety of expression. With a haughty mien, and a powerful voice, she was well suited to the strong-minded heroines of tragedy; but the more tender ladies, Desdemona or Monimia, she could not compass. To the pride and violence of

er "queen-like majesty" does not seem to have been exactly suitable. Her scorn was never equalled but by Mrs. Siddons, and it would be difficult to determine which lady ha

eep this form

much disorde

r headdress, but quietly took it from her head, and placed it on the

Sion, at Tunbridge Wells, was the property of her mother, a Quaker farmer's daughter, named Seal, who, on her m

pany, and to his apartments, in Somerset House. When my lord wanted a little change, he left Miss Seal with her infant son, and crossed to Ireland to make an offer to the daughter of the

re married already. Tyrawley hoped thus to secure Lady Mary Stewart's fortune; but discovering she had none at her disposal, he naturally felt he had been deceived, and turned his wi

arms; but she was so annoyed by the discovery of a swarthy rival, that she listened to the wooing of a Captain Bellamy, married him, and

r. He exhibited the greatest care in her education. He kept her at a Boulogne convent from her fifth to her eighth year, and then brought h

ance for his daughter, which so warmed up her mother's affections for her, that George Anne was induced to live with her, and George Anne's mo

having to play Chamont to "such a child;" but the little thing manifested such tenderness and ability, that he confessed she was charming. Lord Byron thought so too, and carried her off in his coach to a house at the corner of North Audley Street, which looked over the dull Oxford Road to the desolate fields b

hase of her life to an end, and it was followed by a triumphant season on the Dublin stage, from 1745 to 1747, where she made such a sensation, reigned so like a queen, and was altogether so irresistible and rich, that Lord Tyrawley's family acknowledged her. My lord himself became reconciled to her, through old Quin,

d she would not,-Calcraft and Digges, whom she would have, and the last of whom she thought she had married, she could not; for both had wives living. To say that she was a syren who lured men to destruction

xpression, doubled the effect; and whether she gazed at a lover or rested her head on the bosom of her lord, nothing more tender or subduing was ever seen, save in Mrs. Cibber. She was so beautiful, had eyes of such soft and loving blue, was so extraordinarily fair, and was altogether so irresistible a

as Mrs. Cibber did, for one quiet abiding home, by whomsoever shared, but sighed for change, had it, and suffered for it. When her powers began to decay, her admirers of all schools deplored the fact. In tragedy, natural as she was in feeling, she belonged to the old days of int

Two old lovers, one of whom was Woodward, bequeathed legacies to her, which she never received. Those sums seemed as life to her; but, in the days of her pride and her power, and wicked but transcendent beauty, she would have scorned them as mere pin-money; and so she grew acquainted with gaunt misery, till some friends weary, perhaps, of sustaining the burthen she imposed upon them, induced the managers to give her a farewell benefit, in 1784,[24] on which occasion Mrs. Yates returned to the stage to

ss'd with grati

teous tribute

pect for the erst charmer, others out of curiosity to behold a woman of such fame on and off the stage-rose to greet her. George Anne, urged by Miss Catley, bent

London stage, as Belinda, in "All in the Wrong." She wanted animation and humour, but was distinguished for the splendour of her stage wardrobe, which was all her own. She joined Whitlock and Austin's company in the north. Whitlock married Mrs. Siddons' sister Elizabeth, and took her to America, where her acting drew rather the admiration than the tears of the Indian

s Hardcastle, and Sheridan's Julia, in the "Rivals," left the London stage for Edinburgh, where,

owslip was the greater tragedian of the two. Then, the first of the Miss Bruntons, the Louisa Courtney of Reynold's "Dramatist," finished her seventh and last season, in London, in 1792, as the wife of Della Cruscan Merry. She began as an expected rival of Mrs. Siddons, but London did not confirm the testimony of Bath. Three other actresses passed away before Miss Farren: mad Hannah Brand, who was

e fell into durance through an unconscious infringement of the borough law. The story is told, at length, in my Knights and their Days. On a wintry morning, a little girl carries him a bowl of hot milk, for

