Egypt (La Mort de Philae)
emphite desert, are, as all the world knows, monster coffins of bla
ning through forests of date-trees whose beautiful palms temper the light of the March sun, which is now half veiled in clouds and already declining. In the distance herds are grazing in the cool shade. And we meet fellahs leading back from the field towards the village on the river-bank
th its yellow hues, its livid marblings, and its sands which make it look somehow as if it lacked consistency, it rises on the whole horizon like a kind of soft wall or a great fearsome cloud-or rather, like a long cataclysmic wave, which does not move indeed, but which, if it did, would overwhelm and swallow everything. It is the Memphite desert-a place, that is to say, such as does not exist elsewhere on earth; a fabulous necropolis, in which men of earlier times, heaped up for some three thousand years the embalmed bodies of their d
emphis, through the interminable forest of palm-trees, had their
rses ceases to be heard; the moving felting of the soil establishes a sudden silence around us, as indeed is alwa
the first wave, as one might say, of this waterless sea-and we are now mounted into the kingdom of the de
landmarks of this necropolis, which is nearly six miles in length, and was formerly covered by temples of a magnificence and a vastness unimaginable to the minds of our day. Except for one which is quite near us (the fantastic grandfather of the others, that of King Zoser, who died nearly 5000 years ago), except for this one, which is made of six colossal superposed terraces, they are all built after that same conception of the Triangle, which is at once the most mysteriously simple figure of geometry, and the strongest and most permanently stable form of architecture. And now that there remains no trace of the frescoed portraits which used to adorn them, nor of their multicoloured coatings, now that they have taken on the same dead colour as the desert, they look like the huge bones of giant fossils, that have long outlasted their other contemporaries on earth. Beneath the ground,
ce which has continued since the beginning of time. Already at Memphis it has buried innumerable statues and colossi and temples of the Sphinx. It comes without a pause, from Libya, from the great Sahara, which contain enough to powder the universe. It harmonises well with the tall skeletons of the pyramids, which form immutable rocks on its always shifting extent; and
excavations, from whom we have to obtain permission to descend amongst the Apis. The whitewashed room in which he receives us is encumbered with the age-old debris which he is continually bringing to light.
emely partial to dancing-girls. In the middle of the group the man himself is represented, sitting in an armchair, and on his knee he holds his favourite dancing-girl. Other girls posture before him in a dance of the period; and on the ground sit musicians touching tambourines and strangely fashioned harps. All wear their hair in a long plait, which falls below their shoulders like the pigtail of the Chinese. It was the distinguishing mark of these kinds of courtesans. And these little people had kept their pose in the darkness for some three thousand years before the
ttle more than two hundred yards away. We are told that the pl
ay that opens before us comes a breath of air as from an oven. It is always dry and hot in the underground funeral places of Egypt, which make indeed admirable stoves for mummies. The threshold once crossed we are plun
ghfare more than five hundred yards long, cut in the rock, whe
sary to look closely to distinguish on the smooth walls the hieroglyphic inscriptions, the rows of little figures, little owls, little jackals, that tell in a lost language the history of ancient peoples. Here is the signature of King Amasis; beyond, that of King Cambyses. . . . Who were the Titans who, century after century, were able to hew these coffins (they are at least twelve feet long by ten feet high), and, having hewn them, to carry them underground (they weigh on an average between sixty and seventy tons), and finally to range them in rows here in these strange chambers, where they stand as if in ambuscade on either side of us as we pass? Each in its turn has contained quite comfortab
emains intact in th
us the only Apis wh
ecalls the emotion
on the sandy groun
last Egyptian who
ries
horoughfare. But this one has never reached its place and never held its mummy. It was the last. Even while men were slowly rolling it, with tense muscles and panting cries, towards what might well have seemed its eternal chamber, others gods were born, and the cult of the Apis had come to an end-suddenly, then and there! Such a fate may happen indeed to e
t, the aspects of horror that were awaiting us above had vanished from our mind. Sinister as it is under a blue sk
seems to be tilted up; one of the highest of the waves of this waterless sea, a mountain of sand whose soft contours are deceptive in the distance, makes it look as if it sloped towards us, so as almost to produce a sensation of vertigo. The sun itself has deigned to remain on the scene a few seconds longer, held beyond its time by the effect of mirage; but it is so changed behind its thick veils that we would prefer that it should not be there. Of the colour of dying embers, it seems too near and too la
uch a place, it se