Biographia Literaria

Theory-Of the original mistake or equivocatio

all the incomprehensibility (if it be not indeed, os emoige dokei, the absurdity), of intercommunion between substances that have no one property in common, without any of the convenient consequences that bribed the judgment to the admission of the Dualistic hypothesis. Accordingly, this caput mortuum of the Hartleian process has been rejected by his followers, and the consciousness considered as a result, as a tune, the common product of the breeze and the harp though this again is the mere remotion of one absurdity to make way for another, equally preposterous. For what is harmony but a mode of relation, the very esse of which is percipi?-an ens rationale, which pre-supposes the power, that by perceiving creates it? The razor's edge becomes a saw to the armed vision; and the delicious melodies of Purcell or Cimarosa might be disjointed stammerings to a hearer, whose partition of time should be a thousand times subtler than ours. But this obstacle too let us imagine ourselves to have surmounted, and "at one bound high overleap all bound." Yet according to this hypothesis the disquisition, to which I am at pre

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Southey and Lord Byron, when the one fancied himself composing his Roderick, and the other his Childe Harold. The same must hold good of all systems of philosophy; of all arts, governments, wars by sea and by land; in short, of all things that ever have been or that ever will be produced. For, according to this system, it is not the affecti

e sensations again all their reality from the impressions ab extra; a God not visible, audible, or tangible, can exist only in the sounds and letters that form his name and attributes. If in ourselves there be no such faculties as those of the will, and the scientific reason, we must either have an innate idea of them, which would overthrow the whole sy

rves and to the atmosphere. Indeed the whole of the second volume is, with the fewest possible exceptions, independent of his peculiar system. So true is it, that the faith, which saves and sanctifies, is a collective energy, a total act of the whole moral being; that its living sensorium is in the heart; and that no errors of the understanding can be morally arraigned unless they have proceeded from the heart. But whether they be such, no man can be certain in the case of another, scarcely perhaps even in his own. Hence it follows by inevitable con

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ter, at least of phaenomena considered as material. At the utmost, it is to thought the same, as the law of gravitation is to loco-motion. In every voluntary movement we first counteract gravitation, in order to avail ourselves of it. It must exist, that there may be a something to be counteracted, and which, by its re-action, may aid the force that is exerted to resist it. Let us consider what we do when we leap. We first resist the gravitating power by an act purely voluntary, and then by another act, voluntary in part, we yield to it in order to alight on the spot, which we had previously proposed to ourselves. Now let a man watch his mind while he is composing; or, to take a still more common case, while he is trying to recollect a name; and he will find the process completely analogous. Most of my readers will have observed a small water-insect on the surface of rivulets, which throws a cinque-s

d me to recollect them; and equally conscious am I that the latter was recalled to me by the joint operation of likeness and contrast. So it is with cause and effect: so too with order. So I am able to distinguish whether it was proximity in time, or continuity in space, that occasioned me to recall B on the mention of A. They cannot be indeed separated from contemporaneity; for that would be to separate them from the mind itself. The act of consciousness is indeed identical with time considered in its essence. I mean time per se, as contra-distinguished from our notion of time; for this is always blended with the idea of space, which, as the opposite of time, is therefore its measure. Nevertheless the accident of seeing two objects at the same moment, and the accident of seeing them in the same place are two distinct or distinguishable causes: and the true practical general law of association is this; that whatever makes certain parts of a total impression more vivid or distinct than the rest, will determine the mind to recall these in