ut of very love for the beautiful girl, Younger brought her out, at Liverpool, where her maternal grandfather had been a brewer of repute and good fortune, a

ear of London probation, her Miss Hardcastle was a great success; the town was ecstatic at that and her Maria, in the "Citizen," was rapt at her Rosetta, rendered hilarious by her Miss Tittup, and rarely charmed by her playfulness and dignity, as Rosara (Rosina), in the "Barb

where she divided the principal parts with Miss Walpole, Miss P. Hopkins (Mrs. Kemble

l, where, after her father's death, Younger had engaged the whole family, that, on th

d been of such stern and humble aspect, such a strolling and starving with her stage-mad and improvident father, that an anonymous biographer says of her: "The early parts of the history of many eminent lad

dy, now and then; and assumed low comedy characters, occasionally; but her natural elegance, her tall and delicate figure, her beautiful expression, her superbly modulated voice

le graces of her address and manner, the polished beauties of her action and gait, and all the indescribable little charms which give fascination to t

of Fortune." In the "Heiress" Adolphus again says of her:-"Whether high and honourable sentiments, burning and virtuous sensibility, sincere and uncontrollable affection; animated, though sportive reprehension; elegant persiflage, or arch and pointed

ing fire from the side-lights. She was not aware of her peril, till Bannister (Almaviva)

, as it is called, in the best society, where she was Queen "amang them a'." Charles James Fox is said to have been more or less seriously attached to her; but

; for this one event, waited for during a score of years, was the deat

uainted with the Earl of Derby, who was himself a clever actor, in private theatricals. A Platonic affection, at least, was soon established. Walpole writing, in 1791, to the Miss Berrys, says: "I have ha

ich she gracefully curtseyed to all parts of the house; and that once little girl who carried milk to her father in the Round House, went home, and was married to the Earl, on the May Day of the year in which he had lost his first wife! Six weeks 'twixt death and

this occasion, and it was not one for which youthful widowers might find an apology, for the erst strolling actress

s, to the Earl of Wilton. Through her, the blood of an actress once more mingles with that of the peerage; with

fever of delight that their daughter should be a viscountess. Doubtless she became so in law and fact; but instead of taking place as such with the Viscount, he laid by his title, and out of love for his wife and her profession, turned actor hims

ady, with whom we first become acquainted as a vivacious and intelligent little girl selling flowers in St. James's Park. She is known as "Nosegay Fan." Her father, a soldier in the Guards, mends shoes, when off duty, in Windmill Street, Haymarket, and her brother waters the horses of the Hampstead stage, at the corner of Hanw

Lane. Then ensued some passages in her life that remind one of the training and experience of Nell Gwyn. The fascinating Fanny, in one way or another, made her way in the world, and, for the sake of a smile, lovers courted ruin. This excessively brilliant, though not edifying, career did not last long. Among the many friends she had acquired was that prince of scamps and Bardolphs, Theophilus Cibber, who had just procured a licence to open the theatre in the Haymarket. He had marked the capabilities of the "v

acklin, and Mrs. Clive, kept her out of the line of characters for which she was specially qualified. She was, moreover, ill-educated, and she forthwith placed herself under tuition. Fanny took for music-master Mr. Abington, who, of course, became desperately in love with her, and m

nd realise something of the grace and perfection of Mrs. Abington. In 1771, Walpole wrote to her, "I do impartial justice to your merit, and fairly allow it not only equal to that of any actress I have seen, but believe the present age will not be in the wrong if they hereafter prefer it to those they may live to see." On one occasion, he describes her, in Lady Teazle, as "equal to the first of her profession." She "seemed the very person," an "admiration of Mrs. Abington's genius made him long desire the honour of her acquaintance." He goes to sup with her, hoping "that Mrs. Clive will not hear of it;" and he throws Strawberry open to her, and as many friends as she chooses to bring with her. When the fever of his enthusiasm had somewhat abated, and he remembered the "Nosegay Fan" of early days, his admiration was more discriminating. Mrs. Abington, then, "can never go beyond Lady Teazle, which is a second-rate character, and that rank of women are always aping women of fashion without arriving at the style." Out of the line of the affected fine lady, says Lady G. Spencer, "Mrs. Abington should never go. In that she succeeds, because it is not unnatural to her." This criticism is just, for Lady Teazle is a parvenu. The country-bred girl apes

