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Monsieur, Madame, and Bebe -- C

Chapter 7 AN EMBASSY BALL

Word Count: 1431    |    Released on: 29/11/2017

ge. A cloud of powder is most becoming, a touch of rouge has a charming effect, and even that blue shadow that they spread, I don't know how, under the eye. Wh

to those eyes, and between o

that, they ha

rilliancy beneath that half shadow, an

that-it is very pretty sometimes-I have seen in the Bois charming creatures under

it is put on with a stu

s! It is shocking, upon my word.

s; I have even quite a collection of little pots

re you going to the fancy ba

you, are you goi

he effect will be splendid." After a silence: "I

dear aunt; you will look

e, you littl

air of exquisite grace, and seemed about to

ur opinion on my costume, and then," she broke into a laugh, and taking me by the hand, added in my ear: "Bring your little po

t's bedroom presented a spec

ad been up all night, were both on their knees, rummaging

ave been put to this last hour. I am sure they will take cold in that icy courtyard." As she spoke she stretched out her foot, shod with a red-heeled slipper, glittering with gol

hink of me, Mo

d by this July sun, the brightest of all the year,

then this lofty style of head-dressing gives a majestic turn to the neck. I do not know whether you are aware that I

whole apparatus, and

now what I told you," and she turned her head, pres

rfume, foreign to aunts in ge

ion like the present, and the necessities of a histori

hand will shake." And, indeed, in touc

little pearl powder on one's face in order not to look as yellow as an orange; and one's cheeks once whitened, one can't-you are tickling me with your brush-one can't remain like a miller, so a touch of rouge is inevitable. And

augh freely, as sh

is shameful, for with them it is a trick, nothing more. Oh! you may put on a little more of that blue of yours, I see what it does now. It has a very good effect. How you are arching the eyebrows. Don'

t, are you

way again, smiled, and, leaning back in her chair, said: "It must be

-up,

have recourse to it for the evening-from time to time. It is cer

e it

bottle, it

move, aunt. Put out your lips as if you wish

will teach me your little ac

ngly,

it gives to the lips, and how white one's t

your bits

e smiled at me mincingly, for the

er which she placed near the corner of her mouth, and then, radiant and adorable, exclaimed: "Hide away you

cle entered in silk

ntrude," said he,

. "Ernest is going to the Embassy, like ourselves

aying, "You are enchanting this evening, my dear." Then, with a sly smile, "You

is stifling here. But you, my dear, you look s

n. Jean forgot to look after my fire a

in turn as she

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Monsieur, Madame, and Bebe -- C
Monsieur, Madame, and Bebe -- C
“Antoine-Gustave Droz was born in Paris, June 9, 1832. He was the son of Jules-Antoine Droz, a celebrated French sculptor, and grand son of Jean Pierre Droz, master of the mint and medalist under the Directoire. The family is of Swiss origin. Gustave entered L'Ecole des Beaux Arts and became quite a noted artist, coming out in the Salon of 1857 with the painting 'L'Obole de Cesar'. He also exhibited a little later various 'tableaux de genre': 'Buffet de chemin de fer' (1863), 'A la Sacristie' and 'Un Succes de Salon' (1864), 'Monsieur le Cure, vous avez Raison' and 'Un Froid Sec' (1865).”