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Saint Joan of Arc

Chapter 4 WAS JOAN INNOCENT OR GUILTY

Word Count: 715    |    Released on: 29/12/2018

n Joan's case has to be faced. It was decided against her by her contemporaries after a very careful and conscientious trial; and the reversal of the

ic), very kindly, and, though a brave and hardy soldier, unable to endure loose language or licentious conduct. She went to the stake without a stain on her character except the overweening presumption, the superbity as they called it, that led her thither. It would therefore be waste of time now to prove that the Joan of the first part of the Elizabethan chronicle play of Henry VI (supposed to have been tinkered by Shakespear) grossly libels her in its concluding scenes in deference to Jingo patriotism. The mud that was thrown at her has dropped off by this time so completely that there is no need for any modern writer to wash up after it. What is far more difficult to get rid of is the mud that is being thrown at her judges, and the whitewash which disfigures her beyond recogn

upernatural, is eligible for canonization. If a historian is an Anti-Feminist, and does not believe women to be capable of genius in the traditional masculine departments, he will never make anything of Joan, whose genius was turned to practical account mainly in soldiering and politics. If he is Rationalist enough to deny that saints exist, and to hold that new ideas cannot come otherwise than by conscious ratiocination, he will never catch Joan's liken

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1 Chapter 1 JOAN THE ORIGINAL AND PRESUMPTUOUS2 Chapter 2 JOAN AND SOCRATES3 Chapter 3 CONTRAST WITH NAPOLEON4 Chapter 4 WAS JOAN INNOCENT OR GUILTY 5 Chapter 5 JOAN'S GOOD LOOKS6 Chapter 6 JOAN'S SOCIAL POSITION7 Chapter 7 JOAN'S VOICES AND VISIONS8 Chapter 8 THE EVOLUTIONARY APPETITE9 Chapter 9 THE MERE ICONOGRAPHY DOES NOT MATTER10 Chapter 10 THE MODERN EDUCATION WHICH JOAN ESCAPED11 Chapter 11 FAILURES OF THE VOICES12 Chapter 12 JOAN A GALTONIC VISUALIZER13 Chapter 13 JOAN'S MANLINESS AND MILITARISM14 Chapter 14 WAS JOAN SUICIDAL 15 Chapter 15 JOAN SUMMED UP16 Chapter 16 JOAN'S IMMATURITY AND IGNORANCE17 Chapter 17 THE MAID IN LITERATURE18 Chapter 18 PROTESTANT MISUNDERSTANDINGS OF THE MIDDLE AGES19 Chapter 19 COMPARATIVE FAIRNESS OF JOAN'S TRIAL20 Chapter 20 JOAN NOT TRIED AS A POLITICAL OFFENDER21 Chapter 21 THE CHURCH UNCOMPROMISED BY ITS AMENDS22 Chapter 22 CRUELTY, MODERN AND MEDIEVAL23 Chapter 23 CATHOLIC ANTI-CLERICALISM24 Chapter 24 CATHOLICISM NOT YET CATHOLIC ENOUGH25 Chapter 25 THE LAW OF CHANGE IS THE LAW OF GOD26 Chapter 26 CREDULITY, MODERN AND MEDIEVAL27 Chapter 27 TOLERATION, MODERN AND MEDIEVAL28 Chapter 28 VARIABILITY OP TOLERATION29 Chapter 29 THE CONFLICT BETWEEN GENIUS AND DISCIPLINE30 Chapter 30 JOAN AS THEOCRAT31 Chapter 31 UNBROKEN SUCCESS ESSENTIAL IN THEOCRACY32 Chapter 32 MODERN DISTORTIONS OF JOAN'S HISTORY33 Chapter 33 HISTORY ALWAYS OUT OF DATE34 Chapter 34 THE REAL JOAN NOT MARVELLOUS ENOUGH FOR US35 Chapter 35 THE STAGE LIMITS OF HISTORICAL REPRESENTATION36 Chapter 36 A VOID IN THE ELIZABETHAN DRAMA37 Chapter 37 TRAGEDY, NOT MELODRAMA38 Chapter 38 THE INEVITABLE FLATTERIES OF TRAGEDY39 Chapter 39 SOME WELL-MEANT PROPOSALS FOR THE IMPROVEMENT OF THE PLAY40 Chapter 40 THE EPILOGUE41 Chapter 41 TO THE CRITICS, LEST THEY SHOULD FEEL IGNORED42 Chapter 42 AYOT ST LAWRENCE43 Chapter 43 SCENE II44 Chapter 44 SCENE III45 Chapter 45 SCENE IV46 Chapter 46 SCENE V47 Chapter 47 SCENE VI48 Chapter 48 EPILOGUE