helmet in the Castle of Otranto. For more than a quarter of a century, her Widow Belmour, in the "Way to Keep Him," was a never-failing delight to the public. Murphy says that her graces of action gave to this part brilliancy, and even novelty, every time she repeated it. She was the original representa

which she played in the after-piece! Her portrait, as Scrub, with her hair thus dressed, gives her an absurd appearance. She figured in the private theatricals, at Brandenburgh House, of the Margravine of Anspach. In one of the plays represented-the "Provoked Wife"-the piece was cut down,

gentle yet all-conquering Miss Farren, whom, however, she survived on the stage. From 1798 to 1815, Mrs. Abington lived in retirement, active only in works o

f Hannah More. She was the heiress of a fair fortune, which her philanthropic father dissipated in attempts to civilise the Esquimaux Indians. Having thereby beggared his wife and child, the man, with a heart for all mankind, but not for his home, left the latter; and the mother then was supported by what Miss Darby

now withdrawn from the stage, rehearsed Romeo to her Juliet; and sat in the orchestra on the night of the 10th of December 1776, when she played the latter part to the Romeo of Brereton. She was then only eighteen; and her success was all that could be expected from her tal

, in the "Trip to Scarborough." Since Mrs. Woffington and the first blush of Mrs. Bellamy, such peculiar grace and charms had not been seen on the stage. The c

Lane, the "Winter's Tale," for the sixth time. Gentleman Smith was Leontes; Bensle

ughingly; "I never saw you look so handsome as you do now!" He was a true prophet. The Prince was subdued by her beauty, and subsequently wrote letters to her, which were signed "Florizel," and were carried by no less n

heart,-not in precious metal, but in paper,-a symbol of the worth and tenacity of the Prince's. On this token was a double motto, in French

orget. The first step she made towards the latter was, by meeting him in a boat, moored off Kew. The second, was by meeting him by moonlight, in Kew Gardens. But then, the "Bishop of Osnaburgh" was pr

nd made no secret to the lady of his deathless love having altogether died out. He passed her in the park, affecting not to know her; and the spirited young woman, who had given up a lucrative profession for his sake, flung a remark at him, in her indignation,

estless, she dwelt, now here, now there; now in France, where Marie Antoinette gave a purse, knitted by her luckless fingers, to "la belle Anglaise;" now in Bright

without power and good sense. She had undertaken to supply the Morning Post with poetry, when she died, after crue

, for both of whom she laboured ungrudgingly to the last. Hannah More, herself, would not harshly construe the conduct of her pupil. "I make the greate

oung city merchants. There was a public admiration for her which scarcely any other actress so practically experienced. Thus, on the night in 1776, when the "Trip to Scarborough" was undergoing temporary but loud condemnation, Mrs. Yates, yielding to the storm, suddenly withdrew,

for. She describes the outward presentment of her Statira ("Alexander the Great"), by saying, "My dress was white and blue, made after the Persian costume; and, though it w

and ages would join "to pour in Laura's praise their melodies divine." During that same time Peter Pindar called her, "The nymph of my heart;" Burgoyne pronounced her "perfect as woman and artist;" Tickle proclaimed her "the British Sappho;" John Taylor hailed her, "Pensive Songstress;" Boaden recorded h

group of actors of the Garrick school-standing a little apart from whom

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appearance was

any mention of he

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er died on 30t

amy calls this

t took place on

in the bills for the last

Way to Keep Him," at Drury Lane, on 27th November 176

is not by Mrs. Robinson, but

on 31st May 1780, when "Rule a Wife,"

hens died Febr

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